Andrew Neel
Nacimiento : 1978-01-01, Vermont, USA
Historia
From Wikipedia, the free encyclopedia.
Andrew Neel is an American filmmaker. He was born in Vermont in 1978.
Neel co-founded SeeThink Productions together with Ethan Palmer, Luke Meyer and Tom Davis in 2001 after graduating from Columbia College with a BA in film studies. He has directed four feature-length documentary films: Darkon, Alice Neel, The Feature, and New World Order.
He lives and works in New York City and is represented by The Gersh Agency.
Description above from the Wikipedia article Andrew Neel, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Screenplay
Traumatizado por un terrible asalto, un chico de 19 años se matricula en la universidad con su hermano, y ambos se unen a la misma fraternidad. Lo que ocurre en ella pone a prueba al chico y a su lealtad por su hermano.
Director
Traumatizado por un terrible asalto, un chico de 19 años se matricula en la universidad con su hermano, y ambos se unen a la misma fraternidad. Lo que ocurre en ella pone a prueba al chico y a su lealtad por su hermano.
Executive Producer
As seventh-graders, band members of Unlocking The Truth spend their weekends playing metal music in Times Square—often to substantial crowds. After signing with a 70-year-old manager, they are soon on their way to a $1.8 million record deal.
Producer
La historia de un joven autista llamado Ricky que, después de un día particularmente difícil en la escuela, se escapa en el metro. Es aquí donde comienza su viaje real, mientras que, por encima del suelo, su madre busca le desesperadamente.
Executive Producer
On a freezing January evening, school bus driver Lesley completes her route, but her final inspection abruptly ends when a bluebird comes into view. What happens next shakes her small Maine logging town, proving that even the slightest actions have enormous consequences.
Story
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand.
Director
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand.
Director
Filmmakers Luke Myer and Andrew Neel make it real hard to just laugh away the crazy conspiracy theorists in their new feature documentary, New World Order. In fact, what they do instead, is humanize their efforts. What makes the documentary work is that rather than focusing on the theories, Myer and Neel focus on the people.
Cinematography
The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.
Writer
The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.
Director
The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.
Writer
The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.
Director
The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.
Author
Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.
Director
Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.