Mirage Squadron (1975)

Inspector Rizzo in Napoli gets a message from a policeman from South Africa who wants to meet him. Immediately before this meeting the south African policeman is killed. Dying he shows Rizzo a picture of his little son Bodo. Rizzo travels to Johannesburg to find out what the policeman was working on and to find Bodo.

南アフリカ共和国のアパルトヘイト問題に立ち向かった黒人運動家スティーヴ・ビコを取材した記者ドナルド・ウッズの原作を基に、「ガンジー」のＲ・アッテンボローが製作・監督した社会派ドラマ。

Against the tranquil backdrop of a game reserve, South African thriller Night Drive tracks a group of tourists left stranded during a night-time game drive after their vehicle breaks down. As a series of terrifying events unfolds, the tourists realise that wild animals are the least of their fears.

The second movie based on a South African sitcom by the same name.They celebrate their new found richness in style but soon lose more than they had won. Scam artists rob and deceive them.The mine fires them and their wives won't allow them to come home. They numerous trials and tribulations to get everything back to the way it was.

A follow-up to "The Leader, His Driver, and the Driver's Wife", about the history of the far-right group AWB and its leader Eugene Terre'Blanche.

A story of love and friendship set against the violence of Apartheid in South Africa. It is a story of the ups and downs of the lives of the three main characters, and how their lives intersect over the years.

A computer chip turns an FBI agent into a lethal weapon.

Mapantsula tells the story of Panic, a petty gangster who inevitably becomes caught up in the growing anti-apartheid struggle and has to choose between individual gain and a united stand against the system.

The film is a portrayal of Zanele Muholi, a lesbian photographer working in the South African GLBT community. This thin, combative woman is already a world-wide famous artist. She defines herself as a "visual activist" in order to highlight her commitment to politics, to communicating ideas and to art. Her work includes: provocative nudes (like a female Mapplethorpe); young Zulu couples, dressed in traditional costumes, embracing each other; a homeless socially excluded lesbian couple; a dignified portrait of Victor Mukasa, the gay human rights leader from Uganda; wonderful shots of Zanele with her white partner. Beautiful and poetic pictures which are "militant" in nature since they condemn homophobia, poverty, and the public and private conflicts of a country divided between tradition and modernity.

Soldier of fortune, Monroe Bieler, is sent to dole out some American-style justice when the wife and child of an African president are kidnapped by terrorists.

Set against the raucous backdrop of the 2010 World Cup, MEANWHILE IN MAMELODI is a beautifully crafted portrait of a place and one family’s daily life inside it. The Mtsweni family lives in the Pretoria Township of the title, in the district known as Extension 11. Their world is a ramshackle collection of corrugated tin dwellings and makeshift shops, open sewers littered with debris and red-earth rectangles filled with soccer-playing children and teens. Seventeen-year-old Mosquito is one of those kids. As she studies for math tests, flirts with boys and shops with her best friend, her father Steven prepares his "tuck shop" for the promise of cash-flush tourists. Meanwhile, his wife struggles with mental illness. The Mtswenis' lives unfold as the Cup brings new hope to the ravaged town. Despite the poverty around her, Mosquito insists this is not her parents' country. She is the face of South Africa's future - part of "a new generation free to do all things."

South African crime/comedy movie. Forced to spend the night at a creepy old holiday resort, two wannabe gangsters run into trouble when, unpacking the car, their box of cash splits open, spilling a million bucks in eye-catching bundles all over the driveway

Produced by MGM in cooperation with the U.S. Navy, this short film follows U.S. naval aviators through their basic training in Florida and advanced training in California.

The greatest feature to emerge thus far from South Africa (since 1994) is Katinka Heyns's Paljas. The narrative occurs in the 1960s, when poverty amongst Afrikaners was a serious problem and the South African Railway a key mechanism in Afrikaner affirmative action. This excellent Afrikaans language drama follows the deterioration of an Afrikaner family isolated and shunned in the small community of Toorwater. Nothing seems to happen. Then a circus train loses its way and comes to rest in Toorwater, and a mysterious clown brings fresh magic to the stagnating family, but he also poses a threat to the rest of the community. Heyns brilliantly succeeds in creating a metaphor for the Afrikaner family's turbulent emotional, cultural and ideological journey from the darkness of apartheid back into the light of post-apartheid reconciliation (famililial, cultural and political).

Two Peace Corps volunteers in Africa are framed and put into an oppressive women's prison.

In the back country of South Africa, black minister Stephen Kumalo journeys to the city to search for his missing son, only to find his people living in squalor and his son a criminal. Reverend Misimangu is a young South African clergyman who helps find his missing son-turned-thief and sister-turned-prostitute in the slums of Johannesburg.

In a post-nuclear world, a happy family of ranchers is beseiged by a roving band of ne'er do well marauders who want to eat the men and mate with the women. Having already killed and eaten an entire mission full of nuns, the family has no choice but to grab their rifles and defend their homestead. Meanwhile, the lonely, nubile daughter begins to have feelings for the buff blond stranger with no family who has wandered onto the property. It's romance, intrigue, action, and violence on the dark continent!

In Africa, a professional hunter kills a male lion which is sacred to a local tribe which also practices voodoo; and when he returns to England, he finds himself deteriorating under the influence of a curse which they have placed on him for his sacrilege.

In a country where police sirens are an everyday melody and survival is an ongoing struggle, we see superhero "wannabe" Albert and Peet step in and give us hope that there is people among us who will stand up and fight for the man on the street.

The story begins when Toby (Ivan Jackson), a young English businessman, arrives in South Africa to take charge of a publishing firm. He knows little about apartheid and so at first sees no contradiction in developing a relationship with an elite, upper-class white woman and with a woman dedicated to fighting apartheid. But as Toby makes friends with one of the black South Africans (Zaku Mokae), and as he registers both the subtle and more obvious, deep-seated racial prejudices of the minority white population, some of the truth of the oppression here begins to dawn. That is brought to a head when tragedy strikes.