A Redação (2012)

バーニー・ロス率いる命知らずの傭兵部隊「エクスペンダブルズ」は、ネパールにて誘拐された中国人富豪の救出作戦を実行。激しい戦闘を繰り広げながら見事に成功させる。今回の作戦で一時的にチームから離れることとなったイン・ヤンと共に救出された富豪を中国に送り、アメリカに戻った一向だったが、メンバーの一人で新人のビリー・ティモンズは傭兵稼業になじめず、バーニーに早期の引退を申し出る。そんなバーニーの前に過去にヴィレーナの一件で仕事を依頼してきたＣＩＡのチャーチが現れ、アルバニア山中に墜落した輸送機の積荷を回収する仕事を持ちかける。彼はバーニーらがヴィレーナで暴れたことで手に入れる筈であった金を失っており、その借りを返すためにこの仕事を受けなければバーニーらを刑務所送りにすると脅しをかけ、バーニーはやむえず依頼を受ける。一行はチャーチの部下である女性マギー・チャンを加え、アルバニアの墜落現場に赴く。マギーの協力で、輸送機の残骸から積荷の回収に成功する。しかしその直後、同じく積荷を狙っていたジャン・ヴィラン率いる犯罪武装集団「サング」に襲撃される。

Ali Wong might be seven-months pregnant, but there’s not a fetus in the world that can stop this acerbic and savage train of comedy from delivering a masterful hour of stand-up.

Pregnant again, Ali Wong returns to Netflix in her second original stand-up comedy special and gets real on why having kids is not all it's cracked up to be.

The documentary follows Annabel Chong, former record holder for the world's largest gang bang, which she set in 1995 by having sex with 70 men. It focuses on her reasons for working in porn, and her relationship with friends and family.

結婚を機に仕事を辞め、育児と家事に追われるジヨンは、時に閉じ込められているような感覚に陥ることがあった。「疲れているだけ、大丈夫」と夫のデヒョンにも自分にも言い聞かせる彼女だったが、ある日から、まるで他人が乗り移ったような言動をするようになる。その時の記憶はすっぽりと抜け落ちている妻に、デヒョンは傷つけるのが怖くて真実を告げられず・・・少女時代から社会人になり現在に至るまでの彼女の人生を通して、見えてくるものとは―

Metalanguage and irony about what makes a film, film.

AJUMMA! Are you krazy??? is a zany comedy that follows the misadventures of three Korean drama fanatics. Fueled by their schoolgirl hormones, the hopelessly romantic Ajummas, Judy (Thea Matsuda), the lovable and innocent heroine, Susan (Tessie Magaoay) the gruff-tough one, and Amy (Cari Mizumoto) the sassy tart, go on a hilarious journey to try and meet Korean super star Michael Park (Michael Hsia) by stealing his itinerary, breaking into his hotel room, and sneaking on to his music video set. Witty writing, a light-hearted story and a likable cast allow this short film to succeed in taking a humorous look at the K-drama phenomenon and what some ladies will do for a crush.

In a typical Singaporean family of three, life is well and comfortable. Unbeknownst to them, the forgotten fourth member is feeling neglected and alone. The only comfort she finds lies in her grandson.

In 1965, Patsy Takemoto Mink became the first woman of color in the United States Congress. Seven years later, she ran for the US presidency and was the driving force behind Title IX, the landmark legislation that transformed women’s opportunities in higher education and athletics.

In 1965, an Asian-American girl wants to be an actress despite the odds. Her mother thinks it's just a silly dream. However, her quirky middle-aged high school teacher decides to help her try out for a Broadway musical.

Lady Ramboh finds her sister and her best friend on vacation, and the three of them spend the days having lots of fun. But the fun trip is ruined, when the girls are kidnapped and raped by the remaining traffickers. Lady Ramboh seeks revenge. She has a room full of grenade launchers to prove it.

In this short, Willer’s poetic images and his voice dress the streets, the skies, the avenues. Here is Willer, the great poet and living legend of the sixties generation, in front of the camera, letting us into his universe, which Priscyla Bettim & Renato Coelho approach as a poetic encounter, in which experimental cinema becomes a powerful catalyst for his poetry. From an erotic and personal approach, the filmmakers give substance to what Willer states...or perhaps it’s the reverse: it is the images that coexist freely with the sound field of words and music.

We see a rock. It transcends languages and cultures. It traverses time and space. Perhaps it has its own nature and memories.

Chan is a Chinese factory worker who lives alone. Every night, she suffers from horrific nightmares involving the woman in the apartment next door, a Japanese office lady.

Nigim is an ufologist from the city of Passa Tempo in MG who recorded numerous appearances of et’s from the Planet of Jov. But now, it seems like who is being watched is him.