Andrei Tarkovsky: A Poet in the Cinema (1984)

女子高生のジュリーとカイラ、そしてサムの仲良し3人組は、卒業パーティーのプロムが開催される夜にヴァージンを捨てようと計画する。そんな娘たちの計画を知ってしまった親たち、ジュリーのお母さんリサと、カイラのお父さんミッチェル、そしてサムのお父さんであるハンターの3人組が一致団結、娘たちの処女喪失を阻止し貞操を守るため奮闘する。

Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.

1979年夏、カリフォルニア州西海岸の古ぼけた家で、シングルマザーの母親ドロシアとともに暮らす15歳の少年ジェイミー。家には、2人のほかに、20代半ばの女性写真家アビーと、元ヒッピーの便利屋のウィリアムが間借りしていた。息子が反抗期を迎え、自分だけでは手に負えなくなってきたのを懸念したドロシアは、アビーと、近所に住む17歳の不思議少女ジュリーに、ジェイミーのサポートをぜひよろしく、と頼み込む。

クリスマスに恋人ハーパーの実家に招待され、そこで彼女にプロポーズするつもりでいたアビー。だが実はハーパーは家族にカミングアウトしておらず、2人の関係も隠していることが判明し...。

Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...

ジェニーは保護された環境で育ったにもかかわらず、頭脳明晰で可愛く、オックスフォード大学への進学を希望している、将来有望なティーンである。そんなジェニーの前に、魅力的だが年上の求婚者デイビッドがピカピカの車で現れ、ジェニーは忘れられない大人の生活を体験することになる。

Alice, a young innocent Catholic girl, is tempted into masturbating after an AOL chat suddenly turns sexual, however is conflicted as the act would be considered a sin.

College student Danielle must cover her tracks when she unexpectedly runs into her sugar daddy at a shiva - with her parents, ex-girlfriend and family friends also in attendance.

19-year old Belle practices playing the violin diligently, but is unable to impart her music with a sensitive undertone. Her life changes when she discovers that sexual desire stimulates passion in her music.

15-year-old Mia faces an overwhelming transformation which puts her entire existence into question. Her body is changing radically, and despite desperate attempts to halt the process, Mia is soon forced to accept that nature is far more powerful than she is.

Georgia Nicolson is fourteen, lives with nosey parents who don't understand her, an annoying three year old sister and has to wear a beret to school. She would, however, rather be blonde, have a smaller nose and a boyfriend. Revolving around her hilarious journal entries, prepare to be engulfed in the world of the soaring joys and bottomless angst of being a teenager.

米国のNSA（国家安全保障局）で働き、同じく情報機関のCIA（中央情報局）でも働いた当時29歳の男性スノーデンは、米政府が国民のプライバシーを侵害していることに憤り、2013年、“シチズンフォー”というハンドルネームを使ってドキュメンタリー監督ポイトラスと連絡を取り、自分が知っているすべてをカメラの前で語ると言い、ポイトラス監督とジャーナリストのグリーンウォルドは香港でスノーデンと面会する。

Overeducated and underemployed, 28 year old Megan is in the throes of a quarterlife crisis. Squarely into adulthood with no career prospects, no particular motivation to think about her future and no one to relate to, Megan is comfortable lagging a few steps behind - while her friends check off milestones and celebrate their new grown-up status. When her high-school sweetheart proposes, Megan panics and- given an unexpected opportunity to escape for a week - hides out in the home of her new friend, 16-year old Annika and Annika's world-weary single dad Craig.

1987年、英国ルートンにある小さな町。パキスタンから移民してきた両親、マリクとヌールと暮らす彼らの長男ジェベドは、一帯で根強いマイノリティーへの偏見や、保守的な価値観に固執する父親マリクとの確執に悩む。そんなジェベドは同級生から影響を受け、人気歌手スプリングスティーンのファンとなり、自分自身の言葉で“詩”を書いて残し始める。ジェベドの詩は注目を集めだすが、彼とマリクの関係は複雑になっていき……。

Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.

