Producer
Last Man Standing takes a look at Death Row and how L.A.’s street gang culture had come to dominate its business workings, as well as an association with corrupt LA police officers who were also gang affiliated. It would be this world of gang rivalry and dirty cops that would claim the lives of the world’s two greatest rappers: Tupac Shakur and Biggie Smalls.
Director
Last Man Standing takes a look at Death Row and how L.A.’s street gang culture had come to dominate its business workings, as well as an association with corrupt LA police officers who were also gang affiliated. It would be this world of gang rivalry and dirty cops that would claim the lives of the world’s two greatest rappers: Tupac Shakur and Biggie Smalls.
Director
A complex and moving film about filmmaker Nick Broomfield's relationship with his humanist-pacifist father, Maurice Broomfield, a factory worker turned photographer of vivid, often lustrous images of industrial post-WWII England.
Producer
A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of "free love" and open marriage, to how their love evolved when Leonard became a successful musician.
Director
A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of "free love" and open marriage, to how their love evolved when Leonard became a successful musician.
Self
In the hills of Los Angeles the reclusive, stylish and enigmatic 96-year-old Harumi Taniguchi spent decades painting, writing poetry and dancing in her home designed by architect Richard Neutra.
Producer
휘트니 휴스턴은 슈퍼스타의 전형이며 가장 많은 상을 받은 여성 아티스트이다. 그녀는 수백만 달러의 돈을 벌었고, 비틀즈보다 많은 히트곡들을 만들어 냈으며 가장 위대한 가수 중 한 명으로 인정받았지만 여전히 자신으로부터 자유롭지 못했고 결국 48세의 나이로 세상을 떠났다. 미공개 영상들과 공연실황들로 이루어진 이 영화는 지인들을 통해 그녀의 놀랍고도 가슴 아픈 삶에 대해 이야기한다.
Writer
휘트니 휴스턴은 슈퍼스타의 전형이며 가장 많은 상을 받은 여성 아티스트이다. 그녀는 수백만 달러의 돈을 벌었고, 비틀즈보다 많은 히트곡들을 만들어 냈으며 가장 위대한 가수 중 한 명으로 인정받았지만 여전히 자신으로부터 자유롭지 못했고 결국 48세의 나이로 세상을 떠났다. 미공개 영상들과 공연실황들로 이루어진 이 영화는 지인들을 통해 그녀의 놀랍고도 가슴 아픈 삶에 대해 이야기한다.
Director
휘트니 휴스턴은 슈퍼스타의 전형이며 가장 많은 상을 받은 여성 아티스트이다. 그녀는 수백만 달러의 돈을 벌었고, 비틀즈보다 많은 히트곡들을 만들어 냈으며 가장 위대한 가수 중 한 명으로 인정받았지만 여전히 자신으로부터 자유롭지 못했고 결국 48세의 나이로 세상을 떠났다. 미공개 영상들과 공연실황들로 이루어진 이 영화는 지인들을 통해 그녀의 놀랍고도 가슴 아픈 삶에 대해 이야기한다.
Himself
Two iconic British buildings - the Wellington Rooms in Liverpool and the Coal Exchange in Cardiff - are threatened with demolition and Nick Broomfield is on the case.
Director
Two iconic British buildings - the Wellington Rooms in Liverpool and the Coal Exchange in Cardiff - are threatened with demolition and Nick Broomfield is on the case.
Director
When Lonnie Franklin Jr. was arrested in South Central Los Angeles in 2010 as the suspected murderer of a string of young black women, police hailed it as the culmination of 20 years of investigations. Four years later documentary filmmaker Nick Broomfield took his camera to the alleged killer’s neighborhood for another view.
Writer
Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.
Himself
Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.
Director
Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.
Himself
A journey that takes the viewers across the icy mid-winter snows of Alaska to meet her school friends, family, and Republican colleagues, to try and discover the real Sarah Palin.
Director
A journey that takes the viewers across the icy mid-winter snows of Alaska to meet her school friends, family, and Republican colleagues, to try and discover the real Sarah Palin.
