Pál Mácsai

A collage crime movie from the first novel of Agatha Christie.

Experimental short movie adaptation of István Örkény's one-minute story "Information" by director Annabella Schnabel.

The love of 34-year-old Dora's life, has broken up with her-or worse: he has remarried. Her only joy, the pastry shop she owns, also appears to be lost. She makes up her mind to get both her ex-boyfriend and her pastry shop back, even if it means she has to lie. Along the way, she meets other families, as well as her ex-boyfriend's new wife. These meetings make her realise the love she is clinging onto has no real basis. Dora stops living in a state of romantic self-pity, puts an end to the lying and opens up to the possibility of a new real relationship.

On the day the Berlin Wall falls, a determined young actress has a job interview at the National Theater. But, while a world-order falls apart outside, she is confronted to an old family-secret that will change everything.

A true story of a prisoner of the Siberian Gulag about hope. About hope, that we can stay human beings during the cruelest suffering.

Eszter es una chica insegura de 16 años que está enamorada en secreto de su profesor de inglés, mientras que su compañero de clase Peter está desesperanzadamente enamorado de ella. Un día, el profesor anuncia que dejará el colegio para irse a Londres. El mismo día, Eszter recibe un especial mensaje de despedida del profesor. Es la puerta de entrada a un 'affair online' de consecuencias inesperadas. Adolescentes, deseo, inseguridad, hormonas, frustraciones y redes sociales forman un cocktail que se ha agitado de diversas maneras en los últimos años, no siempre con resultados satisfactorios. Un inicio de la edad adulta que deviene en thriller con las herramientas narrativas de la más contemporánea técnica de la multipantalla.

María comienza a trabajar como supervisora en un matadero de Budapest, pero pronto comienzan a surgir cotilleos y rumores sobre ella. Durante el almuerzo opta siempre por sentarse sola, y es consciente de sus deberes y obligaciones, con un estricto apego a las normas. Su mundo se compone de cifras y datos impresos en su memoria desde la primera infancia. Endre, su jefe, es un tipo tranquilo. Ambos empezarán a conocerse lentamente.

Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?

A bookshop renowned for its rare works is mysteriously and completely filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to the whole of humanity in the space of a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research (RDI Reality Defense Institute). As the investigation progresses, the situation becomes more complex and the book increasingly well known, raising numerous controversies (political, scientific, religious and artistic). Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.

1939: Rome stands on the brink of World War II. In the midst of this political and social tension famed producer Davide Rieta is making a major film. The two lead actors, the German woman Kristina Baumgarten and the English man James Clavel ace each others' initial antagonism and eventually fall in love. Meanwhile the fascist police are looking for an excuse to arrest the Jewish filmmaker and any other potential "troublemakers." The producer and his crew decide to make one final extraordinary effort to complete the film - against all odds.

Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.

One of the doyennes of Hungarian film deals with a dark period of national history: the Soviet regime in Hungary. She portrays it through the fate of the former prime minister and national hero, Imre Nagy. The script is based on the diary written by Imre Nagy, and the memories of his daughter, Erzsébet Nagy, as well as authentic documents and records.

Áron is a happy child in his family. But at some point things take a different turn, and his mother starts to lose her health rapidly. As this happens, the man in charge decides what's best for Áron without consulting the young boy's opinion, and the boy finds himself thrown out of his warm home into an orphanage in the woods. He's utterly displeased by what's happening, without knowing he has yet to face much worse...

Buda, 1851. Jeromos Hétszáz, a puppet maker living in Óbuda, and his wife, Óguszta, a childless couple, have given refuge to the orphans of those fallen in the war of liberty or jailed, most recently to Pál Penyige and Borbála Derelye. Overjoyed when the chief of police orders fifty straw puppets, they are distressed on learning that the puppets will be publicly hanged in effigy of Lajos Kossuth and the leaders of the war of liberty.

Hungarian TV-movie, adaptation of a drama by Géza Ottlik.

The elite of political and business life of the country town gather to celebrate the namesday of László in the luxury villa. Everything begins just as usual, but now an incident disturbs the stag party.