Robert Liensol

El encanto del pequeño niño africano Kirikú regresa a la gran pantalla para luchar contra el mal. En esta ocasión, su abuelo, desde su majestuoso trono de la gruta Azul cuenta a los más pequeños de la casa cómo Kirikú tiene que buscar el valor, la astucia, el amor y la generosidad que se esconden en su interior y que le ayudarán a triunfar en su lucha contra el mal. Para lograrlo, el niño africano se convertirá en alfarero, detective, jardinero, comerciante y hasta médico.

Kirikú es un niño muy pequeño que sabe exactamente lo que quiere incluso, antes de su nacimiento. Es independiente, generoso y valiente, cualidades que necesitará emplear a fondo porque Kirikú ha nacido en un poblado africano sobre el que la terrible y hermosa bruja Karabá ha extendido un maleficio: no hay flores, ni agua, tienen que entregarle tributos y no quedan hombres, porque según creen los habitantes del poblado, se los ha comido la bruja.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

Evocation of the ruthless war which opposed from 1890 to 1894 the French colonial army to the young Ahydjere Behanzin, king and living god of Dahomey, who ended in his surrender and his exile.

Año 1936. El ejército italiano invade Etiopía. El teniente Silvestre sufre una infección dental y se dirige al hospital más cercano, pero su vehículo tiene un accidente que lo obliga a seguir a pie. Por el camino, coincide con una joven etíope a la que viola y mata involuntariamente. Cuando llega al hospital y se entera de que padece lepra, aterrorizado, intenta escapar de Etiopía.

The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.

An old couple, Eugenie and Armand, have been living in Paris since 1921 part of the wave of post-war immigration from Martinique. Eugenie, a former dancer with Josephine Baker's Black Revue has become a professional quimboiseuse (practising black magic) for a white clientele. Armand who had been a servant is retired. Now they are both old and bitter and still quarreling with each other. One day they set out, arm-in-arm for a last promenade in the metropolis.

Matthew Sempala iba a enfrentarse con el mayor dilema de su vida, continuar con su humilde y cómoda existencia como modesto profesor negro, o solidarizarse con su pueblo, una raza oprimida, explotada y humillada hasta límites insospechados. Su decisión se va a ver influenciada por las tragedias que rodean a su propia familia: Odio, corrupción, violencia...

This drama about a barmaid caught up in events beyond her control is the first film directed by Juliet Berto, and was also based on her own concept for the story. The barmaid, played by Berto, has been trying to take care of Bobby, a teenage drug pusher who is in over his head. Before she can put him back on track and get him out of the drug underworld, the young man is killed while being chased by a narcotics agent. Depressed by his death but not derailed, she finds herself trying to help out a gay user who depended on Bobby for his supply of drugs. She decides to procure some drugs for the desperate addict, and is trapped in the bathroom of a bar - with the drugs - when narcotics agents burst upon the scene. Her boyfriend rushes to help her but is killed by an agent who shoots first and thinks later. The barmaid does not face a very optimistic future as the narc arrests her - but releases a parish minister who had been helping her find a source for the drugs.

It shows an electoral campaign in Guadeloupe in which Coco la fleur is asked to stand for election for strategic purposes. However, when he discovers how much publicity the campaign offers, he seizes the opportunity to voice the people's grievances.

A single-set color musical tracing the history of the West Indies through several centuries of French oppression.

The film Soleil Ô, shot over four years with a very low budget, tells the story of a black immigrant who makes his way to Paris in search of “his Gaul ancestors”. This manifesto denounces a new form of slavery: The immigrants desperately seek work, a place to live, but find themselves face to face with indifference, rejection, humiliation…until the final call for uprising. “Soleil Ô” is the title of a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.

UN's The Committee of 19 sends six scientists to investigate a biological outbreak in Africa.

A French TV movie directed by Jean-Christophe Averty , broadcast on December 24, 1964 . The Old Testament set in Louisiana with an all black cast.