Eric Allan

"All dressed up in dark suits and shades, looking remarkably like the characters in Tarantino's 'Reservoir Dogs', Alan, Graham and Terry set out on a marathon stag day. Friends since primary school, the trio are celebrating the impending marriage of Terry to his pregnant girlfriend Pat.All is going well, with a stretch limo at their disposal, copious amounts of champagne and old times lovingly mulled over. But, as the night progresses, the three friends make a decision that is to rebound across the rest of their lives. Stylishly shot and distinctly strange in tone, this serial, written by Tony 'Our Boy' Grounds, showcases the considerable talents of Ray Winstone and Mark Strong. Grounds is billing it as a 'serious comedy'. Viewers who are tired of formulaic drama should welcome the challenge that this presents.

Jonathan Cake, Jemma Redgrave and Hugh Bonneville lead an outstanding cast in this mini-series tracing the turbulent political career and tempestuous private life of Oswald Mosley, leader of the British Union of Fascists during the 1930s. The mini series charts Mosley's rise to political notoriety through his personal life – from youthful rising star of the Conservative Party to potential leader of the Labour Party, and later abandonment of conventional party politics to become a figurehead of burgeoning fascism.

Cuatro policías se infiltran en una banda de hooligans para llegar hasta sus líderes y evitar así los numerosos actos vandálicos que llevan a cabo. Sin embargo, uno de ellos se identifica tanto con los hinchas violentos que poco a poco se convierte en uno de ellos.

The pupils of the Dora Jackson School of Dancing compete in the 1960 Classical Dance Festival in Scarborough. Fifties rock 'n' roll meets classical ballet with the arrival of Dora's ex-boyfriend Clifford and a mysterious ghost.

In times of civil unrest, crack police units like Inspector Maclntyre 's get the job of keeping order on the streets. But when a demonstrator dies after a riot, who will the public - and the Police Force itself - hold accountable?

Jack Lawrence and Jimmy Dunne were once, briefly, enemies at opposite ends of a gun on the Irish border; now their lives have become inextricably mixed. They are together on a chat show whose host wants a sob story with a happy ending, but gets something entirely different.

Writer and Director Mike Leigh discusses the techniques used to create his plays.

In prison the night before his execution, republican preacher Hugh Peter prepares to be hanged, drawn and quartered for treason

An Alcoholics Anonymous meeting

Keith y Candice-Marie, una encantadora parejita de vegetarianos un poco cursis, deciden disfrutar de unas idílicas vacaciones en un camping, en contacto con la Naturaleza. Sus rígidas y estrictas nociones sobre la paz y la tranquilidad les crean conflictos con otros campistas, que tienen un concepto de la vida menos severo.

Transmitted as part of BBC Schools series Scene, 8 March 1973. Actor improvisations around the theme of gambling devised by Mike Leigh.

Sylvia, contable en una oficina, vive con su hermana Hilda, que es algo retrasada, y su pasión es la lectura y tomarse unas copas por la noche. Hilda odia a Peter, un profesor de escuela interesado por las hermanas, pero quiere a Norman, un hippie que trabaja en el garaje de Sylvia, imprimiendo un periódico underground. Sólo cuando Norman toca la guitarra, las cosas parecen fluir amablemente. Todo lo demás es sufrimiento, desorden y oscuridad. Primer largometraje de Mike Leigh que versa sobre la soledad y la incomunicación de los seres humanos.

Durante la Segunda Guerra Mundial, un grupo de oficiales alemanes, que se hallan presos en un campo de prisioneros situado en Escocia, intentan escapar. Los servicios de inteligencia británicos envían a un capitán para que descubra el método que quieren emplear en su fuga. (FILMAFFINITY)

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.