Elza Kephart

Cuando un par de jeans poseídos comienza a matar al personal de una tienda de ropa de moda, depende de Libby, una joven vendedora idealista, detener su sangriento alboroto.

Cuando un par de jeans poseídos comienza a matar al personal de una tienda de ropa de moda, depende de Libby, una joven vendedora idealista, detener su sangriento alboroto.

GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...

GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...

GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

La evolución del zombi desde sus raíces en el vudú haitiano hasta su codiciado papel como el monstruo más popular del mundo: de ser un cadáver torpe a convertirse en un asesino caníbal y el principal agente de toda pandemia infecciosa, el zombi ha recorrido un largo camino en setenta años. Una mirada a la creciente marea de la cultura zombi examinando por qué algo tan muerto tiene tanta vida en las pesadillas de los espectadores y en la taquilla.

A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.

A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.

A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.