Viet Flakes (1965)

アナの誕生日の朝。エルサはこの日を完璧な一日にすべく、クリストフたちとともにとびきりのサプライズを準備していた。城中に張りめぐらされた赤い糸をたどっていくと、あちこちにアナへのプレゼントが隠されているという仕掛けだ。誕生日の特別なドレスに身を包み、エルサとアナは糸をたどり始める。だがエルサはどうやら風邪をひいたらしく、くしゃみが止まらない。心配するアナをよそに、ひとり張り切るエルサだった。

王家の姉妹エルサとアナ。触れるもの全てを凍らせてしまう“禁断の力”を持つ姉エルサは、妹アナを傷つけることを恐れて、幼い頃からその力を隠し続けてきた。だが、エルサが新女王となる戴冠式で、彼女は“禁断の力”を制御できずに夏の王国を真冬に変えてしまう。城から逃げ出した彼女は自分の心と持てる力を解き放ち、雪と氷を操って一人だけの冬の王国を作り上げる。一方、エルサの秘密と思いを初めて知ったアナは、姉と冬に閉ざされてしまった王国を救うため、山男のクリストフとトナカイのスヴェン、“夏に憧れる雪だるま”のオラフと共にエルサが築いた氷の城へ向かう。どうすれば凍りついてしまった心と世界は救えるのか？全世界を席巻した、心揺さぶるミュージカル・ナンバーと圧巻の映像でを描いた感動の物語。

Set during a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.

Ebenezer Scrooge is far too greedy to understand that Christmas is a time for kindness and generosity. But with the guidance of some new found friends, Scrooge learns to embrace the spirit of the season. A retelling of the classic Dickens tale with Disney's classic characters.

A social worker is coming to Gru's house to check if it's suitable for children. Margo, Edith, Agnes and the Minions must take care of the situation.

砂漠の都アグラバー。貧しい若者アラジンは、泥棒と間違われていた娘ジャスミンを助け出し、代わりに捕まってしまう。なんとジャスミンは、王宮から抜け出してきた姫君だった。投獄されたアラジンは、王国乗っ取りを狙う大臣ジャファーの策略で、自由と引き換えに魔法のランプを探す旅に出発することになった。洞窟の奥でランプを発見したアラジンが偶然ランプをこすったところ、なんと中からランプの精ジーニーが現われた。

An unexpected affair quickly escalates into a heart-stopping reality for two women whose passionate connection changes their lives forever.

It's 2006, YouTube is in its infancy, and internet porn is still behind a paywall. Taking the stage name Brent Corrigan, a fresh-faced, wannabe adult video performer is molded into a star by Stephen, a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent's rise and demands for more money put him at odds with his boss, he also attracts the attention of a rival producer and his unstable lover who will stop at nothing to squash Cobra Video and steal its number one star.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

The wife of a pastor who preaches against homosexuality embarks on an affair with a female writer.

Forced to give up his dreams of art school, Zach works dead-end jobs to support his sister and her son. Questioning his life, he paints, surfs and hangs out with his best friend, Gabe. When Gabe's older brother returns home for the summer, Zach suddenly finds himself drawn into a relationship he didn't expect.

Pennsylvania, 1993. After getting caught with another girl, teenager Cameron Post is sent to a conversion therapy center run by the strict Dr. Lydia Marsh and her brother, Reverend Rick, whose treatment consists in repenting for feeling “same sex attraction.” Cameron befriends fellow sinners Jane and Adam, thus creating a new family to deal with the surrounding intolerance.

厳格なベジタリアンの家に育ったジュスティーヌ（ギャランス・マリリエ）は、姉も在学する獣医学校に入った後、新入生の通過儀礼としてうさぎの生の腎臓を食べることを強要され、口にしてしまう。その日を境に、ジュスティーヌの隠れた本性が明らかになり……。

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

馬に乗って弓を射るのが得意で、王家の伝統に反発する王女のメリダは、王女らしく気高く優雅に振る舞うよう求める母としばしば衝突する。ある日、不思議な炎に導かれるように森の奥へと足を向けると、魔女の家にたどり着く。メリダは、森の魔法を人間が使ってはならないという森の掟を破り、魔女に向かって、自分の運命を変えてほしいと願う。魔女が彼女の願いをかなえるために呪文を唱えると、王国全体に恐ろしい呪いがかかる。王国と家族を救うため立ち上がったメリダは、やがて森に隠された自分の運命を知る――。

海の底に広がる大都会「リーフシティ」。そこに住むオスカーは大金持ちになりリーフシティのトップになるのが夢。ある日オスカーは、借金返済のための金を待ち合わせ場所の競馬場で誘惑に負けて賭けてしまった。運の悪いことに賭けに負けて、アーニー&バーニーによって深海にさらわれてしまった。ちょうど近くにきていたレニーとフランキーがオスカーを狙うが、運悪くフランキーがイカリに潰されて死んでしまう。アーニー&バーニーはオスカーがフランキーを殺したとカン違い。それをいい事に、オスカーは一躍大金持ちのヒーローになってしまう。

A teenager transitions from female to male, and his family must come to terms with that fact.

