Aruvi (2017)

イギリスの女性小説家バージニア・ウルフの「ダロウェイ夫人」をモチーフに、3つの時代、3つの場所で暮らす女性たちの1日を繊細に描いた人間ドラマ。1923年、ロンドン郊外。作家ヴァージニア・ウルフは病気療養のためこの地に移り住み、『ダロウェイ夫人』を執筆していた。午後にはティー・パーティが控えている…。1951年、ロサンジェルス。『ダロウェイ夫人』を愛読する妊娠中の主婦ローラ・ブラウンは、夫の望む理想の妻を演じることに疲れながらも、夫の誕生パーティを開くためケーキを作り始める…。2001年、ニューヨーク。『ダロウェイ夫人』と同じ名前の編集者クラリッサ・ヴォーンは、親しい友人でエイズ患者の作家リチャードが栄えある賞を受賞したことを祝うパーティの準備に取りかかっていた…。

Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.

A sexy, romantic comedy about modern couples coming together in funny and unexpected ways. Paul and Hannah discover that even after 40 years of marriage, they can still learn some very surprising things about each other. Meredith is a serious theatre director who isn't looking for a relationship... but has one looking for her in the person of the funny, persistent Trent. Then there's Joan and Keenan, young people searching for love in an L.A. club scene where the rules of dating seem to change every night.

故国で弾圧を受けアメリカに亡命したものの、のちに自殺したキューバの作家レイナルド・アレナスの生涯をジュリアン・シュナーベル監督が映画化。アカデミー賞にもノミネートされた感動作。

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.

ある日、エリックの家の隣に新しい住人が引っ越してきた。その家の子供デクスターはHIV感染者だという。始めは戸惑い、敬遠していたエリックだったが、やがてデクスターと心が通い合い、友情が芽生えてきた。そしてエリックは“彼の治療法を見つける”とデクスターを連れてあてどのない旅に出掛けるが……。

But it is a devastating expose of party-n-play culture. It's hard to depict methamphetamine use with any sensitivity, but this movie's dry and frank style bring this plague into startling focus. It's very compassionate and gives a lot of context and insight into how Gay culture and drug culture meet. It is heartbreaking to know that the majority of the men interviewed for this movie are HIV-positive. This movie includes graphic sexual content and vivid depictions of drug use, but it serves a very valuable purpose. it is an eloquent call for social responsibility.

Roshan (Sunny Wayne) is a cosmetic surgeon and a Casanova by nature. Abu (Sanju), a budding filmmaker and Joe (Praveen), a TV show producer, are his friends. Joe has just been ditched by his girl friend Ann (Poojitha Menon). A devastated Joe heads over to Goa along with his friends to get over the tragedy that has befell him

When bisexual porn star Valentino meets new-in-town hustler Gary, there is an immediate attraction between the two. Valentino helps get Gary a job at a phone-sex company, and they become fast friends and lovers, but tension threatens their relationship when Gary and Valentino's friend Mary becomes involved. When Valentino finds out he is dying and Mary is going to have his child, the three must work through hard times together.

An incestuous and industrious pair of modern-day vampires finds their clever manner of acquiring sustenance threatened by a nosy New Jersey health inspector and a determined investigative reporter in director John Orrichio's sexualized tale of life among the undead. The LeGaults know well that to stalk the streets for prey is to leave themselves open to exposure. Instead of seeking out blood the old-fashioned way, the LeGaults opt to open a blood donation center that will provide them with the nourishment they need to survive without the risks that go along with using their fangs. A New Jersey health inspector named Jerry is on to them, though, and along with a little help from intrepid reporter Phyllis, he soon prepares to rip the lid off of the LeGault's bizarre scam. When a chance encounter with two students of the occult reveals the true motivation behind the LeGaults' philanthropic front...

Gauri, an orphan, is falsely accused of theft and lands up in a reformatory run by Ashok. Due to her rebelliousness, she gets into trouble. But, gradually she comes into her own with Ashok's help.

Sexual decisions have deadly consequences. Can a small group of college students from Botswana challenge conventional wisdom about AIDS in Africa to save their generation? "The Road We Know" explores the impact of HIV/AIDS in Botswana through the efforts of these young adults who boldly advocate for behavior change to save lives. Facing cultural taboos and difficult travel, this small group sets out across the nation for five weeks with three tents, one car, and a radical solution to save lives.

An orthodox youngster and a free-spirited lady fall in love, only to understand that they are different in all aspects of life. How do they realise their complex requirements and mistakes?

A documentary juxtaposing the events of the 20th century with the commentary of stand-up comedians.

Gai Nhay ("Bar Girls") is the story of how the other half lives, with a twist. Southeast Asia being known for the multitude of bar girls ready to be "borrowed" for a (usually quite cheap) price, the life these girls live--and the motivations and tribulations that lead them to it--are usually hidden to their oblivious clientéle.

An exploration concerning the act of revealing to a potential lover that one is seropositive to HIV, the virus believed to cause AIDS.

Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.

A moving personal documentary about Danny, a friend of Kybartas who died of an AIDS-related illness in 1986. This powerful work explores the reason for Danny’s return home and his attempts to reconcile his relationship with his family members who had difficulty facing his homosexuality and his imminent death.

A short remake of Luchino Visconti's Death in Venice where instead of a cholera epidemic it's the "Acquired Dread of Sex" (ADS) epidemic.

Identities attempts to describe the importance of silence in communication, of those moments when someone is making up or remembering what he is going to say. A silence that compels us to question the maxim "silence is death".