Himself
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Writer
An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
Producer
An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
Director
An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
Writer
When a young girl, Ai Qin, pays $25,000 to be smuggled into the UK in order to support her family back in China, she becomes another one of 3 million migrant workers that have become the bedrock of our economy. Forced to live with eleven other Chinese people in a two bedroom house, they work in factories preparing food for British supermarkets. Risking their lives for pennies these unprotected workers end up cockling in Morcombe Bay at night.
Director
When a young girl, Ai Qin, pays $25,000 to be smuggled into the UK in order to support her family back in China, she becomes another one of 3 million migrant workers that have become the bedrock of our economy. Forced to live with eleven other Chinese people in a two bedroom house, they work in factories preparing food for British supermarkets. Risking their lives for pennies these unprotected workers end up cockling in Morcombe Bay at night.
Himself
A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.
Director
A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.
Nick Broomfield, interviewer
Boris Arkadin is a horror film maker. His pregnant wife was brutally murdered by a Manson-like gang of hippy psychopaths during the 1960s. He becomes a virtual recluse - until years later he directs his own snuff inspired movies. He invites actors to take part in an audition at his country manor house - blurring the lines of what is real and what is fiction.
Self
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Director
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
Producer
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
himself
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
Director
In 1997, rap superstars Tupac Shakur and Christopher Wallace (aka Biggie Smalls, The Notorious B.I.G.) were gunned down in separate incidents, the apparent victims of hip hop's infamous east-west rivalry. Nick Broomfield's film introduces Russell Poole, an ex-cop with damning evidence that suggests the LAPD deliberately fumbled the case to conceal connections between the police, LA gangs and Death Row Records, the label run by feared rap mogul Marion "Suge" Knight.
Sound
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Producer
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Director
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Interviewer
After rocker Kurt Cobain's death, ruled a suicide, a film crew arrives in Seattle to make a documentary. Director Nick Broomfield talks to lots of people. Portraits emerge: a shy, slight Kurt, weary of touring, embarrassed by fame, hooked on heroin; an out-going Courtney, dramatic, controlling, moving from groupie to star.
Himself
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Editor
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Writer
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Director
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Producer
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Narrator
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Director
A documentary crew from the BBC arrives in L.A. intent on interviewing Heidi Fleiss, a year after her arrest for running a brothel but before her trial. Several months elapse before the interview, so the crew searches for anyone who'll talk about the young woman. Two people have a lot to say to the camera: a retired madam named Alex for whom Fleiss once worked and Fleiss's one-time boyfriend, Ivan Nagy, who introduced her to Alex. Alex and Nagy don't like each other, so the crew shuttles between them with "she said" and "he said." When they finally interview Fleiss, they spend their time reciting what Alex and Nagy have had to say and asking her reaction.
Director
Tracking Down Maggie is a 1994 documentary film by Nick Broomfield about former British Prime Minister Margaret Thatcher. What begins as a genuine attempt to get an interview with the so-called 'Iron Lady' quickly turns into a game of cat-and-mouse in the United States, the filmmaker snubbed at every turn. Aside from the comedy of Broomfield's repeatedly failing attempts to gain access, the film discusses the accusations that Thatcher's son, Mark, used his mother's connections to effect arms deals in Saudi Arabia.
Sound
Aileen Wuornos: The Selling of a Serial Killer (1993) is a documentary film about Aileen Wuornos, made by Nick Broomfield. It documents Broomfield's attempts to interview Wuornos, which involves a long process of mediation through her adopted mother Arlene Pralle and lawyer, Steve Glazer.
Producer
Aileen Wuornos: The Selling of a Serial Killer (1993) is a documentary film about Aileen Wuornos, made by Nick Broomfield. It documents Broomfield's attempts to interview Wuornos, which involves a long process of mediation through her adopted mother Arlene Pralle and lawyer, Steve Glazer.
Writer
Aileen Wuornos: The Selling of a Serial Killer (1993) is a documentary film about Aileen Wuornos, made by Nick Broomfield. It documents Broomfield's attempts to interview Wuornos, which involves a long process of mediation through her adopted mother Arlene Pralle and lawyer, Steve Glazer.
Himself
Aileen Wuornos: The Selling of a Serial Killer (1993) is a documentary film about Aileen Wuornos, made by Nick Broomfield. It documents Broomfield's attempts to interview Wuornos, which involves a long process of mediation through her adopted mother Arlene Pralle and lawyer, Steve Glazer.
