Lech Majewski

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Inspired by the tale of Telemachus in Homer’s Odyssey, young Adam’s mother is persecuted by the state police because his father fought in WWII as a pilot before disappearing. Adam fantasizes about his father and one day, while watching Godard’s Contempt in the cinema, finds himself transported into the dressing room of Brigitte Bardot and into a world where he meets a coterie of her contemporary celebrities.

Биограф Джон Экас, пишущий историю самого богатого человека на земле Веса Тауроса, обладает способностью менять реальность силой воображения. Он переплетает их судьбы с древней легендой индейцев Навахо, исследуя, как видения сверхъестественного сталкиваются с настоящими событиями жизни.

Биограф Джон Экас, пишущий историю самого богатого человека на земле Веса Тауроса, обладает способностью менять реальность силой воображения. Он переплетает их судьбы с древней легендой индейцев Навахо, исследуя, как видения сверхъестественного сталкиваются с настоящими событиями жизни.

Биограф Джон Экас, пишущий историю самого богатого человека на земле Веса Тауроса, обладает способностью менять реальность силой воображения. Он переплетает их судьбы с древней легендой индейцев Навахо, исследуя, как видения сверхъестественного сталкиваются с настоящими событиями жизни.

A visionary romance based on a contemporary reading of Dante.

A visionary romance based on a contemporary reading of Dante.

A visionary romance based on a contemporary reading of Dante.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

В основе фильма — написанный в 1564 году Питером Брейгелем шедевр «Путь на Голгофу», созданный на сюжет Страстей Христовых. Картина Леха Маевского представляет собой фантазию на тему судеб десяти персонажей, которых можно увидеть на знаменитом полотне (в их числе — Дева Мария), самого Питера Брейгеля и антверпенского купца, коллекционера предметов искусства Николоса Йонгелинка, по заказу которого художником было создано несколько картин.

This dialog-free film, originally presented as 33 short films, is an experimental, bizarre set of meditations and flashbacks of the grotesque.

This dialog-free film, originally presented as 33 short films, is an experimental, bizarre set of meditations and flashbacks of the grotesque.

First volume of visual poems. Twelve video art short features.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist's work becomes the background for their physical passion and emotional discovery.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

A commune built around the pursuit of spiritual perfection through the occult begins to see its prophecies come true.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Polish rebel Rafal Wojaczek writes poetry and lives life on the edge before his suicide in 1971.

Mourning. Funerals. The origins of culture are built on farewells. Burial mounds, tombs, mausoleums and pyramids were filled with objects that belonged to the departed. Bandaged, mummified, they were buried alongside their owners since they were extensions of their hands, legs and bodies. An eighteen day vigil in the Modern Art Gallery of Majewski’s native town of Katowice was an attempt to pay a simple homage to a young woman who died in a car accident. It evolved into a mysterious ritual connected to the myth of the fountain of life-giving blood, an archetype of female cyclicality. Reminiscent of priestesses from Böcklin paintings, silhouettes in lucid gowns moved in a slow motion making the audience participate in a ceremony that felt like an ancient funeral, creating a symbolic mausoleum at the Gallery.

Mourning. Funerals. The origins of culture are built on farewells. Burial mounds, tombs, mausoleums and pyramids were filled with objects that belonged to the departed. Bandaged, mummified, they were buried alongside their owners since they were extensions of their hands, legs and bodies. An eighteen day vigil in the Modern Art Gallery of Majewski’s native town of Katowice was an attempt to pay a simple homage to a young woman who died in a car accident. It evolved into a mysterious ritual connected to the myth of the fountain of life-giving blood, an archetype of female cyclicality. Reminiscent of priestesses from Böcklin paintings, silhouettes in lucid gowns moved in a slow motion making the audience participate in a ceremony that felt like an ancient funeral, creating a symbolic mausoleum at the Gallery.

Bound to a suffocating existence, a young man embarks on a marvelous journey of the imagination, transforming ordinary details of his room into fantastic images of natural beauty, where the cycles of life mysteriously play themselves out.

Bound to a suffocating existence, a young man embarks on a marvelous journey of the imagination, transforming ordinary details of his room into fantastic images of natural beauty, where the cycles of life mysteriously play themselves out.

История короткой, но насыщенной драматическими событиями жизни негритянского художника, представителя манхэттенской богемы, Жана-Мишеля Баския на фоне артистической жизни Нью-Йорка. Его полотна, так же, как образ жизни, (он не знал, что делать с обрушившийся на него славой), бесчисленные романы, страсть к наркотикам, — все это привело к саморазрушению — вызвали в 80-е годы постоянный ажиотаж в прессе.

История короткой, но насыщенной драматическими событиями жизни негритянского художника, представителя манхэттенской богемы, Жана-Мишеля Баския на фоне артистической жизни Нью-Йорка. Его полотна, так же, как образ жизни, (он не знал, что делать с обрушившийся на него славой), бесчисленные романы, страсть к наркотикам, — все это привело к саморазрушению — вызвали в 80-е годы постоянный ажиотаж в прессе.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The film is a biblical soap-opera whose action unfolds in the Californian desert. Karen and Wes's marriage is crumbling apart - like a sandcastle. Karen can't even make love to her husband any more - the sand has managed to get everywhere. Harry, a tax collector, is a witness to this marriage falling apart. As a civil servant he hears Wes confession. However he isn't able to help him. The omnipotent eye of television glitters above the desert - that raw allegory of America where neither the white nor the black have it good. If Samuel Beckett and Joan Collins had a romance, then their child would look like this film.

The story of the great train robber Ronald Biggs.

The story of the great train robber Ronald Biggs.

Drama starring Karen Black, Betsy Blair and Dennis Christopher

Drama starring Karen Black, Betsy Blair and Dennis Christopher

Drama starring Karen Black, Betsy Blair and Dennis Christopher

A tale of medieval quest for a golden harp called "the Knight".

A tale of medieval quest for a golden harp called "the Knight".