Andrew Neel

Девятнадцатилетний Брэд Лэнд поступает на учебу в колледж и полон решимости оправиться после жестоко избиения, которое он пережил летом. Его брат Бретт имеет вес в кампусе и состоит студенческом братстве, вступление в которое сулит Брэду покровительство, популярность и связи на всю жизнь. Брэд отчаянно хочет вступить в братство, однако его брат всячески отстраняется от него, что грозит их отношениям. Во время «адской недели» обряды посвящения мальчиков в мужчины оборачиваются мучительными и унизительными актами дедовщины. Испытания во имя «братства» подвергают отношения братьев жестокой проверке.

Девятнадцатилетний Брэд Лэнд поступает на учебу в колледж и полон решимости оправиться после жестоко избиения, которое он пережил летом. Его брат Бретт имеет вес в кампусе и состоит студенческом братстве, вступление в которое сулит Брэду покровительство, популярность и связи на всю жизнь. Брэд отчаянно хочет вступить в братство, однако его брат всячески отстраняется от него, что грозит их отношениям. Во время «адской недели» обряды посвящения мальчиков в мужчины оборачиваются мучительными и унизительными актами дедовщины. Испытания во имя «братства» подвергают отношения братьев жестокой проверке.

As seventh-graders, band members of Unlocking The Truth spend their weekends playing metal music in Times Square—often to substantial crowds. After signing with a 70-year-old manager, they are soon on their way to a $1.8 million record deal.

13-летний Рики живёт с синдромом Аспергера и со своей семьёй нелегальных иммигрантов в Нью-Йорке. Однажды, зачарованный мистическим знаком на куртке прохожего, он спускается за ним в метро — так начинается одиссея юного Рики по подземным развязкам, кольцевым дорогам, линиям и лабиринтам. Обычная нью-йоркская подземка кажется замкнутому мальчику страной чудес, и чем больше Рики проводит там времени, тем сильнее она напоминает зловещий театр монстров. Пока мать бегает в поисках сына по всему городу, приближается разрушительный ураган «Сэнди». Две стихии — индустриальная и природная — становятся испытанием для семьи.

На севере штата Мэн водитель школьного автобуса из-за усталости не заметила мальчика, который заснул на заднем сиденье. То, что произошло дальше, разрушило спокойствие маленького лесозаготовительного городка, ведь даже мелочь может иметь непоправимые последствия.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand.

Filmmakers Luke Myer and Andrew Neel make it real hard to just laugh away the crazy conspiracy theorists in their new feature documentary, New World Order. In fact, what they do instead, is humanize their efforts. What makes the documentary work is that rather than focusing on the theories, Myer and Neel focus on the people.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated registers: that of the archival footage and that of the new, theatrical material. In his guise as “Michel Auder,” living a fulsome and extravagant life, replete with beautiful women and a rock-cut pool overlooking Los Angeles, the art world is revealed as a sham, and his character exhibits a repulsive narcissism. And yet, when caught in quiet moments, something poignant emerges—a glimmer of truth that rebels against the entire endeavour. Or maybe, that’s what makes The Feature.

The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.

The life and work of Alice Neel (1900-1984), American portrait painter. Part of the narration is chronological, part consists of interviews with friends, other artists, scholars, and family members, particularly two sons, Richard and Hartley, who are none too sanguine about their childhood and their mother's Bohemian life, and the filmmaker himself, a grandson whose querulous voice is heard from time to time. The film also includes footage of Neel, later in life, painting, talking, appearing on television, and giving lectures. Throughout, we see her paintings, bold, frank, and direct. After years of poverty and obscurity, fame comes as she nears 70.

Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.

Darkon is an award-winning feature-length documentary film that follows the real-life adventures of the Darkon Wargaming Club in Baltimore, Maryland, a group of fantasy live-action role-playing (LARP) gamers.