Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? (1969)

When Jamie's maternal grandmother dies, he and his brother Tommy are separated - Tommy is taken off to a welfare home and Jamie goes to live with his other grandmother and uncle. His life is far from happy, filled with silence, rejection and bouts of violence.

The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.

Jamie leaves the children's home to live with his paternal grandmother. After working in a mine and in a tailor's shop, he is conscripted into the RAF, and goes to Egypt, where he is befriended by Robert, whose undemanding companionship releases Jamie from self-pity.

1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.

Filmmaker Alan Berliner chronicles his lifelong battle with insomnia in this intimate documentary. The cameras roll as he tries to quiet his overly active mind so he can get a decent night's sleep, capturing the details of what it's like to suffer from a chronic sleep disorder. As he struggles to find balance, his friends and family -- who endure the worst of Berliner's bouts with insomnia -- question whether he really wants to find a cure.

Iron and Silk is a 1990 movie based on the eponymous book by American writer Mark Salzman. It details his journey to China after college to study Chinese wu shu, better known in the west as kung fu, and to teach English. Though not trained as an actor, Salzman starred as himself, as did Pan Qingfu, who claimed no one else could portray him on film. Salzman's experiences occurred in Changsha, Hunan, though the film was shot in Hangzhou, Zhejiang. (Wikipedia)

Little Pu spends a summer in Norrland with all his relatives. He and his brother get to hear the story about the watchmaker who hung himself, learns to shoot with a bow and follow his father on a bicycle trip.

Guitarist Ko-chanis a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

A semi-autobiographical account of Makhmalbaf's experience as a teenager when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.

A family’s story, typically crazy and exceptional at the same time. A film about home and exile, parents, grandparents, brothers and sisters and all the other relatives, close and distant, in an extended Persian family. Some of them emigrated to Europe or America, though the majority has stayed in Iran. Regardless of all the danger involved, they secretly meet after 20 years at a place which won’t raise suspicion among the Iranian authorities: Mecca. They come from America, Sweden, Austria and Iran to laugh, argue, cook and celebrate. This is accompanied by an excessive amount of hugging and kissing, and also a clash between Muslim and Western cultures.

Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza

Stewart Copeland, drummer for The Police, compiles his Super 8 footage for an intimate look at what it was like to be a member of one of the world's biggest rock bands.

Leo Popper is a happy family man living in rural Bohemia in the years preceding the Nazi invasion. Out of economic necessity he moves with his family to the big city and becomes an enterprising vacuum cleaner salesman. There he embarks on a series of adulterous adventures, has encounters with boxing pros and famous portrait artists, and schemes to purchase the perfect pond to fulfill his passion for fishing. When the Nazis gain control, the comedy turns sour - he loses his lake, his job, and finally, his family.

Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.

結婚して子どももいる年上の作家・慎吾と長きにわたって一緒に生活している知子は、慎吾が妻と知子の間を行き来する生活に不満もなく、妻と離婚してほしいと思ったこともなかった。そんなある日、かつて彼女が家庭を捨てて駆け落ちした相手の涼太と再会。それ以来知子の心は揺らぎはじめ、慎吾との関係を継続させつつも涼太と以前のような関係に戻ってしまう。

Has Matthew been wasting his life? He’s 29 years old with 4 memberships at adult video stores, 55 tapes of compiled porn, and absolutely nothing to show for it: no girlfriend, no ambition, only a big stack of porn. Run Run It's Him is the true to life story of what happens when man stays too long in his apartment having sex with himself. It is also a funny, honest and optimistic look at the way porn affects people’s lives in the 21st century.

Adaptation of Arthur Miller's semi-autobiographical play about Quentin, a Jewish intellectual from New York who must reexamine his life and his troubled relationship with Holga.

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.