Chris Waitt
Nacimiento : 1974-02-08, Brighton, East Sussex, England, UK
Historia
From Wikipedia, the free encyclopedia.
Chris Waitt (born Christopher Martyn Preston Waitt, February 8, 1974) is an independent filmmaker, musician and writer from Brighton, England.
Waitt was born to a half-Scottish mother, Hilary, and a Northumbrian father, Martyn, though he grew up mainly on the south coast of England in the quiet seaside town of Worthing-by-Sea.
Description above from the Wikipedia article Chris Waitt, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Counsellor
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to team up with the relentlessly chirpy Rash and together they lose a new arrival. The mismatched pair give chase and end up in a remote seaside town populated by cocky teenagers, sinister old women and the enigmatic Liz, who has 'suicide written all over her'. Can they stop bickering long enough to find the lost soul? Will Rash be reunited with his brother Chunky? And can Martin get back in time to finally get 'Up There'? UP THERE is a killer comedy about life, death and irritating friends.
Writer
El realizador Chris Waitt decidió un día que algo tenía que cambiar en su desastrosa vida sentimental. Todas sus parejas le han abandonado y por las vías más diversas; teléfono, correo electrónico, mensaje en el contestador. Una de ellas incluso escribió un libro en el que al personaje del novio le asesinaban brutalmente. Para conseguir su objetivo y tener por una vez una relación satisfactoria con una buena chica, debía escrutar primero las causas de precipitaron el final de sus anteriores tentativas. (FILMAFFINITY)
Director
El realizador Chris Waitt decidió un día que algo tenía que cambiar en su desastrosa vida sentimental. Todas sus parejas le han abandonado y por las vías más diversas; teléfono, correo electrónico, mensaje en el contestador. Una de ellas incluso escribió un libro en el que al personaje del novio le asesinaban brutalmente. Para conseguir su objetivo y tener por una vez una relación satisfactoria con una buena chica, debía escrutar primero las causas de precipitaron el final de sus anteriores tentativas. (FILMAFFINITY)
Himself
El realizador Chris Waitt decidió un día que algo tenía que cambiar en su desastrosa vida sentimental. Todas sus parejas le han abandonado y por las vías más diversas; teléfono, correo electrónico, mensaje en el contestador. Una de ellas incluso escribió un libro en el que al personaje del novio le asesinaban brutalmente. Para conseguir su objetivo y tener por una vez una relación satisfactoria con una buena chica, debía escrutar primero las causas de precipitaron el final de sus anteriores tentativas. (FILMAFFINITY)
Dave
Nicholas Angel (Simon Pegg) es, sin duda alguna, el mejor policía de Londres. Sus detenciones superan en un 400% al segundo mejor agente del Cuerpo. Es tan bueno que, comparado a él, cualquier poli es malo. Por eso sus superiores deciden trasladarle a un lugar en que su talento no ponga a nadie en evidencia, a Sandford, un aparentemente adormecido y pacífico pueblecito.
Music
Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.
Writer
Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.
Director
Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.
Adam Dokey
Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.
Writer
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
Director
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
Preston Ennis
Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.