Georgia Rule follows a rebellious, uncontrollable teenager who is hauled off by her dysfunctional mother to spend the summer with her grandmother. Her journey will lead all three women to revelations of buried family secrets and an understanding that - regardless what happens - the ties that bind can never be broken.

小さな田舎町で暮らす少女アナは、幼い頃から重い消化器疾患を患い入退院を繰り返していた。母クリスティは遠方の大病院へ診察を頼み、やっとのことでアナは入院するも、治療の方法がなく自宅に戻る。一方、二人が留守にしていた間、夫や姉妹との間にも亀裂が生じていた。そんな中、アナが庭の大木から落ちてしまう事故が起こる。幸い一命を取りとめたが、彼女の身にある驚くべき“奇跡”が待ち受けていた。

人間界「渋谷」とバケモノ界「渋天街」は、交わることのない二つの世界。ある日、渋谷にいた少年が渋天街のバケモノ・熊徹に出会う。少年は強くなるために渋天街で熊徹の弟子となり、熊徹は少年を九太と命名。ある日、成長して渋谷へ戻った九太は、高校生の楓から新しい世界や価値観を吸収し、生きるべき世界を模索するように。そんな中、両世界を巻き込む事件が起こり……。＜『サマーウォーズ』の細田守が監督を務め、人間界とバケモノ界が存在するパラレルワールドを舞台に孤独な少年とバケモノの交流を描くアニメーション。人間界「渋谷」で一人ぼっちの少年と、バケモノ界「渋天街」で孤独なバケモノ。本来出会うはずのない彼らが繰り広げる修行と冒険を映す。バケモノと少年の声を役所広司と宮崎あおいが担当するほか、染谷将太や広瀬すずら人気俳優が声優として名を連ねる。不幸な少年が身勝手なバケモノとの出会いにより成長し、絆を深めていく感動的な物語に期待。＞

When her nation is invaded, a young princess is taken into the Princess Protection Program. She is relocated to Louisiana, where she stays with a covert agent and his tomboyish daughter, and must learn how to behave like an ordinary teenager.

シカゴに住む建築家のサムは癌で妻を亡くし一人息子のジョナと共にシアトルに越してきたが、ジョナは、父親のために新しい奥さんが必要だと思いラジオ局の相談番組に電話をする。同じ頃、ボルチモアに住む新聞記者のアニーは、婚約者ウォルターを伴って実家のクリスマス・パーティに出席した帰途に偶然聞いた、そのラジオ番組で、サムが切々と語る亡き妻の思い出にアニーは思わず涙する。

This remarkable companion piece to In the City of Sylvia offers a compendium of images recorded by Guerín in Strasbourg while searching for the traces of a (fictional?) brief encounter some years earlier with a young woman named Sylvia.

A man sets a ping-pong ball into motion and it becomes fruitful and multiplies.

The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors.

In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.

A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness.

Norman McLaren attempts to give the opening speech for the first Montreal International Film Festival, but his microphone won't cooperate.

A student is visited in his university lodgings by his critical parents.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.

Animation featuring dancing black and white shadows.

A portrait of a traveling circus.

Roy Andersson's short movies focus on working class and youth daily life, capturing and portraying a small slice of his characters' day.

One day, Saturday October 5th, in a mans life.

Parajanov's collage of all the footage that remained from his film "Kyiv Frescoes," which was halted by the authorities who demanded that all the negatives be destroyed.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

In 1912, Szczebieniew, a rich and ailing old man, comes to Italy with his young wife, Zinaida. Bored with his company, she looks for amusement and casual affairs.

Colourful orphanage life.

Rythmetic is a 1956 Canadian short animated film directed by Norman McLaren and Evelyn Lambart where numbers are the main characters.

After the doctor's refusal to perform abortion on a 17-year old girl, she and her boyfriend have to cope with the new situation. They both need to learn to take responsibility for their decisions, in spite of numerous hardships facing them.

Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation

Animated photographs (made with Jan Lenica) with elements of animated cartoon. A display of military drill.