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So This Is Paris (1954)

The wonderful story of three sailors on leave... three girls in love and Five little orphans in trouble!

ジャンル : ロマンス, コメディ, 音楽

上映時間 : 1時間 36分

演出 : Richard Quine
脚本 : Charles Hoffman

シノプシス

Three sailors on leave head for Paris with one thing on their minds.

出演

Tony Curtis
Tony Curtis
Joe Maxwell
Gloria DeHaven
Gloria DeHaven
Colette d'Avril / Jane Mitchell (as Gloria De Haven)
Gene Nelson
Gene Nelson
Al Howard
Corinne Calvet
Corinne Calvet
Suzanne Sorel
Paul Gilbert
Paul Gilbert
Davy Jones
Mara Corday
Mara Corday
Yvonne
Ann Codee
Ann Codee
Grand'mere Marie
Arthur Gould-Porter
Arthur Gould-Porter
Albert, Butler
Roger Etienne
Roger Etienne
Pierre Deshons
Allison Hayes
Allison Hayes
Carmen
Christiane Martel
Christiane Martel
Christiane
Myrna Hansen
Myrna Hansen
Ingrid

製作陣

Richard Quine
Richard Quine
Director
Ray Buffum
Ray Buffum
Story
Charles Hoffman
Charles Hoffman
Screenplay
Albert J. Cohen
Albert J. Cohen
Producer
Virgil W. Vogel
Virgil W. Vogel
Editor
Henry Mancini
Henry Mancini
Music
Herman Stein
Herman Stein
Music
Rosemary Odell
Rosemary Odell
Costume Design
Joseph Gershenson
Joseph Gershenson
Music Supervisor
Russell A. Gausman
Russell A. Gausman
Set Decoration
Ruby R. Levitt
Ruby R. Levitt
Set Decoration
Alexander Golitzen
Alexander Golitzen
Art Direction
Eugène Lourié
Eugène Lourié
Art Direction
Maury Gertsman
Maury Gertsman
Director of Photography

似たような映画

007/美しき獲物たち
ソ連国内でアメリカ製の半導体チップを持ち出した003が雪原で遭難。遺体から半導体チップを回収したボンドはソ連軍に追われるが、スキー&スノーボードで振り切って任務を果たす。 003の死体から発見されたのはマイクロチップ。このチップは従来のものと違い、核爆発で発生する強力な磁気にも対抗できるものだった。製造元のゾリン産業が怪しいとにらんだ英国情報部はボンドにゾリンの内偵を命じる。そこでボンドはチップの製造元であるゾリン社を調査する。 社長のマックス・ゾリンが所有する常勝の競走馬を調査するうちに、その馬からはマイクロチップに制御されたステロイド供給装置が見つかる。ゾリンを追ってサンフランシスコに潜入したボンドは彼がシリコンバレーを壊滅させ、マイクロチップ市場を独占しようとしていることを知る。
大いなる幻影
第一次大戦のさなか、ドイツ軍の捕虜となるマレシャル大尉とボアルデュ大尉。さまざまな階級の人間の集う収容所で、一緒になった連中とも打ち解けないままに、やがて脱走計画が企てられる……。
身をかわして
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
本当に若い娘
寄宿学校の夏休み。14歳の多感な少女アリスは両親の待つ田舎の実家に帰省した。パパとママとの久々の再会も、今のアリスにはどこか気まずく窮屈なものでしかなかった。鏡を見ればふっくらとした豊かな胸がそこにはあった。町へ出れば男たちは大人びた自分の体に好奇の目を向けてくる。心と体の変化に戸惑うアリス。そんなある日、アリスは父の製材所で働くジムと出会い、その逞しく魅惑的な青年に惹かれていく。ジムを物陰から見つめ、彼と恋人とのキスを盗み見ては言いようのないいらだちを覚える。アリスの感情は次第に抑えようのないものとなっていき……。
マイ・ファミリー/遠い絆
A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.
Mr.ビーン カンヌで大迷惑?!
くじ引きによりフランス・カンヌのビーチへの旅行とビデオカメラを当てたMr.ビーンだがリヨン駅のカンヌ行列車の前で男に撮影を手伝ってもらったところ、その男を置き去りにしてしまう。列車内には既に男の息子であるステパンが乗車しており、ステパンにカメラを奪われたことでビーンは荷物を失い次の駅で降ろされてしまう。ステパンの父はカンヌ国際映画祭で審査員を務める映画監督・エミールだった。
Le radeau de la Méduse
Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.
Sous le signe de Monte Cristo
Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.
ラ・シオタ駅への列車の到着
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Lionheart
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Sailor
A teenager adores his sailor friend. He dreams about the exotic countries, marvellous starry skies and the inevitable homesickness that would bring his friend back to him. In a colourful series of mythical referential images, his fragile dreams get so unreal, that the enthusiasm for seeing his friend again turns into anxiousness.
Frankie
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A Girl in Every Port
After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
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The Immortal Story
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Clemenceau
The Fuhrer Runs Amok
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Little by Little
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