Hostile Country (1950)

年に12時間だけ、殺人を含む全ての犯罪行為を合法にする法律が定められたアメリカ。パージと呼ばれるその日を迎えたジェームズ・サンディンは、最先端のセキュリティーシステムによって保護された自宅で妻子たちと夜を過ごすことに。だが、パージがスタートするや、ある男がジェームズの家に助けを求めてやって来る。息子がセキュリティーシステムを解除して彼を家にかくまうが、男を殺そうとする近隣住民が続々と集結。暴徒と化した彼らに囲まれたジェームズたちは反撃に挑む。

19世紀のフランス。パンを盗んだ罪で19年間の服役生活を送ったジャン・バルジャンは、ついに仮釈放されたものの、世間の風は冷たく、再び盗みを働いてしまう。しかし、その罪を見逃してくれた司教の温かい真心に触れて、彼は更生を心に誓う。名前もマドレーヌと改めて、こつこつと善行を積み重ねた彼は、やがて世間の人望を集める市長の座にまで上り詰めるが、昔の彼を知るジャベール警部が執拗にその後をつきまとう。

数々の戦いを終えて故郷のアリゾナに戻ったジョン・ランボー(シルヴェスター・スタローン)は、家族のような絆で結ばれた古い友人のマリアとその孫娘ガブリエラと共に牧場で平穏な毎日を過ごしていたが、ある日ガブリエラがメキシコの人身売買カルテルに誘拐される。娘同然の彼女を救うため、ランボーはグリーンベレーの隊員として培ってきた超人的な戦闘技術を総動員して戦いに備える。

Barbie and her sisters set off on a Swiss adventure to the majestic Alps, where they're excited to spend the summer at a fun-filled riding academy! Barbie can't wait to find a new horse to bring back to Malibu. Stacie is super excited to prove she's an amazing equestrian. All Chelsea wants to do is ride the big horses, and Skipper...well let's just say she's more interested in writing about the great outdoors than experiencing it. The sisters' vacation gets off to a rocky start, but when Barbie discovers a mysterious wild horse in the woods, their visit becomes truly magical.

ジョン・A・ルッソの原作を、CM監督出身のジョージ・A・ロメロが監督した歴史的作品であり、ゾンビ映画の記念碑的作品。全編に横溢するカニバリズムや反モラル的ラストなど当時のタブーに挑戦した内容は、根底に流れる独自のヒューマニズムが制作当時の世相を反映しており、賛否両論あったがロングランを続けた。結果として、ニューヨーク近代美術館にも所蔵されるカルト・クラシックとなっており、アメリカ国立フィルム登録簿に永久保存登録されている。父の墓参りの途中、バーバラと兄のジョニーは生ける屍に襲われる。兄を殺された恐怖と悲しみの中、バーバラは近くの民家に逃げ込む。民家には黒人青年のベンのほか、若いカップル、中年夫婦と大怪我を負ったその娘が集まってくるが、外部との連絡も取れないまま、周囲はゾンビの群れに取り囲まれていた。ドアや窓を塞ぎゾンビの侵入を防いだうえで脱出の方策を探るベンに対し、地下室に籠ることにこだわるハリーが対立する。ゾンビたちが人間を食い殺していることをテレビで知ったバーバラたちは、最寄りの避難所への脱出を試みる。

Fifteen years ago, five men were abducted by aliens. Only four returned. Now, these same four men have managed to capture one of the creatures who killed their friend and ruined their lives.

1980年代初頭からアメリカ各地で多発した銀行強盗事件の犯人であるフォレスト・タッカーは、15歳で初めて投獄されて以来、逮捕、脱獄を繰り返していた。彼は発砲もしなければ暴力も振るわないという風変わりなスタイルを貫き、粗暴な強盗のイメージとはほど遠い礼儀正しい老人だった。

Emma, a divorced single mother seeking to start her life over, moves to a small town in Arizona. She befriends Murphy, the older local pharmacist, but things turn complicated when her ex-husband shows up.

A troubled young boy and his father on a road trip stumble upon a rural farm where the elderly owner has sinister plans for the both of them involving witchcraft and evil.

A young, troubled city girl decides to move to her family owned horse ranch in a small, southern town for the summer to care for her dying mother.

A lonely boy befriends a vicious stallion.

After a robbery gone wrong, Aaron - barricaded in a rest stop bathroom - faces down the police, hallucinations, and a grim secret.

The four days of Naples was not a revolution. They had no leaders, no preparations of any kind. The revolt was born and flared up in a matter of hours. The whole population of Naples took part in it, but they all did so without consulting the others. Driven by a kind of necessity, the Neapolitans took up their rifles, armed themselves with stones, household objects, and bottles of petrol, and fought on their stretch of road, anonymous and silent. Once the battle was over, everyone returned to their homes and the revolt remained in memory with only the names of the dead, those, at least, who were known. One figure still remembered is that of Gennarino Capuozzo, a ten-year-old boy who was killed on a barricade while fighting against the invaders of his village.

Ken McLaughlin (Roddy McDowall) is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob (Preston Foster), blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell (Rita Johnson), Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly -- but the two soon become fast friends.

Back in Vietnam, Major Whittmar sold out his comrades to save his own skin. Now, he's a rich, ruthless land baron who's getting richer by squeezing out or killing off his neighbors. But when he and his cronies murder a rancher who threatens to expose them, the man's son, Will, swears vengeance.

Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.