Nick Broomfield

Last Man Standing echa un vistazo a Death Row y cómo la cultura de las pandillas callejeras de Los Ángeles había llegado a dominar su funcionamiento comercial, así como una asociación con policías corruptos de Los Ángeles que también estaban afiliados a pandillas. Sería este mundo de rivalidad entre pandillas y policías sucios el que cobraría la vida de los dos mejores raperos del mundo: Tupac Shakur y Biggie Smalls.

Last Man Standing echa un vistazo a Death Row y cómo la cultura de las pandillas callejeras de Los Ángeles había llegado a dominar su funcionamiento comercial, así como una asociación con policías corruptos de Los Ángeles que también estaban afiliados a pandillas. Sería este mundo de rivalidad entre pandillas y policías sucios el que cobraría la vida de los dos mejores raperos del mundo: Tupac Shakur y Biggie Smalls.

A complex and moving film about filmmaker Nick Broomfield's relationship with his humanist-pacifist father, Maurice Broomfield, a factory worker turned photographer of vivid, often lustrous images of industrial post-WWII England.

Una historia de amor perdurable entre Leonard Cohen y su musa noruega, Marianne Ihlen. La película sigue su relación desde sus primeros días en Grecia, una época de "amor libre" y matrimonio abierto, a cómo evolucionó su amor cuando Leonard se convirtió en un músico exitoso.

Una historia de amor perdurable entre Leonard Cohen y su musa noruega, Marianne Ihlen. La película sigue su relación desde sus primeros días en Grecia, una época de "amor libre" y matrimonio abierto, a cómo evolucionó su amor cuando Leonard se convirtió en un músico exitoso.

In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.

Whitney Houston fue el epítome de una superestrella, una "princesa estadounidense", la artista más premiada de todos los tiempos. A pesar de ganar millones, más éxitos consecutivos número 1 que los Beatles y una de las mejores voces de la historia, ella nunca podría ser ella misma. Murió de una sobredosis de drogas y tenía solo 48 años. Compilado a partir de imágenes en su mayoría sin precedentes y tomas exclusivas, el documental Whitney Houstons cuenta una historia de vida increíble y conmovedora desde la perspectiva de las personas más cercanas a ella.

Whitney Houston fue el epítome de una superestrella, una "princesa estadounidense", la artista más premiada de todos los tiempos. A pesar de ganar millones, más éxitos consecutivos número 1 que los Beatles y una de las mejores voces de la historia, ella nunca podría ser ella misma. Murió de una sobredosis de drogas y tenía solo 48 años. Compilado a partir de imágenes en su mayoría sin precedentes y tomas exclusivas, el documental Whitney Houstons cuenta una historia de vida increíble y conmovedora desde la perspectiva de las personas más cercanas a ella.

Whitney Houston fue el epítome de una superestrella, una "princesa estadounidense", la artista más premiada de todos los tiempos. A pesar de ganar millones, más éxitos consecutivos número 1 que los Beatles y una de las mejores voces de la historia, ella nunca podría ser ella misma. Murió de una sobredosis de drogas y tenía solo 48 años. Compilado a partir de imágenes en su mayoría sin precedentes y tomas exclusivas, el documental Whitney Houstons cuenta una historia de vida increíble y conmovedora desde la perspectiva de las personas más cercanas a ella.

Two iconic British buildings - the Wellington Rooms in Liverpool and the Coal Exchange in Cardiff - are threatened with demolition and Nick Broomfield is on the case.

Two iconic British buildings - the Wellington Rooms in Liverpool and the Coal Exchange in Cardiff - are threatened with demolition and Nick Broomfield is on the case.

When Lonnie Franklin Jr. was arrested in South Central Los Angeles in 2010 as the suspected murderer of a string of young black women, police hailed it as the culmination of 20 years of investigations. Four years later documentary filmmaker Nick Broomfield took his camera to the alleged killer’s neighborhood for another view.

Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.

Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.

Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.

A journey that takes the viewers across the icy mid-winter snows of Alaska to meet her school friends, family, and Republican colleagues, to try and discover the real Sarah Palin.

A journey that takes the viewers across the icy mid-winter snows of Alaska to meet her school friends, family, and Republican colleagues, to try and discover the real Sarah Palin.

