Karkalou (1984)
ジャンル : アドベンチャー, ドラマ, ファンタジー
上映時間 : 1時間 25分
演出 : Stavros Tornes
脚本 : Charlotte Van Gelder, Stavros Tornes
シノプシス
In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi
日活の成人映画レーベル「ロマンポルノ」の45周年を記念して日本映画界の第一線で活躍する監督たちが新作ロマンポルノを手掛ける「日活ロマンポルノ・リブート・プロジェクト」で、「冷たい熱帯魚」「ヒミズ」の園子温監督がメガホンをとったアナーキーな1作。小説家兼アーティストとしてブレイクした京子は、極彩色の部屋に籠もり、マネージャーの典子から知らされるスケジュールを分刻みでこなす毎日を送っていた。次第に虚構と現実の境が曖昧になっていく中、京子の意外な過去が暴かれていく。主人公の京子役に「みんな！エスパーだよ！」の冨手麻妙。
ルーニー・マーラ、ライアン・ゴズリング、ナタリー・ポートマンら豪華キャストが集結した、破滅的でエモーショナルなラヴ・ストーリー。青春を引きずる大人たちが、絶望と孤独の中で人生の輝きを見出す姿を描く。
映像作家・加藤久仁生が制作した短編アニメーションで、後にフランスのアヌシー国際アニメーション映画祭で最高賞を受賞、さらにはアカデミー賞の短編アニメ映画賞をも受賞し、一躍世間の話題となった。海面が上昇したことで水没しつつある街に一人残り、まるで塔のようにそびえ立った家で暮らしている老人がいた。彼は家が沈みかけるたびに、積み木のように上へ上へと家を建て増しすることで難をしのぎつつも穏やかに暮らしていた。そんなある日、彼はお気に入りのパイプを海中へと落としてしまう。それを拾うために彼はダイバー姿になって海中へと潜っていくが、やがて彼はかつて共に暮らしていた家族との思い出を回想していく。セリフが無く物語は淡々と進むが、海外で受賞後に日本で上映された際には女優の長澤まさみがナレーションを担当した。
大スター、マイケル・ジャクソンには、誰にも知られていない秘密があった。歌やダンスで世界中を魅了するマイケルは仮の姿、本当のマイケルは愛の守護神コスモから遣わされた使者、ムーンウォーカーだったのだ。ある日、子どもたちとピクニックに出掛けたマイケルは、偶然にも子どもを狙う悪の組織の存在を知り子どもたちを救うために戦う。
夏休みを利用しておばちゃまの羽臼屋敷を訪れる“オシャレ”と6人の友人。だがおばちゃまはすでにこの世の人ではなく、戦死した恋人への思いだけで存在し続ける生き霊だったのだ。そして若返るためには少女を食べなければならない。ピアノや時計が少女たちを次々に襲い、羽臼屋敷は人喰い屋敷と化した……。
Bill struggles to put together his shattered psyche, in this feature film version of Don Hertzfeldt's animated short film trilogy.
The second "visual album" (a collection of short films) by Beyoncé, this time around she takes a piercing look at racial issues and feminist concepts through a sexualized, satirical, and solemn tone.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.
共に青春時代を謳歌した女子高校生７人組が２５年ぶりに再会を果たしていく物語が、過去と現在と行き来しながら80年代ポップスとともに温かく描かれていく。胸の奥に沈んだ青春時代の希望と後悔の残渣をすくい上げてくれる秀作。
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
A cameraman wanders around Moscow, Kharkiv, Kyiv and Odesa with a camera slung over his shoulder, documenting urban life with dazzling invention.
Man with a Movie Camera is one of the major manifestos of the world cinema avant-garde. According to the aesthetic principles of Vertov, the film was not based on a script. In Man with a Movie Camera, Vertov implemented experiments that he carried out for many years and theoretical developments in cinematography and editing, turning the film into a film-making methodological guide for subsequent generations of directors. The camera of a talented cinematographer Mikhail Kaufman captures the motley life of Ukrainian megalopolises – Odesa, Kharkiv, and Kyiv – under New Economic Policy.
Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.
A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.
A huge, run-down apartment in Berlin Mitte. Two women and a man, rehearsals for a movie about love and sex, that will never be shot. Acting and reality mingle into a dangerous melange. Berlin is the shelter, love is impossible, flesh is the law.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
愛妻のカナ、3歳の息子とともに幸福な日々を送っていた、平凡なサラリーマンの谷口。ところがある日、スキンヘッドの謎の男性2人組が、街で買い物をしていた彼ら一家を突如襲撃。2人組は、彼の息子を拉致誘拐しようとして谷口をすっかり翻弄。どうにかその場では息子を無事取り戻したものの、その後またしても姿を現わした2人組に今度は谷口自身が誘拐され、奇妙な人体実験を施された彼は次第に鋼鉄製の人間銃器と化していく。
