A Morning Alarm (1896)

Sallie Gardner at a Gallop was one of the earliest silent films — a production experiment by the photographer Eadward Muybridge on June 15, 1878 that led to the development of motion pictures. The motion picture consists of 24 photographs in a fast-motion series that were shown on a zoopraxiscope.

ジョシュ・ブローリン主演のファイヤー・ディザスター・ムービー。恋人の妊娠をきっかけに森林消防団へと入隊した若者。過酷な特訓を重ね、成長した彼が巨大な山火事に立ち向かう姿を、圧倒的スケールの中で描く。

地上135階、シスコにそびえ立つ超高層ビル“グラス・タワー”落成式の日。規格外の製品を使ったために起きた出火はやがて巨大な炎となり、最上階に何百人も閉じ込めたままビルを飲み込む。

ソ連国内でアメリカ製の半導体チップを持ち出した003が雪原で遭難。遺体から半導体チップを回収したボンドはソ連軍に追われるが、スキー&スノーボードで振り切って任務を果たす。 003の死体から発見されたのはマイクロチップ。このチップは従来のものと違い、核爆発で発生する強力な磁気にも対抗できるものだった。製造元のゾリン産業が怪しいとにらんだ英国情報部はボンドにゾリンの内偵を命じる。そこでボンドはチップの製造元であるゾリン社を調査する。 社長のマックス・ゾリンが所有する常勝の競走馬を調査するうちに、その馬からはマイクロチップに制御されたステロイド供給装置が見つかる。ゾリンを追ってサンフランシスコに潜入したボンドは彼がシリコンバレーを壊滅させ、マイクロチップ市場を独占しようとしていることを知る。

ラダー49は、消防士のジャックモリソン（ジョアキンフェニックス）のバランスにかかっている生活に焦点を当てています。 閉じ込められた市民を救うための熱意で、ジャックは今やパチパチ音を立てる炎、不可解な黒煙、崩壊する残骸の大釜に変わった倉庫の奥深くに投げ込まれます。 すべての助けから隔離されたジャックは、生き残るのに苦労し、指導者であり消防署長のマイク・ケネディ（ジョン・トラボルタ）の外では、親友を生かすのに苦労しています。 二人の男が最後の必死の動きをするとき、ジャックは最初からこの恐ろしい最後の瞬間まで人生を振り返ります。

世の中は極端に不景気。小男で風彩もあがらず、服装もみすぼらしく、職もなく住むところもないチャーリーは、職にありつけそうもなく、毎日あちこちさすらい歩いてフーテン暮らしをしていた。そんな彼が一人の娘に恋をした。街角で花を売っている、盲目の貧しい娘だ。彼は彼女の目を治す為に、金を稼ごうと一大決心をするが……。

消防士として日々体を張って勇敢に炎に立ち向かい、仲間の窮地も救ってきたケイレブ。そんな消防士のかがみと言える彼も、プライベートでは妻キャサリンとの冷え切った夫婦関係に悩まされ、深い溝を埋められないまま離婚の危機を迎えていた。これまで、あまり妻のことに意を介さず、金銭面など自分のことしか考えてこなかったケイレブ。するとある日、彼は父から“Ｔｈｅ　Ｌｏｖｅ　Ｄａｒｅ”という日記のような物を受け取る。そこには４０日間に渡って相手に示す様々な愛の表現が記されていた。

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger

舞台はシカゴ。消防士の父、デニスに連れられ火災現場に赴いた少年ブライアンは父の大活躍に大喜び。だが次の瞬間、父は同僚・アドコックスを庇い殉職。幼い少年は、父の死をただ呆然と立ちつくしながら見守るしかなかった。それから20年後。兄・スティーブンと同じく亡父の跡を継ぐかのようにブライアンは消防士となった。念願かなったかに見えたが、配属先はよりにもよって兄・スティーブンが隊長を務め、過激な任務遂行ぶりで知られる第17分隊であった。

ある日、いつもの様に街を散歩していたチャーリーの耳に赤ん坊の泣き声が聞こえてきた。辺りを見回すとまだ生まれたばかりの赤ん坊が街頭に捨てられている。どうしたものかと抱き上げた彼の目の前に、パトロール中の警官が通りかかった。警官は彼が赤ん坊を捨てにきたと勘違いし、目を光らせている。仕方なく彼は、その赤ん坊を自分のボロ・アパートに連れて帰った。それから5年後－－その子はチャーリーの仕事を手伝う程成長していた。

