Stamatis Giannoulis

Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.

A muck raker journalist tries to trap the Education Minister, why is rumored to be gay, but he perceived as gay. Dismissed from his job, but becomes the idol of all sexually oppressed. Forced to represent the gay, he decides to establish "alternative" party with the former minister, who represents his lover for electioneering purposes.

Leonidas, a family man retires from the public sector. He goes on vacation alone, as usually. There he meets the wife of a friend of his, who lives in Switzerland. They become emotionally involved, but Christina goes back to her husband. He follows her, but soon decides to come back to Athens. Christina after a while comes to Athens, seeking their reunion. While Leonidas initially clashes with his family for her, in the end he compromises and decides that the dream is not for him.

The introduction of this film is set during the time of the Junta (1967-1974) when the main character (Lefteris Dimakopoulos) used to work at the fish-market in Mesolonggi in order to be able to finish his studies at the Polytechnic University. Later on, we watch Lefteris’ life through his relationship with Dimitra, a fellow student. The ups and downs in their relationship during the course of their studies end up in a deadlock, in which they sacrifice their relationship to their quest for success.

This highly acclaimed drama from Greek writer/director Sotiris Goritsas, inspired by the Sotiris Dimitriou short story, represented Greece as an official selection for the 1994 Cannes Film Festival Directors' Fortnight. It concerns two young Greek men seeking refuge in Albania. Thomas (Vassilis Eleftheriadis) and Achilleas (Ierassimos Skiadaeressis) make an illegal late-night run at the Greek border, joined by young Nikos (Antonis Manolas), a child whose mother had been killed by Albanian guards. Returning to Athens, they find that the land they had missed and dreamed of so often has changed, refusing to accept the returning refugees or even see them as Greek -- the locals refer to the trio as "Albanians" throughout the film. Demoralized and disillusioned, Thomas is accidentally killed while working at a building site to make ends meet, and Achilleas and Nikos decide to return to their Albanian village rather than stay in an Athens, which clearly has no place for them anymore.

The chronicle of Loukas Kostoglou, a publisher devoted to poetry, and Marios, his assistant, who is love with Nina.

Lampros is 28 years old, an assistant who wants to become an executive. Lately, he has directed some commercials. Katerina is cute, sensitive, sexy - not beautiful, but there's something in her..Mihalis comes from a good family. He is a bit older than the other two and he starts caring about his career. On the other hand, Katerina and Lampros prefer to see life as a fantasy.

In this avant-garde look at a series of unique or eccentric men and women, director Stavros Tornes has created a film that is visually engaging, but too obscure in many points to be understood. The main protagonists are a young taxi driver -- a man who has had some very unusual, puzzling, and inspirational experiences -- and a middle-aged painter he gains as a new friend. The two men are complemented by a few tough women (all played by the same actress), a pair of verbose politicos, and a handful of other distinctive characters. By the end of the movie, transformations are in store for the pair of friends, reflecting the tenor of the film throughout. ~ Eleanor Mannikka, Rovi

In order to buy a horse, a man wanders in the bazaars of Thessaly. His journey will take him further than he imagines, as old prophets, forgotten witches and vampire princes will find himself on his way.