Villa Paranoia (2004)

A warm-hearted and biting romance about the impossible love between a Danish woman and a Turkish man

Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

For Janus his friend Tore is his big ideal: pretty, intelligent and self-confident. Janus is grateful for his friendship even though he is considered the court jester. When Tore falls in love with the beautiful and sweet girl Helle, Janus accepts his role as their highly loved third party. Helle's fashionable mother, however, is a bit too interested in Tore. Written by Allan Simonsen

A snapshot of the state of the Danish nation: in one of the stories, a woman enters a pole-sitting contest in a desperate bid to reinvent herself. Another is about Erik, whose wife has been lobbying a Better Homes and Gardens type magazine to do a spread on their perfect home. When the editors finally relent, she makes Erik sip his red wine in the laundry room lest he stain their cream-colored couches. Svend, the last remaining Marxist in Copenhagen, is the impassioned organizer of a political mass meeting where no one shows up. Finally, Jens, a pizza and porno connoisseur, connives his way to some booty by convincing Gry the model that he lives with his mentally challenged brother. Over the course of a week, their paths cross and nothing, and nobody, is ever quite the same again.

An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.

In his new film, an intriguing and delicately crafted drama, Malmros portrays the poignant story of a man, who grew up in very modest circumstances in the early years of the 20th century, but whose diligence, intelligence and willingness to endure hardship helped him to become a leading brain surgeon. A success story on the face of it, but a story about a man - who is none other than the director's father - a man of powerful emotions. The film explores the nature and origin of the guilt that repeatedly deprived him of happiness.

I en lille 2-værelses baggårdslejlighed, på Vesterbro i København, bor den 14 årige Ester (Sofie Gråbøl) sammen med faderen (Torben Jensen), moderen (Vigga Bro) og storebroderen Carl (Carl Quist Møller). Det er tidens typiske arbejderkvarter og lejligheden er uden nogen form for moderne bekvemmeligheder. Koks skal hentes i en mørk kælder, hvor hjemløse har søgt ly og logi for natten. Ester er en drømmer. Hendes ønske er at blive forfatter og hun skriver digte i det skjulte. Hun glemmer ofte tid og sted, når hendes tanker går på langfart.

My Larsen is a documentarian in her early thirties. Self-centered and assertive, she likes to challenge and provoke her surroundings. She takes on an unusual assignment to make a film about the conservative township of Ravnsborg, but she learns there is a dark side to life in this small town. Someone is trying to cover up a terrible secret and they will stop at nothing, even murder, to keep My from discovering the truth.

An upper grade school class with its inter-relations, scheming and sniffing around for the scent of adult pleasures, all caught in near-cinema verité style.

Film about a pair of traveling entertainers and con-men and their problems with jobs, money and women. We follow them in a period there it goes downhill with engagements. It's hard for them to realize that entertainers of their kind are about to become extinct.

Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.

A biographical drama from writer and director Nils Malmros in which reality is mixed with childhood memories.

A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.

Svensson is a wealthy, aging blusterer who has just had a rather unusual funeral for his late wife and is now on his way to Spain with his cracker of a young mistress. But his trip is delayed when a lawyer turns up with a paternity suit. With a young undertaker as the new chauffeur at the wheel of his Jag, he sets off to confront the woman who claims to be the mother of his unknown daughter, turning his life and that of his companion upside down in the process.

The basic story of a young criminal not quite living up to his won ideals of "not to give a damn" sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they've done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn't help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

To the mentally ill Kriss, the world is divided up into 'good and evil', just like in the old B&W melodrama, 'Pure Hearts', which Kriss and his fellow patient, Willy, spend their days repeatedly watching at the psychiatric ward. To Kriss this film is the bible. One day after a serious conflict with one of the hospital's other patients their viewing rights are retracted. Kriss is deeply frustrated by this, until he realises that Linda, the young girl in the film, actually exists in the shape of the film's star, the actress Ulla Vilstrup. Setting fire to the hospital, Kriss and Willy escape into the night, determined to find her, because life is what you make of it.

Anna, a young theology graduate, starts work as a prison chaplain. She becomes especially concerned about one inmate, Kate, regarded as difficult and withdrawn, but whom the other inmates credit with mysterious healing powers.