Director
Aileen Wuornos: The Selling of a Serial Killer (1993) is a documentary film about Aileen Wuornos, made by Nick Broomfield. It documents Broomfield's attempts to interview Wuornos, which involves a long process of mediation through her adopted mother Arlene Pralle and lawyer, Steve Glazer.
Producer
Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.
Himself
Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.
Director
Still in his role as the innocent Brit in Africa, ludicrously encumbered by earphones and microphones, Broomfield turns to Chicco Twala - one of South Africa's black millionaires.
Director
This is the story of Spalding Gray and his attempt to write a novel. It is a first person account about writing and living, and dealing with success while trying to be successful.
From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.
Director
From award-winning director Nick Broomfield, The Leader, His Driver, and the Driver's Wife documents Broomfield's efforts to interview Eugene Terre'Blanche, leader of the sinister neo-nazi AWB Afrikaner Party in South Africa. Cameras capture awkward interactions with skittish AWB supporters, combat training of militant youth, and the coveted interview itself. Broomfield's access to these events is made possible by the leader's driver, whose wavering allegiance to the movement is explored as well.
Director
Nick Bloomfield's sequel documentary reacquaints us with the lives of the children and officers and examines the scars left by the stark events of Part I.
Idea
Hugo Buckton seems to have it all: He is apparently rich and has a beautiful wife and a doting son. In actuality, though, Hugo is having money problems and is paranoid that his wife is cheating on him. After a boozy night at a party, Hugo hits and kills a woman with his car -- and at his friends' urging, keeps driving. When Hugo starts receiving letters from someone who knows about the accident, he begins to suspect that he has been set up.
Director
Hugo Buckton seems to have it all: He is apparently rich and has a beautiful wife and a doting son. In actuality, though, Hugo is having money problems and is paranoid that his wife is cheating on him. After a boozy night at a party, Hugo hits and kills a woman with his car -- and at his friends' urging, keeps driving. When Hugo starts receiving letters from someone who knows about the accident, he begins to suspect that he has been set up.
Sound Recordist
Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.
Director
Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity conspire to ruin the best efforts of all involved in the New York rehearsals for an extravagant, glitzy production.
Director
Backstage record of how Lily Tomlin, Jane Wagner and their associates put together "The Search for Signs of Intelligent Life in the Universe," Miss Tomlin's one-woman Broadway play.
Producer
Documentary on the "Chicken Ranch," a legal Nevada brothel.
Director
Documentary on the "Chicken Ranch," a legal Nevada brothel.
Sound Recordist
A documentary about women's basic training in Fort Georgia.
Editor
A documentary about women's basic training in Fort Georgia.
Director
A documentary about women's basic training in Fort Georgia.
Director
An intimate, hands on encounter with a maximum security juvenile correctional facility in Chino California.
Editor
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Producer
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Director
Juvenile Liaison is about the day-to-day assignments of the juvenile liaison section of the Blackburn, Lancashire police force. The documentary provides a captivating snapshot of how juvenile offenders were dealt with in the '70s.
Self (voice)
Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.
Editor
Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.
Camera Operator
Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.
Director of Photography
Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.
Director
Kirby, on the outskirts of Liverpool, England, October 1972. A chronicle of the fourteen-month strike by thousands of tenants to protest against the £1 increase in council house rents due to the Housing Finance Act.
Director
Gathering numerous face-to-face interviews with residents of the conservative stronghold of Beaconsfield, Buckinghamshire, Broomfield paints an ironic portrait of racist parochial views. Spread throughout the community, from the working class patriot Mr Feltham, to the local MP Ronald Bell and even the vicar, we see a cast of regressive, hypocritical creatures.
Director
The camera shows views of the Victorian city of Liverpool while residents deliver comments off-camera what they feel about their relocation to large housing estates while the old inner city buildings are being pulled down. Even if the living conditions were not great the sense of community and feeling at home has been lost after moving to the new flats.
Writer
The camera shows views of the Victorian city of Liverpool while residents deliver comments off-camera what they feel about their relocation to large housing estates while the old inner city buildings are being pulled down. Even if the living conditions were not great the sense of community and feeling at home has been lost after moving to the new flats.
