In the Name of the Father and Son (1999)

「パパは、出張中！」「アンダーグラウンド」のエミール・クストリッツァ監督作品。ドナウ川のほとりに暮らすジプシー一族に起こる若者の恋愛や石油列車強奪計画といったエピソードを、陽気にストレートに描いたコメディ。ジプシーのマトゥコは、自称ダマしの天才。ある日、彼はロシアの密輸船から石油を買うが、見事に騙されて大金を失う。金に困ったマトゥコは、息子のザーレとともに、“ゴッドファーザー”グルガに石油列車強奪の計画を持ちかけ資金援助を乞うが……。

第二次世界大戦中のユーゴスラビアでは、強大なドイツ軍が、パルチザン将兵をネレトバ峡谷に追いつめていた。彼らを救うため、アメリカ軍特殊部隊“フォース10”がネレトバ橋の爆破を命じられる。フォース10には、ナバロン要塞を爆破したマロリーとミラーが加えられた。しかしユーゴスラビアに降下した彼らは、ドラザック大尉率いる王党派に捕えられ、ドイツ軍に引き渡されてしまう。

イギリスのとある街にある工場で働くハンナは、働き者ではあるが誰とも口を利かず、孤独な毎日を送っていた。彼女の過去は誰も知らない。時々どこかに電話をかけるが、相手が出ても何も話さずに切ってしまう。全く休まないハンナを見た上司は、彼女に無理にでも休暇を取るように勧め、ハンナはある港町にやって来る。しかし休暇など欲しくなかった彼女はとりたててすることもない。 そんな時に入った中華料理屋で、至急看護師が欲しいと携帯で話す男を見かけ、ハンナは自分は看護師だと告げる。ある海底油田掘削所で火事が起こり、重傷を負った男性を看護する人が必要だという。ハンナはすぐにヘリコプターで採掘所に向かう。 患者のジョゼフは重度の火傷を負っており、さらに火事のせいで一時的に目が見えなくなっていた。火事の時、ある男が火の中に飛び込んで自殺したが、ジョゼフは彼を助けようとして重傷を負ったとハンナは聞かされる。 ハンナは黙々とジョゼフを看護する。ジョゼフは時には強引に、時には冗談を交えて何とかハンナ自身のことを聞き出そうとする。そんなジョゼフや、採掘所で働く心優しいコックのサイモンに、徐々にハンナは心を開いていく。

In the opening stages of the Bosnian War, a small group of Serbian soldiers are trapped in a tunnel by a Muslim force.

スターリン主義の影響下にあった50年代初頭のユーゴスラビア。薄汚い密告が見境なくはびこり、人々は疑心暗鬼だ。少年マリックの精力的かつ俗物の父親も例外なくその犠牲となる。ふと愛人に洩らした他愛ない国政批判のせいだ。収容所に収監された父を、母は“出張中”と少年に告げごまかすのだった……。＜旧ユーゴのクストリッツァがカンヌでグランプリを得た、ユーモアの中に痛烈な体制批判を織り込んだ作品。＞

During the Cold War, diplomatic courier Mike Kells must retrieve a dispatch containing top-secret intelligence. But when he arrives at the meeting point, a train station in Salzburg, his contact turns up dead, and the message is nowhere to be found. With no clear suspect in sight, Kells must sort through his uncertain relationships with two women, while sidestepping the pitfalls of subterfuge, sabotage and spies in his search for the documents.

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision WR: Mysteries of the Organism begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

The California Atoms are in last place with no hope of moving up. But by switching the mule from team mascot to team member, (He can kick 100 yard field goals!) they start winning, and move up in the rankings, Hurrah! The competition isn't so happy.

Belgrade, the summer of 1991. Yugoslavia is falling apart. Gavran can't get a driving licence because he is color blind. He is a rural Bosnian introvert obsessed with trucks. So, as soon as he is released from prison, he steals a truck to go on a joyride. Suzana, a city girl, discovers she is pregnant, but until she's due for an abortion, she decides to go to Dubrovnik. She hitchikes and Gavran almost runs her over. She is unhurt, but she blackmails him to take her to Dubrovnik. Two people from different worlds, equally removed from the real one. For him she is the first woman he can talk to; for her he is just another idiot to add to the long list of them that she has so far compiled. But the pressure of danger and the intimations of war force them together. The world about them has become so absurd that they seem to each other the only sober people left.

The headquarters of the Marshal Tito's Liberation Army are surrounded by Axis forces. The Partisans have no choice but to fight their way out of the encirclement and face the enemy on the plains of Sutjeska.

A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.

The Weight of Chains is a Canadian documentary film that takes a critical look at the role that the US, NATO and the EU played in the tragic breakup of a once peaceful and prosperous European state - Yugoslavia. The film, bursting with rare stock footage never before seen by Western audiences, is a creative first-hand look at why the West intervened in the Yugoslav conflict, with an impressive roster of interviews with academics, diplomats, media personalities and ordinary citizens of the former Yugoslav republics. This film also presents positive stories from the Yugoslav wars - people helping each other regardless of their ethnic background, stories of bravery and self-sacrifice.

In 1985, four middle-aged Yugoslav emigres return to Belgrade for the funeral of Mariana, their beautiful compatriot. They called her Esther, for Esther Williams, she was the coxswain for their four-man rowing team, and they each loved her. They'd last seen her in 1953, when they rowed her across the Adriatic, pregnant, to join her exiled father in Italy. In flashbacks we learn the story of their youthful baptism into sex, smoking, rock and roll (Hey Ba-ba-re-bop), Hollywood and Swedish films, blue jeans on the black market, and their rivalry with Ristic, the Communist Party youth leader for whom they had instant antipathy.

An Albanian pilgrim, infected with an unknown disease, is on his way back to Belgrade from the Middle East. When doctors realize that it is a disease that has been considered eradicated, it is already too late - variola vera begins to languish and the hospital is quarantined.

In order to check the German offensive, Partizans send an elite team of explosive experts to blow up a strategically important bridge. Besides being heavily guarded, that bridge is almost indestructible and the only man who knows weak spots in the construction is the architect who built it. He is, however, reluctant to cooperate because he doesn't want to see his masterpiece destroyed.

At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island.

An ex-soldier storms a supermarket and takes all the cashiers captive because one of them insulted his grandmother.

In order to save a friend's daughter, a 17-year-old Jewish girl, from the Ustashas, the Croatian family arranges her to be wed to their son Ivo.