La escena (2005)
ジャンル : ドキュメンタリー
上映時間 : 54分
演出 : Guillermo Gómez Álvarez
シノプシス
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
パットがボーカルを務めるバンドは、車のガソリン代にも事欠く、売れないパンクバンド。彼らが極貧ツアーの中、ようやく出演することができたライブハウスは、なんとネオナチの根城だった。パットとバンドメンバーは、そこで殺人の現場を目撃してしまい、ネオナチ軍団から命を狙われる事態となってしまう。圧倒的に不利な状況で、グリーンルーム(英語で「楽屋」の意味)に閉じこもったパットたちは、アイデアと反骨精神を武器に極悪非道なネオナチ軍団に立ち向かう。
Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
In 2007, 11 years after one of the most influential American punk bands, Jawbreaker, called it quits, the three members, Blake Schwarzenbach, Chris Bauermeister, and Adam Pfahler reconnect in a San Francisco recording studio to listen back to their albums, reminisce and even perform together one last time. Follow the band as they retell their "rags to riches to rags" story writhe with inner band turmoil, health issues, and the aftermath of signing to a major label. Featuring interviews with Billy Joe Armstrong, Steve Albini, Jessica Hopper, Graham Elliot, Chris Shifflet, Josh Caterer and more.
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early '70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).
What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dad's? With a large chorus of Punk Rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, 'Fuck Authority', to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
30年の刑期を5年で終え、出所した麻薬王カリート・ブリガンテ。新しい人生の幕開けを前に過去を清算しようとするが……。ブライアン・デ・パルマ監督がアル・パチーノと生み出した衝撃作。
雪に閉ざされた北極の地で、マットはロンドンで出会ったアメリカ人学生のリサのことを想っていた。ブラック・レーベル・モーターサイクルのライブで出会った2人は恋に落ち、何度も身体を重ね合わせていた。
When a radio falls from the sky into the hands of a wide-eyed Tibetan Mastiff, he leaves home to fulfill his dream of becoming a musician, setting into motion a series of completely unexpected events.
ゾンビ映画の元祖「ナイト・オブ・ザ・リビング・デッド/ゾンビの誕生」で描かれた事が実際にあったという前提で作られた間接的な続編。ロスにある科学資料庫の地下で発見された謎のタンク。そこから吹き出した特殊なガスには死者を蘇らせる作用があった……。
1990年代半ばのロサンゼルス。13歳のスティーヴィーは兄のイアン、⺟のダブニーと暮らしている。⼩柄なスティーヴィーは⼒の強い兄に全く⻭が⽴たず、早く⼤きくなって彼を⾒返してやりたいと願っていた。そんなある⽇、街のスケートボード・ショップを訪れたスティーヴィーは、店に出⼊りする少年たちと知り合う。彼らは驚くほど⾃由でかっこよく、スティーヴィーは憧れのような気持ちで、そのグループに近付こうとするが…。
バンドをクビにされ、ルームメイトのネッドからも追い出されたデューイは名門小学校で代用教員をしているネッドになりすましバイト感覚で学校へ行くが……。<ミュージシャンでもあるジャック・ブラックが破天荒なロッカー教師を演じるコメディータッチの人間ドラマ。名門小学校にそぐわないニセ教師と小学生たちがロックを通じて交流を深める、笑いと風刺、感動、そして涙ありの作品。監督に「オースティン映画批評家協会」の設立者であるリチャード・リンクレイター。脚本は本作で友人役を演じるマイク・ホワイト。実際に楽器を演奏している子役たちの演奏の巧さもにも注目。>
Los Angeles teenager Ritchie Valens becomes an overnight rock 'n' roll success in 1958, thanks to a love ballad called "Donna" that he wrote for his girlfriend. But as his star rises, Valens has conflicts with his jealous brother, Bob, and becomes haunted by a recurring nightmare of a plane crash just as he begins his first national tour alongside Buddy Holly.
1966年イギリス。まだイギリスに民放ラジオが存在せずポピュラーミュージックの放送が制限されていた時代に、北海からロック音楽を流して人気を集めていた「海賊ラジオ局」を取り巻く若者と政府を描く。ドラッグと喫煙で高校を退学になったカール(トム・スターリッジ)は、更正を望む母の提案で、母の旧友クエンティン(ビル・ナイ)のいる船に乗船。その船は、アメリカ出身のザ・カウント(フィリップ・シーモア・ホフマン)ら、クールなDJたちがロックの取締りをもくろむ政府の目を盗み、24時間ロックを流し続ける海賊ラジオ局だった。
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.
1977年、イギリスのロンドン郊外。パンク好きの内気な男子高校生エンは、ある日、とあるパーティ会場に迷い込み、奇抜なファッションに身を包んで謎めいた行動を繰り広げる、風変わりな集団を目の当たりにする。彼らの正体はなんと、遠い惑星からやって来て地球に一時滞在していた異星人たちだった。口うるさい大人たちに反抗して集団から抜け出した異星人の不思議美少女ザンとともに、エンは甘美で切ないひとときを過ごす。
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
婚約したばかりの若い二人ジャネットとブラッドは、激しい雷雨のため古城に雨宿りした。二人を迎えたのは気味の悪い執事。やがて城の主が現われ、ロッキー・ホラーという名の人造人間を披露する。ジャネットは、その完璧な肉体にほれ込んでしまう……。