The Royal Tailor (2014)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

1950年ロンドン。家族を何よりも大切に、毎日を精一杯生きる主婦のヴェラ・ドレイクには、誰にも打ち明けたことのない秘密があった……。深い家族愛を円熟の演技で描いた珠玉の一篇。

出会い、再会を長いあいだに繰り返す男女。セックスでその友情が壊れることを恐れ、笑いと涙の努力を繰り返す。セックス抜きで男女の愛情が成立するかというテーマを描き出すラブ・ストーリー。

帝政に対する不満が頂点に達し、反乱を起こす水兵たち。やがてそれは軍隊による民衆の大虐殺へと発展していく。乳母車が階段を落ちる“オデッサの大虐殺”シーンがあまりにも有名な巨人セルゲイ・M.エイゼンシュテイン監督の大傑作。

テキサス州の町パリをめざす男。彼は失踪した妻を探し求めていた。男は、4年間置き去りにしていた幼い息子との間にも親子の情を取り戻す。そして、やがて巡り会った妻に、彼は愛するがゆえの苦悩を打ち明ける……。

スペクターの首領ブロフェルドを探し回るのに飽き飽きし、イギリス秘密情報からの辞職を考えていたジェームズ・ボンドは、カジノ・ロワイヤルで現金を持たずに大金を賭けて負けたテレサ・ディ・ヴィセンゾ公爵夫人を助けた。テレサと一夜を共にしたボンドは、彼女の父で犯罪組織ユニオン・コルスの首領のマルク＝アンジュ・ドラコに拉致され、赤ん坊を亡くして絶望しているテレサと結婚してくれるように頼まれる。テレサに自分で立ち直らせるよう説得したボンドは、ドラコから礼としてブロフェルドがスイスに潜伏していることを聞く。

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

While visiting his hometown during Christmas, a man comes face-to-face with his old high school crush whom he was best friends with – a woman whose rejection of him turned him into a ferocious womanizer.

This sexy, teen-comedy is about a freshman, Matthew, at college who meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl amongst a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

16世紀フランス、摂政のカトリーヌは対立するカトリックとプロテスタントを和解させるため、娘マルゴを政略結婚させる。文豪デュマ原作の小説をパトリス・シェローが監督した歴史大作。

When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.

ある企業から重要書類を盗み出した男。彼は追っ手を逃れ、パリの地下に網の目のように拡がる地下道に紛れ込む。そこには地上とは異なる、別の世界があった……。近未来を舞台に、パリ地下水道をエキセントリックに描き出したＳＦアドヴェンチャー。ランベールとアジャーニの無機質な表情と作品世界が実にマッチしているＬ・ベッソン監督作品。

Tom and Hannah have been platonic friends for 10 years. He's a serial dater, while she wants marriage but hasn't found Mr. Right. Just as Tom is starting to think that he is relationship material after all, Hannah gets engaged. When she asks Tom to be her 'maid' of honor, he reluctantly agrees just so he can attempt to stop the wedding and woo her.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

After seven years of marriage, a couple of professional workers (he, a doctor and she, a banker) try to refresh their sex life.

So-hwi is a martial arts prodigy and college student. Realizing that her superhuman strength is holding back her love life, she decides to quit martial arts to pursue handsome hockey player Joon-mo. But Joon-mo is in love with an older woman, and when So-hwi's mystical martial arts community comes under threat from an old enemy, Heuk-bong, her childhood friend Il-yeong must persuade her to return.

In a time of political and social unrest in 19th century Korea, uncouth, self-taught painter Jang Seung-up explores his natural talent amidst the repressive world around him.

This film follows the lives of four very different couples as they deal with love, loss and life in these romantic, loosely interconnected tales. A 30-year-old firefighter is looking for just the right ring for his fiancée. A guy who cannot find a job is in a long-term relationship with a wonderful, long-suffering woman who is beginning to grow tired of their situation. An 8-year-old boy desperately misses his busy mom. A deaf girl with a terrible burn on her face falls in love with a painter, dreaming of a perfect love. Love ends so that love can begin again.

The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.