George Jessel

George Jessel

出生 : 1898-04-03, New York City, New York, USA

死亡 : 1981-05-24

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George Jessel

参加作品

Sid & Judy
Self (archive footage)
Explore the dramatic career and personal struggles of the talented and tragically short-lived entertainer Judy Garland through rare concert footage, never-heard-before voice recordings and personal photos.
The Other Side of the Wind
George Jessel
Surrounded by fans and skeptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 but never completed during Welles lifetime.
Frank Capra's American Dream
A documentary looking at the life and career of film director Frank Capra. Hosted by Ron Howard.
Hollywood Out-takes and Rare Footage
Himself (archive footage)
Out-takes (mostly from Warner Bros.), promotional shorts, movie premieres, public service pleas, wardrobe tests, documentary material, and archival footage make up this star-studded voyeuristic look at the Golden age of Hollywood during the 30s, 40, and 50.
Reds
Himself - Witness
An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.
Won Ton Ton: The Dog Who Saved Hollywood
Awards Announcer
A would-be filmmaker and actress shake up the industry with a trick dog who gets discovered by a studio bus driver in the 1920s.
The Mad, Mad, Mad Comedians
Self (voice)
The Mad, Mad, Mad Comedians is a 1970 American animated television special produced by Rankin/Bass Productions. After the Christmas special Frosty the Snowman (1969), it was Rankin/Bass' second hand-drawn animated work to be outsourced to Osamu Tezuka's Mushi Production in Tokyo, Japan. The show aired on ABC on April 7, 1970 before the airing of that year's Oscars. It was a tribute to early vaudeville, and featured animated reworkings of various famous comedians' acts.
The Phynx
George Jessel
A rock band is invented by the government as a cover to find hostages in a remote castle in Albania held by communist enemies of the USA.
Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?
The Presence
Heironymus Merkin screens an autobiographical movie of his life, growth and moral decay.
Valley of the Dolls
MC Grammy Awards
In New York City, bright but naive New Englander Anne Welles becomes a secretary at a theatrical law firm, where she falls in love with attorney Lyon Burke. Anne befriends up-and-coming singer Neely O'Hara, whose dynamic talent threatens aging star Helen Lawson and beautiful but talentless actress Jennifer North. The women experience success and failure in love and work, leading to heartbreak, addiction and tragedy.
The Busy Body
Mr. Fessel
Sid Caesar is a bumbling gopher to a mob boss who must recover a fortune in cash stowed in the suit of a corpse.
Juke Box Rhythm
George Jessel
An European princess visiting America helps a record producer organize a big concert.
Wonders of Puerto Rico
Narrator
Wonders of Chicago
Narrator
A BAFTA award nominated documentary taking a satirically narrated look at the "Windy City".
Beau James
George Jessel
The story of Jimmy Walker who became mayor of New York in the '20s.
Yesterday and Today
Narrator (voice)
A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.
Yesterday and Today
Writer
A compilation of early-day silent films that serves as a glimpse back to the formative days of the movie industry as a salute to Hollywood's Golden Year, so proclaimed by the Hollywood Chamber of Commerce as 1953.
Tonight We Sing
Producer
Tonight We Sing is a 1953 musical biopic film, directed by Mitchell Leisen, based on the life and career of the celebrated impresario Sol Hurok. It stars David Wayne and Ezio Pinza.
The I Don't Care Girl
Producer
This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him.He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story on the lusty and vital Eva. Eddie's version is that he discovered her working as a waitress in an Indianapolis restaurant in 1912, wherein singer Larry Woods and his partner Charles Bennett get into a fight over her and both land in the hospital, and McCoy convinces the manager to put Eva on as a single to fill their spot. She flopped, but McCoy arranges for Bennett to be her accompanist, and she went out of his life. The writers look up Bennett, now head of a music publishing company, who says McCoy's story is phony, and it was Flo Zigfeld who discovered Eva for his Follies.
Wait Till the Sun Shines, Nellie
Producer
At the fiftieth anniversary of his town's founding, the town's first barber recalls his long-dead, spirited bride and the flaw in his own character that helped bring about her loss and several others.
