Elza Kephart

Elza Kephart

Рождение : , Montreal, Quebec, Canada

История

Montréal born Elza Kephart graduated from Emerson College with a BFA in Film Production and Screenwriting. She then returned to her hometown where she wrote and directed her first feature GRAVEYARD ALIVE. Since its premiere in 2003 the film has screened in over 20 international film festivals and garnered numerous awards, as well as being picked up for distribution and international sales. Kephart has attended the Canadian Film Centre’s Director’s Lab, the TIFF Talent Lab, the Berlinale Talent Campus, and has obtained development funding for numerous projects. GO IN THE WILDERNESS is her second feature.

Профиль

Elza Kephart

Фильмы

Убийственная мода
Writer
Либи устраивается на работу своей мечты, в магазин одежды марки CCC, и завтра у сотрудников большой день — презентация новой коллекции и визит популярной fashion-блогерши. Пока работники в ночную смену меняют выкладку, а бутик из соображений коммерческой безопасности находится в полном локдауне, пара инновационных самоподгоняющихся по фигуре джинсов начинает убивать.
Убийственная мода
Director
Либи устраивается на работу своей мечты, в магазин одежды марки CCC, и завтра у сотрудников большой день — презентация новой коллекции и визит популярной fashion-блогерши. Пока работники в ночную смену меняют выкладку, а бутик из соображений коммерческой безопасности находится в полном локдауне, пара инновационных самоподгоняющихся по фигуре джинсов начинает убивать.
Go in the Wilderness
Producer
GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...
Go in the Wilderness
Writer
GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...
Go in the Wilderness
Director
GO IN THE WILDERNESS tells the story of Lilith, Adam’s rebellious first mate, and her guardian, as they forge an uneasy alliance on their journey back to Eden. Once in the Garden, they meet Adam and his new mate Eve, and realise that all is not as it seems in Paradise...
Pretty Bloody: The Women of Horror
Herself
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Zombiemania
Herself - Filmmaker
The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.
Graveyard Alive: A Zombie Nurse in Love
Producer
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.
Graveyard Alive: A Zombie Nurse in Love
Writer
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.
Graveyard Alive: A Zombie Nurse in Love
Director
A shy nurse is bitten by a zombie and becomes a flesh eating sex kitten. GRAVEYARD ALIVE is a cross between 1920's German Expressionism and 1960's B-horror films. Shot in and around the Montreal area, this is Bastard Amber Production's first full-length feature. The story follows Patsy, a lonely, dreamy nurse who, after being bitten by a zombie, becomes a sex-kitten. With her newfound powers, she tries to win back her old flame, the suave and handsome Dr. Dox, from Goodie , a bitchy young nurse. As the film progresses, Patsy must also learn to deal with her new affliction and to live her life, no longer in her romantic dream world, but in a harsher yet ultimately more satisfying reality. Shot in Techniscope with a 1:2.35 aspect ratio, an old process used in many 1960's films such as Dario Argento's "The Cat O' Nine Tails", GRAVEYARD ALIVE promises to invigorate the horror genre stylistically as well as with its audacious and thought-provoking content.