Play Ball on the Beach (1906)

In the middle of woods inhabited by wolves, an astrologist imagines what it would be like to be a werewolf, running and howling through the woods in a schizophrenic blur instead of sitting in his home watching videos. Then the moon calls to calls to him.

An experimental short film based on repetitive movement. The main intention was to create a film much in the same way as you would create a piece of music; themes that build and develop rather than a traditional narrative.

Shot against a painted backdrop of river with town on other bank & mountains behind. Throwing medicine ball while group of men watch, at least one black. He stands up & gets hit on head with ball. Jeffries shadow boxing & dancing with weights in hands. Sparring barehanded, or wrestling with another man.

Squires skipping rope in backyard with sheds & chickens in background.

A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.

Photographed from a single camera position above the heads of the crowds watching a parade, the film shows several different chapters of the international order of eagles. Some wear civilian attire, other costumes signifying a subdivision of their order.

The film begins from a camera position over the heads of spectators standing on the sidewalk in union square, New York city, watching a fire drill. Three pieces of equipment can be seen from the first camera position. The next scene, from another camera position, shows the equipment at the station, and water can be seen coming out of the nozzles held by firemen. Beyond them, spectators can be seen on the other side of the square.

Hearse bearing the remains of President McKinley on the way to the church, Canton, Ohio. Special Guard of honor.

Panoramic view of the McKinley homestead, Canton, O., on the morning of the funeral, showing large crowds passing the house, which was under military guard.

"Taken from moving cable car leaving Brooklyn train yard, crossing entire span and arriving at New York terminus in City Hall station."

Men on field. Boxing. Both wear numbers on back. Large round-hose swings. Several men apparently refereeing. One with striped pants. Possible at west point. Mountain visible in background of large field.

The Dirdy Birdy Redux is a story about a dysfunctional relationship between a cat and a bird.

This short film was packaged on video with Hartley's featurette "Surviving Desire." It affectionately examines the lives of a group of "young, middle-class, white, college-educated, unskilled, broke, drunk" Brookylnites who would love to make something of their lives -- assuming they can pay the rent first.

The story of the meeting and falling in love of a man and a woman. The story is told by showing the characters from below the knees only. A man in smart shoes prepares to go out. His maid gives him his coat, he dusts off his shoes and leaves. As he leaves the building an elegant woman drops her purse. He returns it to her and follows her home.

Hayley’s a smart, charming teenage girl. Jeff’s a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff’s place. Jeff thinks it’s his lucky night. He’s in for a surprise.

As the paramedics pry her hand apart from her dead lover's grip a woman's life flashes before her eyes. Racing to the hospital the stunning skies and rooftops of Montreal from the back of the ambulance are inter-cut with the most exquisitely cinematic memories.

Three stories set in Belgrade by night: A loving couple who alarms public uproar for kissing in the street, a lonely boxing handler whose help isn't really appreciated, and two young people who never manage to get to know each other due to dress code issues.

The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings.

A neo-nazi sentenced to community service at a church clashes with the blindly devotional priest.

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).