Chris Waitt

Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to team up with the relentlessly chirpy Rash and together they lose a new arrival. The mismatched pair give chase and end up in a remote seaside town populated by cocky teenagers, sinister old women and the enigmatic Liz, who has 'suicide written all over her'. Can they stop bickering long enough to find the lost soul? Will Rash be reunited with his brother Chunky? And can Martin get back in time to finally get 'Up There'? UP THERE is a killer comedy about life, death and irritating friends.

Documentário/comédia do realizador Chris Waitt, que nos conta a história de um homem que tenta entrevistar todas as mulheres com quem já teve algum tipo de relacionamento para descobrir o que há de errado com ele…

Documentário/comédia do realizador Chris Waitt, que nos conta a história de um homem que tenta entrevistar todas as mulheres com quem já teve algum tipo de relacionamento para descobrir o que há de errado com ele…

Documentário/comédia do realizador Chris Waitt, que nos conta a história de um homem que tenta entrevistar todas as mulheres com quem já teve algum tipo de relacionamento para descobrir o que há de errado com ele…

Nicholas Angel (Simon Pegg) é um dos melhores policiais de Londres, sendo bom ao ponto de causar inveja nos demais homens da lei. Por causa disso, é transferido por seus superiores para a pequena cidade de Sandford, que possui o menor índice de criminalidade de toda Inglaterra. Chegado lá, forma parceria com o curioso Danny Butterman (Nick Frost) e começa a achar estranho o fato de acontecerem muitos acidentes na cidade.

Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.

Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.

Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.

Adam works as a copying clerk. One day, he takes delivery of a copying machine that seems to promise an end to all his problems, but then leads him into a very complex situation.

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman's advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilities of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess.