Los dioses rotos (2008)

A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. "Paprika" is the name given to her by the madam.

1955年、貧しい人々を助けようと志す若き医師のチェ・ゲバラは、放浪中のメキシコでフィデル・カストロと運命的な出会いを果たす。キューバの革命を画策するカストロに共感したチェ・ゲバラは、すぐにゲリラ戦の指揮を執るようになる。

Hattie, a New Orleans prostitute, meets a photographer named Bellocq at her brothel one night and, after he photographs her, he befriends her 12-year-old daughter, Violet. When Violet is brought on as a working girl by her mother's madam and Hattie skips town to get married, Violet quickly loses her innocence and focuses on reuniting with Bellocq. But a life with Bellocq is compromised for Violet after her mother returns to town.

主人公は、貧しさゆえに置屋に売られたひとりの少女。辛く厳しい日々の中で、全ての希望を見失ったとき、立派な身なりをした“会長"と呼ばれる、ひとりの紳士との運命の出会いが訪れる。「もう一度、あの人に会いたい…」儚い願いを胸に、少女は美しく変貌を遂げ、ミステリアスな輝きを放つ瞳と天性の聡明さによって、やがて花街一の芸者“さゆり"となる。そして、ついに芸者として会長と再会することになるが、その先には過酷な運命と激動の時代が待ちうけていた…。

Joong-ho is a dirty detective turned pimp in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a clue that the vanished girls were all called up by the same client whom one of his girls is meeting with right now.

Desperate for a good story, a sex-addicted journalist throws himself into the world of high-class escorts when he starts following a Stanford-educated prostitute.

ニューヨークの夜を走るひとりのタクシードライバーを主人公に、現代都市に潜む狂気と混乱を描き出した、監督マーティン・スコセッシ×主演ロバート・デ・ニーロの、アメリカン・ニューシネマの傑作。ベトナム帰りの青年トラヴィス・ビックルは夜の街をタクシーで流しながら、世界の不浄さに苛立ちを感じていた。大統領候補の選挙事務所に勤めるベッツィと親しくなるトラヴィスだったが、彼女をポルノ映画館に誘ったことで絶交されてしまう。やがて、闇ルートから銃を手に入れたトラヴィスは自己鍛錬を始めるが、そんな彼の胸中にひとつの計画が沸き上がる……。

ニューヨークの開業医ビルとアリスの倦怠期を迎えている夫妻は、ビルの患者で友人のジーグラー夫妻が開いたクリスマス・パーティーに招かれる。このパーティでビルはピアニストであり旧友のニックと再会し、アリスはビルと別れて個別にパーティーを楽しむことにしたが、ビルは女性たちに誘惑され、一方でアリスはハンガリー人の紳士に誘惑される。

1986年、フロリダ。ヒッチハイクをしながら売春する毎日に疲れ果てたアイリーンだが、ある少女と運命的に出会う。相手のセルビーは同性愛者で、家族や社会からつまはじきにされ、アイリーン同様、絶望と疎外感を募らせていた。2人は意気投合し、どこかで一緒に暮らそうと決心。やがてアイリーンは売春業を再開するようになるが、ある客に森の奥へ連れ込まれて暴力をふるわれた彼女は反撃した結果、相手を殺してしまう。

寂れた町で伐採業をしている前科者の男と、父親から暴力を受けている薄幸の少年。深い絆で結ばれていく二人が暴力の連鎖に追い込まれていく姿を描く。ニコラス・ケイジ、タイ・シェリダン共演の感動ドラマ。

90年代のマイアミで、反カストロ勢力によるテロ活動を阻止する目的で、亡命者組織に潜入したキューバ人スパイらの活躍と苦悩を描く。史実に基づく物語。

In pre-revolution Cuba, Katey Miller is about to defy everyone's expectations. Instead of a parent-approved suitor, Katey is drawn to the sexy waiter, Javier, who spends his nights dancing in Havana's nightclubs. As she secretly learns to dance with Javier, she learns the meanings of love, sensuality and independence.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.

Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam's finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.'s name.

Suspecting his wife of infidelity, Jerry is persuaded by his best friend to accompany him to a brothel to sample ‘The Special’, which proves to be a lifechanging experience in more ways than one. Because every pleasure has its price...

故国で弾圧を受けアメリカに亡命したものの、のちに自殺したキューバの作家レイナルド・アレナスの生涯をジュリアン・シュナーベル監督が映画化。アカデミー賞にもノミネートされた感動作。

革命の気運高まる1958年。バチスタ政権下にあるキューバの首都ハバナを舞台に、ギャンブラーと女革命家の燃えるような恋と運命を描く。ロバート・レッドフォードの代表作。

In a social context deteriorated by a countrywide economic crisis, the life of several people will be turned upside down after they meet Cécile, a character who symbolizes desire.

When Mari Gilbert's daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered prostitutes.

A woman, after committing a murder, flees into a church, confessing her life story to a priest.

A young couple find out that their parents (her father and his mother) are having a romance. A series of problems arise because the young couple can't accept that relationship.

Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.

In 1914, during World Ward I, Amada, a bourgeois wife, falls in love with her cousin Marcial, a young idealist who is fighting against the Cuban regime in power.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.

A poor, but very lucky man in the cock fighting, is hired by a rich man, but both are in love with the same woman

Legendary superstar María Félix, stars in this melodrama noir playing the role of Raquel, a woman who has a passionate love affair with married aristocrat Antonio. However, a sensual sculpture untitled “The Kneeling Goddess” and modeled after Raquel will lead Antonio down a memory lane he'd rather soon forget.

The metamorphoses of Juan Quin Quin, in turns bullfighter, guerrilla fighter and sacristan.

In 1950s Havana, a romance blooms between two young revolutionaries whose clandestine printing press publishes pamphlets meant to stir up rebellion against the dictatorship of Fulgencio Batista. As their popularity grows, so, too, does their revolutionary zeal and their desire to mobilize other urban guerilla units.

Javier Argüelles, an opportunistic young man from Cuban middle class, survives all kind of political changes in Havana, from 1932 to 1959, while his brother Darío is persecuted and killed because of his leftist ideas.

A sheltered young woman leaves her country home to find the only guy she ever kissed. Along the way, she meets a budding movie star and romance blooms.

The story of Cecilia is a story of the society that dominated 19th-century Cuba, a society divided between whites, blacks, and those who were mixed, the mulattos. (Since the Spanish conquistadors killed off the Indian population in Cuba not long after they took over the island, there are no mestizos, or those of mixed-Indian blood in Cuba as in other Caribbean nations.) At any rate, the drama about the life and loves of Cecilia (Daisy Granados) takes place against the backdrop of graphically violent mistreatment of slaves and the rumors of a slave rebellion after the Cubans hear of slaves turning against their captors in Haiti.

The Castro revolution was just consolidating its power when, in 1961, over 100,000 students were sent from their schools into the countryside to teach the peasants there how to read. Coinciding with the Bay of Pigs invasion, in this docudrama, 15-year-old Mario (Salvador Wood) has come to a tiny village in the Zapata swamps and gradually wins the villagers over to his task. At the same time, he receives an education in the realities of rural life from the hard-working peasants.

A prestigious theater group in crisis prepares for the staging of a famous love tragedy. Mirtha, an actress marked by frustration, decides to leave the theater when a guest conductor offered a starring role. The incorporation of young actors, unscrupulous, and an inspector trigger a series of situations that will endanger the reputation and power of the actress who heads the group.

Mariquilla is a beautiful gypsy who is in love with Lucas, a soldier of the garrison in the Alhambra, but her father wants to marry her with Don Cosme, a rich old clerk for the service of the mayor. Soon, the girl asks for help to the governor of Granada, a gentleman who has always had a great adoration for the girl.

Four nights in Caracas. A documentary essay about chaos and civilization.

Quasi documentary about the creation of the Miraflores housing development after the Cuban revolution. In this first Cuban feature film made by an Afro-Cuban and by a woman, Sara Gómez uses innovative documentary and fictional techniques to focus on the marginales in the poorest, most underdeveloped areas of Cuba. Against a backdrop of dismantled slums and new housing construction, the relationship between a mulatta and a Black Cuban unfolds as a conflict between ingrown ideas of race, class and gender and a Revolution that is trying to dismantle the old, outmoded structures.

The story of the Dassau family, a family of artists: Frau Dassau is a composer, her husband is a writer, and their children are equally gifted as painters, poets and musicians. But unfortunately, no one wants to invest money in their art. The family is about to starve when Nicole comes up with a marvelous idea: She is going to write the "most scandalous book", the sex memoirs of a teenager. For this, she hides under the pseudonym of Eva. The book becomes an enormous success indeed, but Nicole's parents are decent people, and the public interest in their sluttish daughter begins to bother them. Things begin to get even more unpleasant when Nicole falls in love with an American publisher who'd prefer a virgin…

At the beginning of this century some owners of rubber plantations in the Amazonas jungle convert a village into one big prison. But the inhabitants have other plans...