The Guardian is the Thief (2008)

代々海兵隊員を輩出してきた家系に生まれ、自身も父と同じ道を歩むべく、1988年に18歳で海兵隊に志願した青年、アンソニー・スウォフォード。過酷な訓練を耐え抜き、第7海兵連隊第2大隊司令部中隊付きSTAの前哨狙撃兵として1990年の夏、湾岸戦争の為サウジアラビアへと派遣された。使命感に燃える若き海兵隊員たちとアンソニーだったが、派遣先で待っていたのは果てしない砂漠と訓練、そしてひたすら待機する日々だった。＜1990年に中東へと派兵されたアメリカ海兵隊員、アンソニー・スウォフォードの湾岸戦争体験記『ジャーヘッド/アメリカ海兵隊員の告白』（2003年出版）を原作としている。監督は『アメリカン・ビューティー』のサム・メンデス。一兵士の視点を通し、これまでの戦争映画とは違い、戦闘シーンがほとんど無く、変わった切り口で現代の戦争を描いている。表題になっているジャーヘッドとは、海兵隊員の刈り上げた頭がジャー（蓋のついたガラス瓶）のように見える事からつけられた蔑称である。＞

A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.

かつてヒーロー映画「バードマン」で一世を風靡した俳優リーガン・トムソンは、落ちぶれた今、自分が脚色を手掛けた舞台「愛について語るときに我々の語ること」に再起を懸けていた。しかし、降板した俳優の代役としてやって来たマイク・シャイナーの才能がリーガンを追い込む。さらに娘サムとの不仲に苦しみ、リーガンは舞台の役柄に自分自身を投影し始める。

エリザベス1世の統治する16世紀末のロンドン。女王の側近であるセシル卿は、大衆を扇動するとして当時隆盛を誇った演劇に対する弾圧を強めていた。一方、女王の後継問題でセシル卿と対立するオックスフォード伯は、まさにその演劇の力で政敵を失脚させようと考えていた。文才に長けた伯爵は、セシル卿に投獄された気鋭の劇作家ベン・ジョンソンを解放し、自らが記した戯曲をベンの名で上演するよう命じるのだが……。

湾岸戦争停戦後、偶然手に入れた1枚の地図が彼らの運命を変える。地図にはイラク軍が奪った金塊の隠し場所が載っていて……。砂漠に眠る財宝を探し求める痛快アクション・アドベンチャー。

彼のスピーチで、アメリカの司令官ベネット・マルコは、クウェート砂漠で彼の小隊が受けた待ち伏せと、同志を救ったために名誉勲章を受け取ったレイモンド・ショー軍曹のヒロイズムについて常に語っています。 しかし、一連の悪夢が繰り返されるため、彼は軍曹のヒロイズムを疑います。 母親である論争の的となっているエレノア・プレンティス上院議員に追われたショーは、マルコの疑惑が高まり、彼が直面するすべての障害にもかかわらず、真実を見つけるために事実を調査しようとする ショーと彼のチームはホワイトハウスに到着します。

A troupe of struggling stage actors rehearsing for a small-town production of a play panic after finding out they are locked in the theater with a killer wearing an owl mask.

The corpse of a patriotic veteran comes back to life on July 4th and goes on a killing spree in his hometown, targeting anyone who offends his ultra-patriotic views.

Childlike in his innocence but grotesque in form, Frankenstein’s bewildered creature is cast out into a hostile universe by his horror-struck maker. Meeting with cruelty wherever he goes, the friendless Creature, increasingly desperate and vengeful, determines to track down his creator and strike a terrifying deal. Urgent concerns of scientific responsibility, parental neglect, cognitive development and the nature of good and evil are embedded within this thrilling and deeply disturbing tale.

The fantastical tale of a little girl who won't - or can't - follow the rules. Confounded by her clashes with the rule-obsessed world around her, Phoebe seeks enlightenment from her unconventional drama teacher, even as her brilliant but anguished mother looks to Phoebe herself for inspiration.

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.

This film shows the disaster of the Kuwaiti oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself is presented to the viewer in such beautiful sights and beautiful music that one has to be fascinated by it.

To Jane Falbury's New England farm comes a troup of actors to put up a show, invited by Jane's sister. At first reluctant she has them do farm chores in exchange for food. Her reluctance becomes attraction when she falls in love with the director, Joe, who happens to be her sister's fiance.

Zack and Casey's relationship is in a slump, but things are about to change at Dick Dickey's Drama Camp. Zack meets gorgeous Benji, and when they get cast as lovers in a sexed-up version of The Taming of the Shrew, their self-restraint is put to the test. Will Zack and Casey's relationship last with Benji in the picture?

Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.

Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent Margaretta. As the cast he assembles are still available even at Christmas and are prepared to do it on a 'profit sharing' basis (that is, they may not get paid anything) he cannot expect - and does not get - the cream of the cream. But although they all bring their own problems and foibles along, something bigger starts to emerge in the perhaps aptly named village of Hope.

When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.

When Madea gets sick, her family comes to her aid. What they don't realize is that they're the ones who need her help. As always, Madea's cockeyed outlook on life saves the day and guarantees side-splitting laughs along the way.

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

Gavin Stone, a washed-up former child star, is forced to do community service at a local megachurch and pretends to be Christian so he can land the part of Jesus in their annual Passion Play, only to discover that the most important role of his life is far from Hollywood.