From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?

9 de noviembre de 2005, Haditha (Irak). Los insurgentes iraquíes bombardean un convoy americano, matando al oficial más apreciado por la tropa. Enfurecidos por esta pérdida, los soldados llevan a cabo una brutal venganza. El violento registro de las casas desemboca en una masacre con 24 muertos, entre ellos mujeres y niños.Sin embargo, los marines también son víctimas de esta guerra, atacados, heridos y obligados a dar una respuesta acorde a su instrucción. Pero cuando las cosas suceden a gran velocidad y bajo extrema presión, ¿se puede acusar de asesinato a los marines en la línea de fuego?

9 de noviembre de 2005, Haditha (Irak). Los insurgentes iraquíes bombardean un convoy americano, matando al oficial más apreciado por la tropa. Enfurecidos por esta pérdida, los soldados llevan a cabo una brutal venganza. El violento registro de las casas desemboca en una masacre con 24 muertos, entre ellos mujeres y niños.Sin embargo, los marines también son víctimas de esta guerra, atacados, heridos y obligados a dar una respuesta acorde a su instrucción. Pero cuando las cosas suceden a gran velocidad y bajo extrema presión, ¿se puede acusar de asesinato a los marines en la línea de fuego?

9 de noviembre de 2005, Haditha (Irak). Los insurgentes iraquíes bombardean un convoy americano, matando al oficial más apreciado por la tropa. Enfurecidos por esta pérdida, los soldados llevan a cabo una brutal venganza. El violento registro de las casas desemboca en una masacre con 24 muertos, entre ellos mujeres y niños.Sin embargo, los marines también son víctimas de esta guerra, atacados, heridos y obligados a dar una respuesta acorde a su instrucción. Pero cuando las cosas suceden a gran velocidad y bajo extrema presión, ¿se puede acusar de asesinato a los marines en la línea de fuego?

When a young girl, Ai Qin, pays $25,000 to be smuggled into the UK in order to support her family back in China, she becomes another one of 3 million migrant workers that have become the bedrock of our economy. Forced to live with eleven other Chinese people in a two bedroom house, they work in factories preparing food for British supermarkets. Risking their lives for pennies these unprotected workers end up cockling in Morcombe Bay at night.

When a young girl, Ai Qin, pays $25,000 to be smuggled into the UK in order to support her family back in China, she becomes another one of 3 million migrant workers that have become the bedrock of our economy. Forced to live with eleven other Chinese people in a two bedroom house, they work in factories preparing food for British supermarkets. Risking their lives for pennies these unprotected workers end up cockling in Morcombe Bay at night.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

Un famoso director de películas de terror invita a un grupo de actores a la mansión Highgate para recrear los asesinatos perpetrados allí, treinta años antes, por la familia Manson. Sin embargo, la línea que separa la verdad de la ficción, el pasado del presente no tardará en romperse.

Segundo documental de Nick Broomfield sobre Aileen Carol Wuornos, una prostituta de carretera que fue ejecutada en 2002 por asesinar a siete hombres en el estado de Florida. Incluye la declaración del propio Broomfield en el juicio de Wuornos. Su caso se hizo conocido mundialmente en el 2003, cuando Charlize Theron interpretó a la propia Wuornos en el film "Monster", actuación que le valió el Oscar a la mejor actriz.

Segundo documental de Nick Broomfield sobre Aileen Carol Wuornos, una prostituta de carretera que fue ejecutada en 2002 por asesinar a siete hombres en el estado de Florida. Incluye la declaración del propio Broomfield en el juicio de Wuornos. Su caso se hizo conocido mundialmente en el 2003, cuando Charlize Theron interpretó a la propia Wuornos en el film "Monster", actuación que le valió el Oscar a la mejor actriz.

