Freundinnen - Alle für eine (2016)

大女優として知られるマリア（ジュリエット・ビノシュ）は、忠実なマネージャーのヴァレンティーヌ（クリステン・スチュワート）とともに、二人三脚で日々の仕事に挑んでいた。そんななか、マリアはかつて自身が世間に認められるきっかけとなった作品のリメイクをオファーされる。しかし、その役柄は彼女が演じた若き美女シグリッド役ではなく、彼女に翻弄される中年の上司、ヘレナ役。若い主人公の配役は、すでにハリウッドの大作映画で活躍する若手女優のジョアン（クロエ・グレース・モレッツ）に決定していた…

After a serious sport accident in a swimming pool, Ben, now an incomplete quadriplegic, arrives in a rehabilitation center. He meets with other handicapped persons (tetraplegics, paraplegics, traumatized crania), all victims of accidents, as well as a handicapped since his early childhood. They go through impotence, despair and resignation, with their daily struggle to learn how to move a finger or to hold a fork. Some of them slowly find a little mobility while others receive the verdict of the handicap for life. Despite everything, hope and friendship help them endure their difficulties.

Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?

When her daughter is kidnapped in Belize and held hostage to be used for human organ trafficking, Kate Johnson goes on a crusade to infiltrate the cartel and rescue her.

1971年、文革の嵐が吹き荒れる中国。青年マーとルオは医者を親に持つことから、反革命分子の子として再教育のために奥深い山村へ送り込まれた。彼らはそこで過酷な肉体労働を強いられる。ある日2人は、美しい少女、お針子に出会う。ルオはお針子に一目惚れした。彼らは、同じ再教育で来ている若者が禁書である西洋の本を大量に隠し持っていることを知り、それを盗み出す。そして、文盲のお針子に毎夜西洋の文学を読み聞かせてあげるのだった。許されない秘密を共有することで結びつきを強める3人。そして、お針子は西洋文学が語る自由に次第に目覚めていく…。

Hartmut Mackowiak, a German taxi driver, tries to help 6 year old Turkish girl to find her mother.

Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.

Police chief Horst Krause is retired. Together with his sister Elsa, he takes care of the inn in Schönhorst. But none of that makes him happy.

After years working as a border patrolman, José has developed a salty crust of cynicism about his work, which places him in a position to decide the fates of many. José's weary attitude is put to the test when he encounters Nathalie, a German tourist assisting a boatload of refugees she discovered landing on the Canary shores. One of those people, a Congolese man named Zola, is placed in an internment camp. Much to the objections of her husband Paul, Nathalie tries to help him escape. Yet Zola and his son Mamadou eventually find themselves in yet another precarious situation, in which they are dependent on nefarious smugglers.

A young married woman from Montreal's Orthodox Jewish community finds freedom from the strictures of her faith through her relationship with a young man who is mourning the death of his estranged father.

A breathless criminal hunt, which leads into the remote mountain world of Romania, with the portrait of a foreign country, which has remained standing in time. Hanna Landauer and Sven Schröder are part of a special unit of the LKA, which traps fugitives across the borders to the remotest corners of the world.

As a nun, Katharina von Bora lives the life destined for her until she comes into contact with a completely new world of thought in the early 20s through the writings of Martin Luther. She flees with some of her co-sisters and comes without legal status, without income and rejected by her family to Wittenberg, where she meets Martin Luther personally. Katharina decides to marry the reformer and, as his wife, becomes a respected housekeeper, an equal interlocutor and the mother of their children together.

Family Neufund is an exchange student from England in the house! The host parents Martin Brambach and Aglaia Szyszkowitz see this as a chance to finally win a girlfriend for their idiosyncratic 16-year-old daughter. But at the airport is not the expected "hip" Sandy McCartney from London in front of them, but a 13-year-old Indian boy! You want to get rid of the little Hindu as soon as possible. In a roundabout way, Zayn Baig in the role of the unwanted guest and Lena Urzendowsky as a loner are still pretty good friends.

The farmer's wife Elli is determined after the unexpected death of her husband, despite high debt and against the advice of their adult children to manage their farm on. At the same time she dreams after 25 years of marriage, which consisted mainly of work, finally the great love. A partner agency, she met the friendly and down to earth from Zimbabwe Raymond know. Both are sparks at first, but above all the men in the village of Africans met with suspicion and prejudice. Against the odds, Elli is willing to fight for their happiness.

A new collaboration between director Sigi Rothemund (Siggi Götz) and writer Erich Tomek.

While supposedly taking mud baths in Korea, the paterfamilias of a family from Tehran’s Grand Bazaar dies of a sudden heart attack in Brive-la-Gaillarde. His wife and his oldest son travel to France to bring his body home and to investigate the circumstances of his death.