大きな製鉄工場で働くチャーリーは、スパナを手にひたすらベルトコンベアーを流れる部品にねじを回し続けるという単純作業を繰り返していた。その様子はテレビモニターで監視され、休む暇もなく働かされていた。ある日、チャーリーは労働者の食事時間を節約するために作られた自動給食マシーンの実験台にされ散々な目に合わされる。その後も仕事を続けていく内にチャーリーは発狂し、トラブルを起こして精神病院送りになってしまう。ようやく退院を迎えた日、トラックから落ちた赤旗を拾い運転手に返そうと追いかけていく内にいつの間にか労働者のデモ隊の先導をきってしまい、そのリーダーと間違われて捕まって拘置所に入れられてしまう。脱獄囚を撃退した功績で模範囚として放免され造船所の仕事を紹介されるものの、上手くいかず辞めてしまい、あてもなく街をうろつく生活に陥ってしまう。 拘置所が恋しくなったチャーリーはわざと無銭飲食をして捕まえられるが、護送車の中でパンを盗んだ浮浪少女（ポーレット・ゴダード）と出会う。護送車が急カーブで横転し、外へ投げ出されたチャーリーと少女は逃亡。少女と意気投合したチャーリーは、2人のために家を建てるという夢を胸に一念発起とばかり働き出す。デパートの夜回り、工場の技師の助手と仕事を獲得するものの結局上手くいかず、2件とも警察沙汰になるという不運な結果に終わってしまう。その後少女が勤め始めたキャバレー[3]のウェイターの職を得る。見世物の「ティティナ」を歌って大成功したが、少女の微罪のため、そこも追われてしまう。やっとの思いで手に入れた幸福すらも失い悲しみに打ちひしがれる少女を、チャーリーは力強く励ます。 そして、二人は未来に希望を見出し、現代社会の冷たさと束縛に囚われない自由な生活を求めて共に旅立っていくのだった。

Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.

Years after the original Backdraft, Sean, son of the late Steve "Bull" McCaffrey, is assigned to investigate a deadly fire only to realize it is something much more sinister.

バイキングの町、ニューバークでは、かつて人間とドラゴンが特別な関係にあり、仲良く暮らしていた。ヒックとトゥースはそれぞれの家族にそのことを伝えようとするが、娘や息子は信じてくれない。そこでヒックはドラゴンを讃える劇を上演することを思いつく…。

The film takes place one year after the events of Captain America: The First Avenger, in which Agent Carter, a member of the Strategic Scientific Reserve, is in search of the mysterious Zodiac.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

Benny and Claire, a down-on-their-luck couple, find a discarded Chitauri weapon referred to as 'Item 47'.

友情で結ばれていた少年と引き離され、軍馬として第1次大戦の最前線に送られた1頭の馬。国境など知らぬ馬が戦火を潜り抜け、さまざまな出会いを繰り広げていくさまをスピルバーグ監督が描き上げた感動作。

MORTAL KOMBAT: REBIRTH is a short film released by Kevin Tancharoen (Director) in 2010. It was originally made as a proof of concept for Tancharoen's pitch to Warner Brothers for a reboot movie franchise. This 8-minute short features an intricate fight scene choreographed by Larnell Stovall. It also reintroduces classic Mortal Kombat characters, including: Jax (Michael Jai White), Sonya Blade (Jeri Ryan), Johnny Cage (Matt Mullins), Scorpion (Ian Anthony Dale), Baraka (Lateef Crowder) and Shang Tsung (James Lew).

"UNEMPLOYMENT DAY: MARCH 6th 1930." "Contingents of marchers arriving at Tower Hill." A long column of marchers carrying banners moves through great crowds (89); CS of a girl selling the 'Daily Worker' (99). "the Workers' International Relief food kitchen." Men and women eating sandwiches and drinking tea dispensed from the back of a lorry (190): a further shot of the assembled crowds (213). "A London docker speaks". A shot of his audience (223). "A women's contingent." A group of women hold up a banner which reads 'Thousands of children die of starvation in Britain - we demand bread (235); a speaker talks to the crowd (259). The demonstrators proceed to the Mansion House. The procession moves on (305).