The Zoosters are back in an all-new holiday adventure. When Santa and his reindeer crash onto the island of Madagascar it's up to Alex, Marty, Gloria, Melman and those wacky penguins to save Christmas. Get ready for a sleigh full of laughs in this hilarious new holiday classic.

Your favorite Madagascar pals are back in an all-new adventure! Alex's favorite holiday, Valentine's Day, brings hilarious surprises and excitement for the entire gang. Melman plans a big surprise for Gloria, Marty tries to impress a new friend and everyone wants to get their hands on King Julien's love potion. You'll fall in LOVE with Madly Madagascar!

A busted projector on an otherwise gorgeous day. Shot on 16mm.

A man wanders. Available on demand from: ypostasfilm@gmx.com

Wolfgang Amadeus Mozart, according to his biographers (and his letters confirm this fact), was an extremely sensuous person, and Nachtstück (Nocturne) was intended to refer to this aspect of his personality: We glide into "Eine kleine Nachtmusik" a bit, then abandon standardized paths of conventional representational film and encounter a few seconds of passionate sensory filmæan example of something I would like to call "physical cinema." The thesis: Herr Mozart would have enjoyed it.

A depiction of a girl’s uneasy state of mind as it wavers between life and death.

An exploration of the ambiguities of documentary photographs which develops ideas triggered by a German pun. Worst Case Scenario starts out as a series of still photographs depicting daily life on a Viennese street corner. The film re-orders and manipulates a selection of these images, and as it progresses the static world slowly and subtly comes to life. As Sigmund Freud casts his long shadow across the city, an increasingly improbable chain of events and relationships starts to emerge.

Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley. Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.

"O'Neill found an envelope labeled 'Helen's Coreopsis' with seeds from a 1935 visit his mother had made to her sister in Nebraska. His film COREOPSIS was made by scratching into developed and discarded pieces of film stock revealing pink, yellow and clear layers. This remnant of his memory of her is performed and inscribed in these excised layers." - Erika Suderburg

EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.

A play between the internal and external, an investigation between the printer and the optical effects of projection. One strip of super-8 film is reconstructed, taped onto 16mm and then re-photographed on the optical printer. The effluence, according to its new emulsion, becoming a reflection of its action.

In summer 2011, James Benning returned to his hometown of Milwaukee to make a third version of his seminal 1977 film 'One Way Boogie Woogie'. In 1977 he filmed 60 locations in Milwaukee’s industrial valley each for 60 seconds, creating short, minimal, playful narratives. In 2004 he remade the film as Twenty Seven Years Later, with the same 60 camera positions. This 2012 installation version, presents 18 locations similar to, and reminiscent of, the original.

A camera moves back and forth at an increasing pace. Back and forth, back and forth...

A musing is addressed to a glorious phantom-like entity.

From the south of France, a science fiction film about the end of the Leisure Class and that which came to replace it.

Snake grass lines a forest path. The camera passes toward the entrance to the woods. It staggers and repeats as the scene is saturated in colour.

A waterfall cuts through the land along the Bruce Trail; birdsongs and a distant cloud; I stand in the shadow of an electric cross; a bow set in the cloud, a token of the covenant between god and man.

Not a stage direction, but rather something very concrete is hidden behind the technical term. Something which betrays a little of the yearning for intelligent and playful dealings with the medium of short film…

A super-8 film shot on the east coast is brought west, bleached and splattered with paint. Remnants of home remain as frames and stills.

A film made for the Central Office of Information concerning Britain's coastline, with music by Michael Nyman.

"A night sky fills with light shimmers and flecks, surface markings, heavenly bodies. It’s an ocean, a well, a screen, a mirror, a portal. Blackness/void cluttered by growing ephemera. Dark reaches of outer and inner space gradually sifts through shards of granite and diamonds. The mind races as the material becomes greater and more frenetic, reaching a nearly audibly grinding pitch of excitement, flurry, and instantaneous infinity that ebbs at first and then maintains. Flashes of color emerge or are imagined. Chaotic flickering of dancing peasant girls and violently twisting astronaut helmets. Layers of sea slime over undulating life forms. Bonfires and celebration. Explosions, construction. Holocausts. Primordial ooze, modern civilization. Ages and seconds. Floating heads circle kaleidoscopic bursts of shiny beads. Everything everywhere twists, forces through, transforms into, overlaps everything else." - JT Rogstad, The International Exposition (TIE)

The video Tour Solaire begins by reversing the view: instead of measuring the remoteness of outer space, the view glides first from the observation platform of a disused observatory over Paris and then ultimately turns towards the interior of the tower. Overlaid by the soundtrack of Andrei Tarkovsky’s film Solaris, the camera moves through the abandoned observatory and then lingers on a few lifeless flies. The video is determined by scenarios veering between the suggestion of distance, the observation of concrete spaces and their details, the shift between inside and outside, between objectification and psychological interiors. The observatory appears here like a mute, unreal monument of an alien culture, like the instrument of a science beset by its own fictionalisation.