The Wall (1967)

This drama concerns a seven-year-old boy, Pepe Luis (Lucas Martin, as the younger Pepe and Paco Rabal Cerezales as Pepe at ten) who lives through the rise of Franco and the ensuing years under the fascist dictator. Presented from the perspective of the young Pepe, the Civil War and Franco are irrelevant to his own concerns: daydreaming about a pretty girl he likes, fighting with other boys, helping the priest at a funeral service, and similar activities. Pepe lives with his uncle and grandparents, and whether he is aware of it or not, the war impinges on their lives in several ways. The title of the film derives from little Pepe's contention that God is not responsible for the war, just some "bastard brother" of the Creator.

During the Spanish Civil War, an agent on a mission to purchase coal meets with murder and counterspies.

Narrated by himself, by those who knew him and those he rescued, Gilberto Bosques describes the action taken between 1939 and 1942, in Marseille, as Consul General of Mexico in France, where he saved tens of thousands of people: Republicans Spanish, Jews, socialists, communists and whatever they were persecuted by fascism.

Arnau is a seventeen year old with a totally carefree life. In high school, falls in love with Olga. From there his life changes. To make merit with Olga, pointing to all those involved in activities, including going to care for elders at the weekend that the association is voluntary Olga. This is how he meets Ramon, a man of a past that has a confusing libertarian principle Alzeheimer.

David (Mark Stevens) is a physician who returns to Spain 30 years after his involvement in the Spanish Civil War. Now a member of a medical convention, he looks up old friends and finds his former lover, now a married woman with a flamenco-dancing daughter. He and the daughter (Manuela Vargas) have an immediate and mutual attraction to each other. He considers running away with the exotic beauty before asking his wife to join him for an extended vacation after the convention .

A propaganda film made during the Spanish Civil War in support of the Republican government against the rebellion by Gen. Francisco Franco's forces who were backed by Nazi Germany and Fascist Italy. The film would have been seen by those making it as a documentary.

A TV film made as part of The Buick-Electra Playhouse.

The troubled story of the Churruca family, a noble lineage of brave seamen, descendants of Cosme Damián Churruca, the Spanish hero of the Battle of Trafalgar; from the Spanish-American War (1898) to the end of the Spanish Civil War (1936-39). (In 1950, a new cut of the film was released with less ideological depth and ten minutes shorter.)

Filmmaker Péter Forgács compiles home movies by a family of Catalan industrialists who have documented their lives as their homeland is besieged by labor unrest, the collapse of the monarchy, the rise of anarchism, and ultimately the Spanish Civil War.

Since childhood, Luisa and Miguel have always been good friends; but several years later, as adults, when Spain faces the abyss of the Civil War (1936-1939), they support ideologically opposed camps.

This documentary examines the experiences of the Abraham Lincoln Brigade, using interviews with survivors more than 50 years later. First, the film sets the context with the rise of Fascism. Then, in 1936, Spain's military revolts against the elected government, and the U.S. and Europe agree not to intervene. In response, volunteers snuck past border guards into Spain to fight with the Republicans. The men and women veterans describe the perils of reaching Spain, limited training, responsibilities of command thrust on the very young, deprivations of a soldier's life, lack of matériel, horrible rates of casualties, and ultimate vindication at the end of World War II.

In North Africa, in a detachment of the Spanish Legion, el Grajo, a brave veteran, and Mauro, who has just enlisted, become close friends. When an unfortunate circumstance results in the death of a man, suspicions fall on one of them.

Caudillo is a documentary film by Spanish film director Basilio Martín Patino. It follows the military and political career of Francisco Franco and the most important moments of the Spanish Civil War. It uses footage from both sides of the war, music from the period and voice-over testimonies of various people.

Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.

The creative and ambitious Carlos, a young Spanish film buff, manages to become a professional camera operator with time and effort, and is also blessed with the love of Anna, which he has longed for; but the outbreak of the Civil War in 1936 changes everything for both of them.

Spanish Civil War, 1937. A platoon of Republican soldiers plans to stop the advance of the rebel troops by bombing a bridge on the road to Zaragoza, near the city of Linás. With the close collaboration of the peasants of the area, the soldiers try to overcome the continuous bombardments and endure the harsh and tireless opposition of the powerful enemy…

An intriguing story about a family and a manor house (where some terrible crimes were committed in the past by a member of that family) adapted from a novel with the same title by Tabajara Ruas.

A particular reading of the forties and fifties in Spain, the hard years of famine and repression after the massacre of the Spanish Civil War, using popular culture: songs sung by ordinary people, newspapers and magazines, movies and newsreels; the story of a country torn apart needing to overcome the memory of the war and face an uncertain and painful present.

A simple peasant is forced to take up arms to defend his farm during the Spanish Civil War. Along the way he falls in love with a Russian girl whose father is involved in espionage.

The news of the death of Franco has a special resonance in the family of Florentina. Fiorentina communicates to the rest of the family a story far more important than the general's death: her husband Emiliano (Fernando Fernan-Gomez), who had been left for dead in the civil war, is alive. During the Franco dictatorship has remained hidden beneath the pylon is in the courtyard of the house.