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

Story of a retired old man who is learning what to do with himself.

What is the nature of life? What is the nature of art? How can art influence our lives? These are the questions of this movie. The main character, a man who lives both in the world of dreams and reality, searches his past, in order to understand its meaning. He has meetings with the ghosts of his dead friend, his dead lover, his dead father and Pessoa, the great portuguese writer. These four encounters give him clues about what he is looking for. Beside that, he finds himself in front of art, discovering how it modifies our comprehension of life. It's based in one of Tabucci's (the italian writer)books: "Requiem". This few lines cannot resume the greatness of this movie. The last thing I can say is: If you like art, I recommend you to see it. If you ever wonder about the nature of dreams, or you live in dreams half of the time, I think you'll feel like this movie was made for you.

Face Value is a film combining a conscious approach with spontaneity, and contemplation with action. It presents us with the differing views of a region we call “Europe”, an imaginary Europe situated somewhere between London, Marseilles, Prague and the Netherlands.

Arriving at a distant town, a businessman decides to take the identity of a passenger who died during the bus trip.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Christmas Eve. A poor orphan boy trudges through the snow, pathetically. He finally arrives at his miserable cabin. While he is crying, Santa arrives and, singing the title song, offers to take the boy to his workshop. They arrive, and the toys go wild (in the full version, they sing the title song, but this has been censored in some versions due to outdated stereotypes). He plays with a few toys. A candle falls off the tree and starts a fire. The toys try in vain to fight the fire; the boy hooks up a hose to a set of bagpipes and takes care of it.

In 1962, François Truffaut visited the Mar del Plata Film Festival to present his competition in the brand-new Jules and Jim. At that stage of the Festival, from 1954 to 1970, names that today sound mythical were common figures among the guests. Truffaut, along with his colleagues from the Cahiers du Cinéma, would take French films by storm with Les 400 Coups (1959) and the Nouvelle Vague would become a key movement in the history of cinema. A few years after his debut and accompanied by the success of Jules and Jim, Truffaut was already well on his way to becoming a legend. In his visit to the Festival, in 16 mm titled Los 4 Golpes (this, in Castilian), even exhibiting in that look a playful look on his work. This short film, for different reasons, was rarely shown and remains a rarity in the director's film.

Line of Demarcation. is a 1966 film written and directed by Claude Chabrol. Its title in French is La Ligne de démarcation. It is based on upon the memoir Mémoires d'un agent secret de la France libre et La Ligne de démarcation by Gilbert Renault under his pseudonym Colonel Rémy. A small village in the Jura is split by the river Loue which creates the line of demarcation between Nazi occupied France and freedom. A French officer, Pierre (Ronet), is released by the Nazi soldiers to find his chateau converted into a German command centre. Whilst he is obliged to co-operate with the enemy, his wife Mary (Seberg) supports the resistance movement and is willing to risk her life for it. The Nazis step up their activity against the resistance, insisting that any who attempt to cross the line of demarcation will be shot. When his wife is arrested, Pierre decides to switch his allegiance.

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.

A modest Neapolitan man meets a young woman with excessive hairiness. He exhibits her at fairs and marries her. It is after marriage that he receives a tempting offer from a French manager.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls “cine-writing,” traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

ゾンビ映画の元祖「ナイト・オブ・ザ・リビング・デッド／ゾンビの誕生」で描かれた事が実際にあったという前提で作られた間接的な続編。ロスにある科学資料庫の地下で発見された謎のタンク。そこから吹き出した特殊なガスには死者を蘇らせる作用があった……。

Miguel Picazo started his film career in 1964: "La Tia Tula" turned him into one of the most distinguished directors in the New Spanish Cinema trend. This documentary approaches his work and personality through his own words. Having only directed a bunch of films, among which "El hombre que supo a mar" or "Extramuros", at his age of 87 Picazo still waits for a new chance to keep on directing films.

A truck driver plays a cat-and-mouse game with a mysterious serial killer in a van who lures young female hitchhiker victims on a desolate Australian highway.

Experimental psychodrama about a friend of Krolikiewicz's alcohol addiction (though the themes of the film are universal). One of the first attempts to apply the director's theory of "Film space outside the frame".

A documentary on the revolutionary life and career of director Juan Antonio Bardem, including interviews with many of his colleagues, including Luis Garcia Berlanga.

Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.