Eric Allan

"All dressed up in dark suits and shades, looking remarkably like the characters in Tarantino's 'Reservoir Dogs', Alan, Graham and Terry set out on a marathon stag day. Friends since primary school, the trio are celebrating the impending marriage of Terry to his pregnant girlfriend Pat.All is going well, with a stretch limo at their disposal, copious amounts of champagne and old times lovingly mulled over. But, as the night progresses, the three friends make a decision that is to rebound across the rest of their lives. Stylishly shot and distinctly strange in tone, this serial, written by Tony 'Our Boy' Grounds, showcases the considerable talents of Ray Winstone and Mark Strong. Grounds is billing it as a 'serious comedy'. Viewers who are tired of formulaic drama should welcome the challenge that this presents.

Jonathan Cake, Jemma Redgrave and Hugh Bonneville lead an outstanding cast in this mini-series tracing the turbulent political career and tempestuous private life of Oswald Mosley, leader of the British Union of Fascists during the 1930s. The mini series charts Mosley's rise to political notoriety through his personal life – from youthful rising star of the Conservative Party to potential leader of the Labour Party, and later abandonment of conventional party politics to become a figurehead of burgeoning fascism.

Quatro policiais disfarçados se infiltram em uma gangue de hooligans esperando chegar aos seus líderes. Para um dos quatro, a linha entre "trabalho" e "arruaça" torna-se mais clara como o passar do tempo. . .

The pupils of the Dora Jackson School of Dancing compete in the 1960 Classical Dance Festival in Scarborough. Fifties rock 'n' roll meets classical ballet with the arrival of Dora's ex-boyfriend Clifford and a mysterious ghost.

In times of civil unrest, crack police units like Inspector Maclntyre 's get the job of keeping order on the streets. But when a demonstrator dies after a riot, who will the public - and the Police Force itself - hold accountable?

Jack Lawrence and Jimmy Dunne were once, briefly, enemies at opposite ends of a gun on the Irish border; now their lives have become inextricably mixed. They are together on a chat show whose host wants a sob story with a happy ending, but gets something entirely different.

Writer and Director Mike Leigh discusses the techniques used to create his plays.

In prison the night before his execution, republican preacher Hugh Peter prepares to be hanged, drawn and quartered for treason

An Alcoholics Anonymous meeting

A middle-class couple go camping in Dorset, but peace and quiet elude them.

Transmitted as part of BBC Schools series Scene, 8 March 1973. Actor improvisations around the theme of gambling devised by Mike Leigh.

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

Durante a Segunda Guerra Mundial, os prisioneiros de guerra alemães na Grã-Bretanha conspiram para escapar de seu campo de prisioneiros na Escócia. Nos últimos dias da Segunda Guerra Mundial, prisioneiros alemães protestaram em um campo de prisioneiros na Escócia. Com medo de uma tentativa de fuga em massa, o exército britânico envia um capitão irlandês pouco ortodoxo, na esperança de descobrir exatamente o que está acontecendo. O irlandês entra imediatamente em conflito com o prisioneiro sênior, um comandante do U-boat, e os dois devem se entender, sabendo que apenas um sairá vitorioso. (e 14 - Estimado 14 Anos)

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.