Me and Charly (1978)
ジャンル : ドラマ
上映時間 : 1時間 38分
演出 : Henning Kristiansen, Morten Arnfred
脚本 : Morten Arnfred, Henning Kristiansen
シノプシス
Steffen is a good kid, a teenager who has recently finished school and is looking for work. He lives with his widowed mother, a newspaper reporter. Very little throws him off his stride, whether it is his girlfriend's jealousy of his friendship with Charly, a reform-school boy, or his mother's drunken, playful amorousness one night, because he reminds her of his father.
An upper grade school class with its inter-relations, scheming and sniffing around for the scent of adult pleasures, all caught in near-cinema verité style.
A boy, as seen through three ages and episodes of his life: as a small boy having a boy cousin as his house guest, as a high-school boy in abject love, and as a young stud trying to bed down a nurse.
Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.
Efter et sanatorieophold pga. voldelig opførsel under en arrestation, bliver kriminalassistent Karl Jørgensen overført til bedrageriafdelingen. Her opdager Karl en sag, hvor hans ekskone og hendes nye mand er indblandet. Da Karl begynder at undersøge sagen, bliver han stoppet af politimesteren. Karl slår sig sammen med journalisten John Bullnes. De kommer efterhånden tættere på sandheden, men stoppes da en mistænkt begår selvmord. Karl bliver suspenderet og Bullnes sendes til Berlin på en opgave. Karl tager herefter sagen i egen hånd og anholder byens borgmester og en stor entreprenør. © Copyright 1997-2012, Lone Hansen & Per Kjær Fredborg
The Olsen Gang has finally made it. They are in Mallorca, having fulfilled their dream. Almost, that is. They don't have any money, so Egon has to open a safe at a restaurant to get some. As usual, however, Egon ends up in prision. When they return to Denmark, he has a new plan.
Danmarks statsminister Anders Fogh Rasmussen er blevet myrdet. Den hovedmistænkte er statsministerens homoseksuelle elsker Emil. I tiden efter mordet møder vi en lang række af verdens politikere og magtfulde mennesker, fra Kofi Annan til Pia Kjærsgaard. De forholder sig til mordet og ikke mindst til mennesket Anders Fogh Rasmussen.
The Olsen gang in Jutland. Ones again Egon Olsen has a plan when he gets out of Vridslose State Prison. He has found out that the Germans left a large sum of money (in American dollars and gold bars) in one of their commando bunkers, when they were defeated in 1945; the only problem it's in Jutland. Egon, Benny and Kjeld "appropriate" a car and drives to Jutland along with Kjelds wife and child Yvonne and Borge. They look forward to fooling the the people in Jutland, but of course, things don't go quite as planed. It ends with Benny, Kjeld, Borge and Yvonne sitting in the train back to Copenhagen, were they are overtaken by Egon in his car on the road next to the track. This is the last time the Olsen gang goes to Jutland.
After his usual stay behind bars, Egon has another cunning plan involving millions. They rob over 4 million from a money transport. The gang keeps a low profile and hide the money. But it's stolen by "Kongen" and "Knægten", who immediately start living it up - in the penthouse suite at the Sheraton. The suitcase with the money changes hands several times, before Kongen's daughter takes of with all the money.
Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) this trite drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go. Several of the performances -- especially Fritz Helmuth as the love-starved, aptly named Bent -- manage to reach a little beyond the stereotypes, but Bodil Kjær, of all people, delivers a simply dreadful (and one-note) parody of a once-glamorous movie star.
After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.
Mafiaen, det er osse mig er en dansk komediefilm fra 1974 og en fortsættelse af Mig og Mafiaen. Filmen har manuskript af Lise Nørgaard og er instrueret af Henning Ørnbak.
Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.
A woman, Ilse Brehmer, finds the body of a dead man, a journalist. He has been murdered, and later when the body turns up in the harbor, the woman denies everything, even though witnesses has seen her nearby the crime scene. She simply can’t remember anything, but the detective on the case, Mørck, knows how to smell a lie and soon start to unravel this bloody mess.
Alice does not live at home but with friends in an abandoned factory. She sells drugs to enable them to fulfill their dream of a tavern. When the police are after her, she seeks Hour switch. Here she meets Berit and helps Berit mother south on vacation. But simultaneously pursues Alice of a drug kingpin but cheating him.
It has hardly been seen before that a 83-year-old actor has starred in a Danish film, but it is the case here, where Kai Holm says goodbye to a long life in film and theater service. He plays an old peasant who on his deathbed is waiting for his son (Jon Bang Carlsen). In a few days he relives the village life, he comes from, and which was marked by a hard and authoritarian upbringing. He is at his father's deathbed despair because it is still impossible to make contact, and in a crisis situation, he recognizes his father's brutality in itself. The film draws a bitter picture of human relationships where dreams while they die, degenerates into power relations.
A group of children fleeing from a cruel stone age society with violence, exploitation and sexual abuse.