El documental investiga las muertes de los raperos Notorious BIG y Tupac Shakur, que algunas personas afirman que fueron orquestadas por Suge Knight, jefe de Death Row Records. (FILMAFFINITY)

El documental investiga las muertes de los raperos Notorious BIG y Tupac Shakur, que algunas personas afirman que fueron orquestadas por Suge Knight, jefe de Death Row Records. (FILMAFFINITY)

El documental investiga las muertes de los raperos Notorious BIG y Tupac Shakur, que algunas personas afirman que fueron orquestadas por Suge Knight, jefe de Death Row Records. (FILMAFFINITY)

El 8 de abril de 1994 un electricista encontró el cadáver del músico Kurt Cobain. Junto a él había una pistola, una jeringa y un gran charco de sangre. Desde ese momento comenzó la polémica: ¿Suicidio o asesinato? Inmediatamente las informaciones sobre la muerte del ídolo grunge comenzaron a circular por la incipiente Internet, hasta que acabaron en el libro "¿Quién mató a Kurt Cobain?" escrito por los canadienses Max Wallance y Ian Halperin, y en la película "Kurt & Courtney", dirigida por Nick Broomfield. Motivado por todas las dudas que había detrás de la muerte del cantante Kurt Cobain, Broomfield comenzó en 1997 a recopilar material para realizar su película. Contactó para ello con familiares y amigos del guitarrista de Nirvana. El film desarrolla, desde distintos puntos de vista, la vida del líder de Nirvana, la tumultuosa relación que mantuvo con su esposa Courtney Love y su polémica muerte. (FILMAFFINITY)

El 8 de abril de 1994 un electricista encontró el cadáver del músico Kurt Cobain. Junto a él había una pistola, una jeringa y un gran charco de sangre. Desde ese momento comenzó la polémica: ¿Suicidio o asesinato? Inmediatamente las informaciones sobre la muerte del ídolo grunge comenzaron a circular por la incipiente Internet, hasta que acabaron en el libro "¿Quién mató a Kurt Cobain?" escrito por los canadienses Max Wallance y Ian Halperin, y en la película "Kurt & Courtney", dirigida por Nick Broomfield. Motivado por todas las dudas que había detrás de la muerte del cantante Kurt Cobain, Broomfield comenzó en 1997 a recopilar material para realizar su película. Contactó para ello con familiares y amigos del guitarrista de Nirvana. El film desarrolla, desde distintos puntos de vista, la vida del líder de Nirvana, la tumultuosa relación que mantuvo con su esposa Courtney Love y su polémica muerte. (FILMAFFINITY)

El 8 de abril de 1994 un electricista encontró el cadáver del músico Kurt Cobain. Junto a él había una pistola, una jeringa y un gran charco de sangre. Desde ese momento comenzó la polémica: ¿Suicidio o asesinato? Inmediatamente las informaciones sobre la muerte del ídolo grunge comenzaron a circular por la incipiente Internet, hasta que acabaron en el libro "¿Quién mató a Kurt Cobain?" escrito por los canadienses Max Wallance y Ian Halperin, y en la película "Kurt & Courtney", dirigida por Nick Broomfield. Motivado por todas las dudas que había detrás de la muerte del cantante Kurt Cobain, Broomfield comenzó en 1997 a recopilar material para realizar su película. Contactó para ello con familiares y amigos del guitarrista de Nirvana. El film desarrolla, desde distintos puntos de vista, la vida del líder de Nirvana, la tumultuosa relación que mantuvo con su esposa Courtney Love y su polémica muerte. (FILMAFFINITY)

El 8 de abril de 1994 un electricista encontró el cadáver del músico Kurt Cobain. Junto a él había una pistola, una jeringa y un gran charco de sangre. Desde ese momento comenzó la polémica: ¿Suicidio o asesinato? Inmediatamente las informaciones sobre la muerte del ídolo grunge comenzaron a circular por la incipiente Internet, hasta que acabaron en el libro "¿Quién mató a Kurt Cobain?" escrito por los canadienses Max Wallance y Ian Halperin, y en la película "Kurt & Courtney", dirigida por Nick Broomfield. Motivado por todas las dudas que había detrás de la muerte del cantante Kurt Cobain, Broomfield comenzó en 1997 a recopilar material para realizar su película. Contactó para ello con familiares y amigos del guitarrista de Nirvana. El film desarrolla, desde distintos puntos de vista, la vida del líder de Nirvana, la tumultuosa relación que mantuvo con su esposa Courtney Love y su polémica muerte. (FILMAFFINITY)

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.

