Lech Majewski

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

A mix of fantasy and sci-fi, the film entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America.

A mix of fantasy and sci-fi, the film entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America.

A mix of fantasy and sci-fi, the film entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America.

Un romance visionario basado en una lectura contemporánea de Dante.

Un romance visionario basado en una lectura contemporánea de Dante.

Un romance visionario basado en una lectura contemporánea de Dante.

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

Pintura y cine se dan la mano de forma espectacular en 'El molino del tiempo', que basa su estética en la concepción visual del pintor flamenco del siglo XVI, Pieter Brueghel y en su cuadro "Camino del Calvario", en el que vemos el peregrinaje de una amorfa masa de gente que se dirige a contemplar la crucifixión de Cristo bajo un cielo gris perturbador. El pintor sitúa esta Pasión en su propia época, y la película se centra en una serie de personajes extraídos dentro de ese grupo de personas que acuden a ver por última vez a Jesús en la Cruz. En ese grupo encontramos al propio pintor (que encarna el actor Rutger Hauer, 'Blade Runner') y a varios de sus amigos y compañeros, que van desde un marchante de arte, Nicholas Jonghelinck (Michael York, 'Cabaret') hasta la Virgen María (Charlotte Rampling, 'Portero de noche').

This dialog-free film, originally presented as 33 short films, is an experimental, bizarre set of meditations and flashbacks of the grotesque.

This dialog-free film, originally presented as 33 short films, is an experimental, bizarre set of meditations and flashbacks of the grotesque.

First volume of visual poems. Twelve video art short features.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Mourning. Funerals. The origins of culture are built on farewells. Burial mounds, tombs, mausoleums and pyramids were filled with objects that belonged to the departed. Bandaged, mummified, they were buried alongside their owners since they were extensions of their hands, legs and bodies. An eighteen day vigil in the Modern Art Gallery of Majewski’s native town of Katowice was an attempt to pay a simple homage to a young woman who died in a car accident. It evolved into a mysterious ritual connected to the myth of the fountain of life-giving blood, an archetype of female cyclicality. Reminiscent of priestesses from Böcklin paintings, silhouettes in lucid gowns moved in a slow motion making the audience participate in a ceremony that felt like an ancient funeral, creating a symbolic mausoleum at the Gallery.

Mourning. Funerals. The origins of culture are built on farewells. Burial mounds, tombs, mausoleums and pyramids were filled with objects that belonged to the departed. Bandaged, mummified, they were buried alongside their owners since they were extensions of their hands, legs and bodies. An eighteen day vigil in the Modern Art Gallery of Majewski’s native town of Katowice was an attempt to pay a simple homage to a young woman who died in a car accident. It evolved into a mysterious ritual connected to the myth of the fountain of life-giving blood, an archetype of female cyclicality. Reminiscent of priestesses from Böcklin paintings, silhouettes in lucid gowns moved in a slow motion making the audience participate in a ceremony that felt like an ancient funeral, creating a symbolic mausoleum at the Gallery.

Bound to a suffocating existence, a young man embarks on a marvelous journey of the imagination, transforming ordinary details of his room into fantastic images of natural beauty, where the cycles of life mysteriously play themselves out.

Bound to a suffocating existence, a young man embarks on a marvelous journey of the imagination, transforming ordinary details of his room into fantastic images of natural beauty, where the cycles of life mysteriously play themselves out.

Biografía de Jean-Michel Basquiat, pintor vanguardista que pasó de ser un joven desconocido que pintaba graffitis en Brooklyn a convertirse en uno de los más controvertidos y famosos de la pintura contemporánea mundial a comienzos de los años ochenta, descubierto por Andy Warhol. Sus exposiciones se convirtireron en un acontecimiento de la escena artística neoyorquina de la época, y sus cuadros fueron adquiridos por importantes museos y coleccionistas privados, mientras él se enfrentaba a una espectacular y fulgurante fama que le sumergió en el mundo de las drogas -adicto a la heroína, el artista murió de una sobredosis a los 27 años de edad-.

Biografía de Jean-Michel Basquiat, pintor vanguardista que pasó de ser un joven desconocido que pintaba graffitis en Brooklyn a convertirse en uno de los más controvertidos y famosos de la pintura contemporánea mundial a comienzos de los años ochenta, descubierto por Andy Warhol. Sus exposiciones se convirtireron en un acontecimiento de la escena artística neoyorquina de la época, y sus cuadros fueron adquiridos por importantes museos y coleccionistas privados, mientras él se enfrentaba a una espectacular y fulgurante fama que le sumergió en el mundo de las drogas -adicto a la heroína, el artista murió de una sobredosis a los 27 años de edad-.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The story of the great train robber Ronald Biggs.

The story of the great train robber Ronald Biggs.

Drama starring Karen Black, Betsy Blair and Dennis Christopher

Drama starring Karen Black, Betsy Blair and Dennis Christopher

Drama starring Karen Black, Betsy Blair and Dennis Christopher

A tale of medieval quest for a golden harp called "the Knight".

A tale of medieval quest for a golden harp called "the Knight".