Marcos Contreras

Stênio trabaja en el turno de noche de la morgue de una ciudad grande y violenta. Durante sus horas difíciles, nunca está solo, ya que está dotado de la capacidad paranormal de hablar con los muertos. Sin embargo, cuando las confidencias que escucha desde el otro lado revelan los secretos de su propia vida, Stênio desata una maldición que atrae el peligro y la muerte demasiado cerca de él y de su familia.

Brazil, 1961. In the underground of the Piratini Palace, the governor of Rio Grande do Sul, Leonel Brizola, awaits a bombing by the Brazilian armed forces. The country is on the verge of a civil war, following the resignation of president Jânio Quadros and the movement to keep vice-president João Goulart from taking office. Using the radio transmitter from his improvised bunker, Brizola sets up the Legality movement, to ensure Goulart's right to the presidential chair. Caught in the crossfire, two brothers who are in love with the same woman unite to fight alongside Brizola.

A film director faces a complex situation in the production of his new film: Laerte, the protagonist of the story, begins to renegade her former characters, the Pirates of the Tietê. Lost in this situation and determined to be faithful to his whims after seeing the approach of death, the director decides to tell his drama mixing his persona with the story, creating a chaotic labyrinth between fiction and real life.

Sur de Brasil, en 1963. Tony (Johnny Massaro), hijo de un francés y una brasileña, es un joven enamorado del cine y la poesía que, tras graduarse en la universidad, vuelve a su pequeña ciudad natal en el Brasil rural para descubrir que su padre (Vincent Cassel) ha regresado a Francia para siempre. Tony busca entonces la compañía de los amigos de su padre, en busca de información de un modelo de hombre perdido. Se convierte en maestro de escuela y una figura protectora para los niños, en un intento de proporcionarles algo de lo que él mismo carece. Una serie de acontecimientos le llevan a un sorprendente desenlace sobre el paradero de su padre y las verdaderas razones por las que se marchó... Adaptación de la novela "Un padre de película" de Antonio Skármeta.

Anita an ex junkie moves with her husband to an isolated wind blown coastal town hoping to leave her out of control drug fueled past behind her. Her laddish, bad tempered husband is not sensitive to Anita's emotional needs and her new life does not seem to fulfill her. In her utter isolation in the misty lonely endless beach she falls victim to terrifying demoniac visions from which she will need to liberate herself before her real new life can begins.

Written in 1625 by the British playwright Ben Jonson, the play “The Staple of News” provides a historic root for this discussion about the role of the press in modern day Brazil. Journalists of several generations discuss the dilemmas of the selection and focus of their subjects, the resistance of the media in accepting itself as a political agent, the inevitability of interpretation as there are no hard facts in nature, and above all the search for an always complex balance between credibility and the public’s growing demand for news.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

Camel on the Tarmac is made of two movements: the walking and the feeling. Walking under the sky of platinum winter; and on the asphalt. Feeling under the silence of the journey; relive the emotional memories. Peter walks and feel; walks and crosses the border between sister countries, Brazil and Uruguay. Follows in search of man who, like him, live recluse addition in their own digressions: his father.

Ciba (Rodrigo Santoro) is an independent investigator who works together with the police. A typical fallible hero who struggles with strong personal issues, while preventing crime and injustice. His partner, Deputy Ulisses (Luis Miranda), is a well-meaning professional who recognizes the difficulty in securing his function using only common artifacts, and Ciba's unofficial contact is of utmost importance for the progress of his investigations.

A young man wearing a gas mask wanders in an grey and empty city.

In Porto Alegre, the unemployed Ciro has a dull life in a simple apartment with a nameless stray dog that he had found on the streets. Ciro is supported by his parents and works every now and then in translation of Russian. When he meets the aspirant actress Marcela, who dreams on traveling to other places, they immediately fall in love for each other. However, Marcela has a lymphoma and travels for a treatment, and alone Marcelo becomes depressed and returns to his parents home.

Daniel has a misunderstanding with a witch and recieves an interesting curse;