Papa's Boy (1927)

A sequence of unpublished photographs by Deborah Beer taken during the filming of the torture scenes on the set of "Salo, or the 120 Days of Sodom" is accompanied by the voice - recorded by Gideon Bachmann - of Pier Paolo Pasolini who directs the actors: a portrait of the director and his way of working that testifies its determined and passionate “filmmaking"

A dim witted, scrawny fellow from the country finds college full of bullies that trick him into various painful situations with the dean. His wife mistakes him for a prize athlete, and he's put on the football team. The big game includes unusual things like a mud hole on the field and a wasp nest substituting for the ball.

When the freshman girls beat the sophomore girls in the big relay race, the 'Frosh' start lording it over the 'Sophs.' Will the 'Sophs' take that kind of treatment? Not a chance!

A young American girl in Paris falls in love with a handsome nobleman, but he is about to wed in an arranged marriage. She hatches a plan to overcome that obstacle and get her man.

This is a better than average Hamilton film thanks to the presence of a bratty kid who makes Lloyd's life miserable. It seems that Lloyd was hired as a combination chauffeur, butler, cook, etc. and isn't particularly adept at any of these tasks. however, to make things worse, there is a bratty kid in the home who does his best to ruin everything.

Deborah Stratman brings past perspectives into the contemporary moment in a montage of unfinished film footage from artist Barbara Hammer with evocative sound, texts, and teachings from artist Maya Deren. Vever poetically draws connects between three generations of women filmmakers who separately, and now together, have taken on unknown challenges, and opened themselves up to reinterpretation in their filmmaking practices.

In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.

実写長編デビュー作「新感染 ファイナル・エクスプレス」が世界的に大きな話題となったヨン・サンホ監督が、その前日譚として描く長編アニメーション。ソウル駅周辺から始まった恐るべき感染パニック拡大の恐怖を、ヒモ男に裏切られた元風俗嬢の決死のサバイバルを軸に、社会派の視点を織り交ぜつつ衝撃的に描き出す。

大阪の有名な株師が二千万円の借金返済に困窮した末に妻の体を金貸しに提供することになる。金貸しは自分の息子は気違いだから相手をしてやってくれと頼み、妻は承諾するも帰り道に事故で命を落とす。株師はショックで半身が麻痺した末に自殺し、残された娘は金貸しへの復讐を誓う。銭ゲバと化した娘は売春しながらその様子を撮影し、男を脅迫して金を貯めるが……。

A woman enters a nightclub and slowly begins to open herself up.

Fleeing a group of forest rangers, who are rounding up tramps to serve as firefighters, they take refuge in a mansion. The owner has gone on vacation and the servants are away, so Hardy pretends to be the owner and offers to rent the house to an English couple. Hardy gets Laurel to pose as the maid. Unfortunately, the owner returns and tells the would-be renters that he owns the house; Laurel and Hardy then flee again and are caught by the rangers and forced to fight wildfires.

Pinky is on the run. At night the empty streets smell of the apocalypse and the city seems to be on fire. Narcotics swirl through the veins and the air. Having freed himself from the clutches of a sect led by a certain “padre” and determined to take his fate into his own hands, he is now holed up in an illegal T-shirt factory, surrounded by paints, slogans and heat presses. Pinky is looking for the light at the end of the tunnel, but ghosts are breathing down his neck. He is running for his life, and Colombia is on fire. But Colombia is alive.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.

Istanbul is under quarantine. Felek and Kerim find the best way to make profits in this period. They will access people's computers and introduce themselves as government officials, making them confess their "crimes". However, the city in question is Istanbul and all kinds of people live here.

When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...

邦画界の巨匠・渡辺護×希代の天才脚本家・大和屋竺のコンビによる仁侠時代劇の傑作!!!!!! 女侠客・弁天のお加代の活躍を描いた『男ごろし極悪弁天』(70)の続編。渡辺護は脚本を大和屋竺に依頼し、打ち合わせの席で伊藤大輔や山中貞雄の映画について熱く語ったという。その時代劇への思いの強さに応えて、大和屋は純度の高い娯楽活劇を書いた。 物語は、弁天の刺青のお加代(香取環)と吉祥天の刺青のセイガク(国分二郎)の運命の恋を中心に展開する。遠く離れていても、セイガクはお加代がヤクザと戦うのを背の刺青で感知し、敵の親分のもとへ導くために尺八を吹く。すると、お加代も刺青で尺八の音を聞き取り、天を仰いでふっと微笑む。刺青を介して二つの魂が交感する奇跡を渡辺は鍛えあげた演出力で見事に映像化している。 渡辺護はこの会心の作についてこう語っている。「おれは『尺八弁天』を撮り終えたくなかったんだ……

The film follows a famous scientist who rules over his errant disabled daughter with an iron fist. He's meticulous and tyrannical, while she is impetuous but equally cruel in her own immature way.