Producer
A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.
Producer
A Red Army major caught between East and West Berlin finds his wife gone and somebody else moved into his apartment.
Assistant Director
Un representante de Coca-cola viaja hasta Australia para conocer la difusión del producto en el país y descubre un valle donde el consumo de la bebida es mínimo. La causa es que en ese valle hay un hombre que fabrica refrescos.
Assistant Director
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
Original Music Composer
En 1971, en plena resaca del Mayo del 68, el cineasta yugoslavo Dusan Makavejev se convierte en el artista escandaloso del momento con esta especie de falso documental sobre sexo y política, en el que se combinan noticiarios, entrevistas, ficción y ocurrencias surrealistas varias. El guión, apenas esbozado, gira en torno a la vida y obra del psiquiatra austriaco Wilhelm Reich, descubridor de la energía orgásmica, y a las peripecias de dos jovencitas comunistas con muchas ganas de experimentar con sus respectivos y pimpantes cuerpos. Todo ello mezclado con imágenes manipuladas de Stalin, escenas de sexo explícito e incluso una sesión de electroshock real. (FILMAFFINITY)
Writer
Bojana Marijan joined the film club crowd (including Zilnik and Makavejev, her future husband) at Novi Sad where Zilnik had already set up the legendary production company Neoplanta. Her political argument is obvious, but in Vesela Klasa, as Amos Vogel puts it, “Instead of complaints there are lyrics, music and wine.”
Director
Bojana Marijan joined the film club crowd (including Zilnik and Makavejev, her future husband) at Novi Sad where Zilnik had already set up the legendary production company Neoplanta. Her political argument is obvious, but in Vesela Klasa, as Amos Vogel puts it, “Instead of complaints there are lyrics, music and wine.”
Assistant Director
SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.
Visual Effects
Eva is a good looking woman who started to believe in a living nightmare; she believes she is flawed and that she lives in a world where everyone needs to be perfect. Her struggle not only affects herself, but also her family...