Anne of the Indies
Producer
After seizing an English ship, buccaneer captain Anne Providence spares Pierre LaRochelle from walking the plank - as he's in irons he is presumably no friend of England. He signs on as a pirate and she is increasingly drawn to him, a feeling that seems to be reciprocated. When fearsome Captain Blackbeard, her teacher in the ways of pirating, sets eyes on LaRochelle he recalls him as a French navy officer. Anne sticks by her man but the truth, when it is uncovered, is even more painful.
Dancing in the Dark
Producer
Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.
Oh, You Beautiful Doll
Producer
Period musical about a song plugger who vows to turn an opera composer's music into popular hits.
You're My Everything
Story
In 1924, stage-struck Boston blueblood Hannah Adams picks up musical star Tim O'Connor and takes him home for dinner. One thing leads to another, and when Tim's show rolls on to Chicago a new Mrs. O'Connor comes along as incompetent chorus girl. Hollywood beckons, and we follow the star careers of the O'Connor family in silents and talkies.
When My Baby Smiles at Me
Producer
Bonny Kane and 'Skid' Johnson are vaudeville performers in the 1920s. The two of them suffer marital difficulties when Skid gets an offer to appear on Broadway while Bonny gets left behind on the road. Things get worse with Skid's increasing drinking problem and the fact that the press has reported him to be spending a lot of time with his pretty co-star.
Nightmare Alley
Producer
Stanton Carlisle joins a seedy carnival, working with "Mademoiselle Zeena" and her alcoholic husband, Pete.
Four Jills in a Jeep
Master of Ceremonies
Reenactments of actual USO experiences of its female stars entertaining troops overseas.
Stage Door Canteen
George Jessel
A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance
Vivacious Lady
Songs
College town life gets turned upside down after a button-down botany professor secretly weds a sizzling night-club singer.
Rambling 'Round Radio Row #9
George Jessel
An immigrant has become a mailman on Radio Row. One of his first duties is to deliver letters to Bunny Poe, Vera Van, Ramon & Rosalie and George Jessel. Each of them is doing a specialty, except for Jessel, who's been interrupted in his rehearsal by a fellow who wants him to appear on a benefit for starving "moonlight-song writers". Jessel accepts and tells his mother that he won't be home for dinner, until he is told that the benefit is not in town but in Philadelphia. But the fellow has a pretty secretary...
Private Jones
Adaptation
After America enters World War I, young William "Bill" Jones tries to avoid military service by telling the draft board that he is the sole supporter of his family and is employed by businessman Roger Winthrop, his sister Helen's boss.
George Jessel and His Russian Art Choir
Veteran vaudevillian regales the audience with highlights from his comedy travel monologue and introduces "His Modern Art Choir," A Russian group he met while traveling in the Soviet Union who sing a traditional Russian song and an American standard.
It Might Be Worse
George
George convinces his friend John that suicide isn't the answer.
Politics
An ambitious campaign manager makes friends, influences people and welcomes his long-lost mother to Ellis Island.
Love, Live & Laugh
Dialogue
Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune.
Love, Live & Laugh
Luigi
Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune.
Happy Days
Minstrel Show Performer
Margie, singer on a showboat, decides to try her luck in New York inspite of being in love with the owners grandson. She is successful, but suddenly she hears that the showboat is in deep financial trouble, and she calls all the boats former stars to join in a big show to rescue it.
Lucky Boy
Screenplay
A young Jewish man works in his father's jewelry business, but he doesn't like it at all--he wants to be an entertainer, something he knows that his father would never approve of. He comes up with a scheme to put on his own show in a theater and show his father that he can be a success, but things don't work out quite as well as he planned.
Lucky Boy
A young Jewish man works in his father's jewelry business, but he doesn't like it at all--he wants to be an entertainer, something he knows that his father would never approve of. He comes up with a scheme to put on his own show in a theater and show his father that he can be a success, but things don't work out quite as well as he planned.