Tracking Down Maggie is a 1994 documentary film by Nick Broomfield about former British Prime Minister Margaret Thatcher. What begins as a genuine attempt to get an interview with the so-called 'Iron Lady' quickly turns into a game of cat-and-mouse in the United States, the filmmaker snubbed at every turn. Aside from the comedy of Broomfield's repeatedly failing attempts to gain access, the film discusses the accusations that Thatcher's son, Mark, used his mother's connections to effect arms deals in Saudi Arabia.

Documental dirigido por Nick Broomfield, que examina paso a paso el perturbador caso de Aileen Wuornos, una prostituta de carretera acusada y condenada a muerte por asesinar a siete conductores, los cuales Aileen aseguró, intentaron violarla.

Documental dirigido por Nick Broomfield, que examina paso a paso el perturbador caso de Aileen Wuornos, una prostituta de carretera acusada y condenada a muerte por asesinar a siete conductores, los cuales Aileen aseguró, intentaron violarla.

Documental dirigido por Nick Broomfield, que examina paso a paso el perturbador caso de Aileen Wuornos, una prostituta de carretera acusada y condenada a muerte por asesinar a siete conductores, los cuales Aileen aseguró, intentaron violarla.

Documental dirigido por Nick Broomfield, que examina paso a paso el perturbador caso de Aileen Wuornos, una prostituta de carretera acusada y condenada a muerte por asesinar a siete conductores, los cuales Aileen aseguró, intentaron violarla.

Documental dirigido por Nick Broomfield, que examina paso a paso el perturbador caso de Aileen Wuornos, una prostituta de carretera acusada y condenada a muerte por asesinar a siete conductores, los cuales Aileen aseguró, intentaron violarla.

Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.

Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.

Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.

This is the story of Spalding Gray and his attempt to write a novel. It is a first person account about writing and living, and dealing with success while trying to be successful.

From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.

From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.

Nick Bloomfield's sequel documentary reacquaints us with the lives of the children and officers and examines the scars left by the stark events of Part I.

Hugo Buckton seems to have it all: He is apparently rich and has a beautiful wife and a doting son. In actuality, though, Hugo is having money problems and is paranoid that his wife is cheating on him. After a boozy night at a party, Hugo hits and kills a woman with his car -- and at his friends' urging, keeps driving. When Hugo starts receiving letters from someone who knows about the accident, he begins to suspect that he has been set up.

Hugo Buckton seems to have it all: He is apparently rich and has a beautiful wife and a doting son. In actuality, though, Hugo is having money problems and is paranoid that his wife is cheating on him. After a boozy night at a party, Hugo hits and kills a woman with his car -- and at his friends' urging, keeps driving. When Hugo starts receiving letters from someone who knows about the accident, he begins to suspect that he has been set up.

Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.

Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.

Backstage record of how Lily Tomlin, Jane Wagner and their associates put together "The Search for Signs of Intelligent Life in the Universe," Miss Tomlin's one-woman Broadway play.

Documentary on the "Chicken Ranch," a legal Nevada brothel.

Documentary on the "Chicken Ranch," a legal Nevada brothel.

A documentary about women's basic training in Fort Georgia.

A documentary about women's basic training in Fort Georgia.

A documentary about women's basic training in Fort Georgia.

An intimate, hands on encounter with a maximum security juvenile correctional facility in Chino California.

Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.

Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.

Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.

Gathering numerous face-to-face interviews with residents of the conservative stronghold of Beaconsfield, Buckinghamshire, Broomfield paints an ironic portrait of racist parochial views. Spread throughout the community, from the working class patriot Mr Feltham, to the local MP Ronald Bell and even the vicar, we see a cast of regressive, hypocritical creatures.

The camera shows views of the Victorian city of Liverpool while residents deliver comments off-camera what they feel about their relocation to large housing estates while the old inner city buildings are being pulled down. Even if the living conditions were not great the sense of community and feeling at home has been lost after moving to the new flats.

The camera shows views of the Victorian city of Liverpool while residents deliver comments off-camera what they feel about their relocation to large housing estates while the old inner city buildings are being pulled down. Even if the living conditions were not great the sense of community and feeling at home has been lost after moving to the new flats.