Bojana Marijan

A self-portrait documentary of Dusan Makavejev who travels to former Yugoslavia, and charts the changes of the society which parallels to his own life.

A Red Army major caught between East and West Berlin finds his wife gone and somebody else moved into his apartment.

An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.

Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

Bojana Marijan joined the film club crowd (including Zilnik and Makavejev, her future husband) at Novi Sad where Zilnik had already set up the legendary production company Neoplanta. Her political argument is obvious, but in Vesela Klasa, as Amos Vogel puts it, “Instead of complaints there are lyrics, music and wine.”

Bojana Marijan joined the film club crowd (including Zilnik and Makavejev, her future husband) at Novi Sad where Zilnik had already set up the legendary production company Neoplanta. Her political argument is obvious, but in Vesela Klasa, as Amos Vogel puts it, “Instead of complaints there are lyrics, music and wine.”

SFRJ is officially a place where everyone have a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

Eva is a good looking woman who started to believe in a living nightmare; she believes she is flawed and that she lives in a world where everyone needs to be perfect. Her struggle not only affects herself, but also her family...