Mikel's Death (1984)

Fiction/documentary about great Brazilian singer Nelson Gonçalves, where interviews about him are mixed with dramatization of episodes in his life. The film tell us about Nelson's childhood, the time when he tried his luck as a professional boxer, his career as a radio singer in the 1950s, the decadence caused by his cocaine addiction and his comeback.

In this political thriller, a gubernatorial candidate's idealistic press secretary discovers that the opposing political candidate has feathered the nest of his campaigns with terrible lies.

A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

The movie tells various stories about the stratas of Thai society. Among the characters are an impoverished mother and child living in the Sanam Luang area of Bangkok. Their lives take a dramatic turn when they find a diamond ring. Another is a heartbroken man who's lost faith in humanity and wants to be a dog.

Though gay-themed stories about "coming out" and accepting one's sexuality are not uncommon in Western countries, such tales are still rare in many conservative African nations. Considered a ground-breaking film in its native Guinea, and filmed amidst a storm of controversy, Mohamed Camara's Dakan is the first of its nations films to directly address issues surrounding homosexuality. The story centers on the romance between two 20-year-old men, Manga and Sory who are first seen making out in a car. The trouble begins when Manga tells his widowed mother about his love for Sory, who is busy contending with his outraged father. The parents insist that the two never see each other again. Manga's mother then uses witchcraft to cleanse her son and change him into a heterosexual. Time passes and eventually Manga begins to date a girl. But it soon becomes apparent that try as he might, Manga's heart belongs to Sory.

Anthony Hopkins plays an English medical doctor living with his family in Paraguay and treating the poor people from the surroundings, who has his life turned upside down when his son was mysteriously murdered in what could have been an attack to him since he's opposed to the military dictatorship of the country. The doctor and his family will take lots of risk while trying to prove that the government was involved in the murder.

The story of the Cyprus' turbulent recent history using the device of a desperate man, Evagoras (Costas Timvios), who returns to the island after years of absence to look for his wife and son. His family disappeared while they were visiting his native village on Cyprus, just when the Turkish army invaded (1974). As Evagoras goes out on his search each day with a friendly taxi driver, flashbacks illustrate the recent history of the Greek Cypriots, and the normally quiet Evagoras heads closer and closer to a militant stance.

A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.

In recent years it has become the handiest character of Mexican cinema: the Chilango fleeing the capital to the province in search of something. But this case is different because the trip is used as an excuse to illustrate, through documentary techniques, the deep contrasts of Mexican society. Tired of the city, Javier goes to visit his aunt, an eccentric woman with quite radical ideas, who lives isolated from the world in a ranch in Querétaro. Javier works as a laborer for an Argentinean foreman, with whom he shares a few passions. His life begins to change.

Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.

Eight twenty-somethings gather together to celebrate the birthday of a mutual friend. Before the evening concludes, relationships are tested, hearts are broken and passions are renewed.

In the 1950s a village in Kerala is preparing itself to be included in the nation's electric grid. Things are looking up for villagers and everyone is optimistic about the progress that electrification will bring. However soon some trouble brews starting with petty quarrels on trees being felled for the power lines. A series of unfortunate events follow the electrification as the village comes into terms with rapid modernization.

Emiliano looks at his life with the eyes of a film director, mixing the objective reality with the processes of the artistic creation. The story he is filming flounders with his daily life, until his world is trapped in the lens of his camera. Confused, always alone and in front of a screen, now become a transfigured reality, but at the same time a measurable, controllable and manipulable one, he listens in loop to a song: one of those songs you sing or repeat as a prayer and forcing you to remember, believe and convince yourself.

A mafia don sends his son out of the country because he doesn't want even a shadow of his life falling on him. Destiny wills otherwise. The son makes an innocuous trip to Mumbai to visit his dad. And ends up filling his father's large shoes.

A brash night club singer becomes a cop to impress a woman.

Released just a few years after her death, this forms a picture of who Janis was through interviews and performance clips.

第2次世界大戦下の1939年イギリス、若き天才数学者アラン・チューリングはドイツ軍の暗号エニグマを解読するチームの一員となる。高慢で不器用な彼は暗号解読をゲーム感覚で捉え、仲間から孤立して作業に没頭していたが、やがて理解者が現れその目的は人命を救うことに変化していく。いつしか一丸となったチームは、思わぬきっかけでエニグマを解き明かす。

This last recital will remain forever marked in the history of the famous hall. It is one of the only testimonies of Jacques Brel on stage where his talent was best expressed. This concert also retains a very strong emotional dimension because it is his last tour.

A man struggles with his identity, his life choices, his interracial relationship, and his latent homosexuality. A portrait of some young intellectuals in early sixties Montreal.