Hardcore Asians (2022)

バーニー・ロス率いる命知らずの傭兵部隊「エクスペンダブルズ」は、ネパールにて誘拐された中国人富豪の救出作戦を実行。激しい戦闘を繰り広げながら見事に成功させる。今回の作戦で一時的にチームから離れることとなったイン・ヤンと共に救出された富豪を中国に送り、アメリカに戻った一向だったが、メンバーの一人で新人のビリー・ティモンズは傭兵稼業になじめず、バーニーに早期の引退を申し出る。そんなバーニーの前に過去にヴィレーナの一件で仕事を依頼してきたＣＩＡのチャーチが現れ、アルバニア山中に墜落した輸送機の積荷を回収する仕事を持ちかける。彼はバーニーらがヴィレーナで暴れたことで手に入れる筈であった金を失っており、その借りを返すためにこの仕事を受けなければバーニーらを刑務所送りにすると脅しをかけ、バーニーはやむえず依頼を受ける。一行はチャーチの部下である女性マギー・チャンを加え、アルバニアの墜落現場に赴く。マギーの協力で、輸送機の残骸から積荷の回収に成功する。しかしその直後、同じく積荷を狙っていたジャン・ヴィラン率いる犯罪武装集団「サング」に襲撃される。

経営するコインランドリーの税金問題、父親の介護に反抗期の娘、優しいだけで頼りにならない夫と、盛りだくさんのトラブルを抱えたエヴリン。そんな中、夫に乗り移った”別の宇宙の夫”から、「全宇宙にカオスをもたらす強大な悪を倒せるのは君だけだ」と世界の命運を託される。まさかと驚くエヴリンだが、悪の手先に襲われマルチバースにジャンプ！カンフーの達人の”別の宇宙のエヴリン”の力を得て、今、闘いが幕を開ける！

Ali Wong might be seven-months pregnant, but there’s not a fetus in the world that can stop this acerbic and savage train of comedy from delivering a masterful hour of stand-up.

結婚を機に仕事を辞め、育児と家事に追われるジヨンは、時に閉じ込められているような感覚に陥ることがあった。「疲れているだけ、大丈夫」と夫のデヒョンにも自分にも言い聞かせる彼女だったが、ある日から、まるで他人が乗り移ったような言動をするようになる。その時の記憶はすっぽりと抜け落ちている妻に、デヒョンは傷つけるのが怖くて真実を告げられず・・・少女時代から社会人になり現在に至るまでの彼女の人生を通して、見えてくるものとは―

Pregnant again, Ali Wong returns to Netflix in her second original stand-up comedy special and gets real on why having kids is not all it's cracked up to be.

The documentary follows Annabel Chong, former record holder for the world's largest gang bang, which she set in 1995 by having sex with 70 men. It focuses on her reasons for working in porn, and her relationship with friends and family.

When a producer refuses to cut Massimo and his band a record unless they hire an "ethnic" singer to spice up the act, he tries to seduce Jing, a Chinese girl with a beautiful voice disinterested in both him and rock, to get her on board. She pretends to cave in in order to escape an arranged marriage, but in the weeks preceding the concert the two begin to grow closer, complicating the secretly fake nature of their relationship.

AJUMMA! Are you krazy??? is a zany comedy that follows the misadventures of three Korean drama fanatics. Fueled by their schoolgirl hormones, the hopelessly romantic Ajummas, Judy (Thea Matsuda), the lovable and innocent heroine, Susan (Tessie Magaoay) the gruff-tough one, and Amy (Cari Mizumoto) the sassy tart, go on a hilarious journey to try and meet Korean super star Michael Park (Michael Hsia) by stealing his itinerary, breaking into his hotel room, and sneaking on to his music video set. Witty writing, a light-hearted story and a likable cast allow this short film to succeed in taking a humorous look at the K-drama phenomenon and what some ladies will do for a crush.

In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

Lady Ramboh finds her sister and her best friend on vacation, and the three of them spend the days having lots of fun. But the fun trip is ruined, when the girls are kidnapped and raped by the remaining traffickers. Lady Ramboh seeks revenge. She has a room full of grenade launchers to prove it.

In 1965, an Asian-American girl wants to be an actress despite the odds. Her mother thinks it's just a silly dream. However, her quirky middle-aged high school teacher decides to help her try out for a Broadway musical.

Chan is a Chinese factory worker who lives alone. Every night, she suffers from horrific nightmares involving the woman in the apartment next door, a Japanese office lady.

We see a rock. It transcends languages and cultures. It traverses time and space. Perhaps it has its own nature and memories.

Eight Pan-Asian female filmmakers’ powerful anthology film illuminates the immigrant experience in Aotearoa New Zealand through the lives of eight Asian women connected by the house they call home.

After attempting to commit suicide Sanako's relationship with her mother changes. Her mother Mrs. Hamada being to blame herself. Was there more she could have done to save her daughter?