A young tearaway wins the lottery, but risks losing it all when he becomes embroiled in a toxic love triangle with a pair of recovering scam artists.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
A reworking of a familiar theme, the story finds scheming steel tycoon James J. MacGlennon (Tully Marshall) and his high-minded lawyer son Jonathan (Alan Baxter) simultaneously ending up behind bars. While incarcerated, Jonathan tries to mend his larcenous father's ways, thereby drawing closer to his not-so-bad dad.
After his father's death, a young man searches to find who his dad was only to stumble onto himself.
Albert Steptoe and his son Harold are rag-and-bone men, complete with horse and cart to tour the neighbourhood. They also live together at the junk yard. Harold, who likes the bright lights in the West End of London, meets a stripper, marries her and takes her home. Albert is furious and tries every trick he knows to drive the new bride from his household.
Modern day adaptation of Shakespeare's immortal story about Hamlet's plight to avenge his father's murder in New York City.
Two men get laid off and have to become stay-at-home dads when they can't find jobs, which inspires them to open their own day-care center.
石油ブームに沸く20世紀初頭のカリフォルニア。鉱山労働者のプレインビューは、石油が沸く源泉があるという情報を耳にする。息子とともに石油採掘事業に乗り出したプレインビューは、異様なまでの欲望で富と権力を手にしていく。
学校でも家庭でも問題児となっていた8歳のイシャーン（ダルシール・サファリー）。勉強が苦手な彼は代わりに空想が好きだった。近所の年上の男の子を取っ組み合いの喧嘩をしたイシャーンは、父親に次に問題を起こしたら寄宿学校に入れると言われてしまう。 すこぶる悪い点数のテストを両親に見せられずサインをもらえなかった彼は、授業をサボってしまう。欠席届を出さないといけなかったため、兄のヨハンに書いてもらう。しかしある日、その欠席届が父に見つかってしまう。約束を守れなかったイシャーンに対して激怒した父は、友人のコネを使いすぐにイシャーンを寄宿学校に転校させる。 学校にはいままでよりさらに厳しい先生たちがいたうえ、家族に会えない寂しさが募り、イシャーンにとって非常に辛い環境だった。とうとう完全にふさぎこんでしまうイシャーンだったが、ちょうどその時、臨時で新しい美術の先生ニクンブ（アーミル・カーン）が赴任してくる。 ニクンブはイシャーンの様子を見て、彼は失読症であることを見抜くが…。
When two brothers organize the robbery of their parents' jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Through the maze of a nightmare, a young man faces his father. His trauma springs from the darkness and he gradually exorcises his bitterness.
On Thanksgiving, a family struggles to properly care for their father with Alzheimer's disease.
Nursing a piglet back to life because it's the runt of the litter earns Emil a friend for life.
Sara runs for an eco the same day she notices something different on her left breast. Timing and readiness might save her life besides a happy event that comes as a blessing in her life between good friday and easter day, will she be able to win the battle against this silent killer?
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day...
エンジニアのための職業斡旋会社に勤務している仕事熱心で野心家のデーン・ジェンセン（ジェラルド・バトラー）は、役職を得るためライバルであるリン・フォーゲル（アリソン・ブリー）との競争に燃えていた。しかし、10歳になる息子ライアンがガンになり、仕事をとるか家族をとるかの選択を迫られる。
日本劇場未公開
