Play Ball on the Beach (1906)

In the middle of woods inhabited by wolves, an astrologist imagines what it would be like to be a werewolf, running and howling through the woods in a schizophrenic blur instead of sitting in his home watching videos. Then the moon calls to calls to him.

An experimental short film based on repetitive movement. The main intention was to create a film much in the same way as you would create a piece of music; themes that build and develop rather than a traditional narrative.

Shot against a painted backdrop of river with town on other bank & mountains behind. Throwing medicine ball while group of men watch, at least one black. He stands up & gets hit on head with ball. Jeffries shadow boxing & dancing with weights in hands. Sparring barehanded, or wrestling with another man.

Squires skipping rope in backyard with sheds & chickens in background.

A woman wearing a light-colored leotard, gathered at the waist, and tights stands against a black background. Although she is filmed in a long shot, her feet are cut off in the frame. She opens with a flourish of her arms and faces the camera. First stretching up with her arms, Latina then bends in half at the waist, steps into a metal ring or hoop, and places her head in the ring as well.

Photographed from a single camera position above the heads of the crowds watching a parade, the film shows several different chapters of the international order of eagles. Some wear civilian attire, other costumes signifying a subdivision of their order.

The film begins from a camera position over the heads of spectators standing on the sidewalk in union square, New York city, watching a fire drill. Three pieces of equipment can be seen from the first camera position. The next scene, from another camera position, shows the equipment at the station, and water can be seen coming out of the nozzles held by firemen. Beyond them, spectators can be seen on the other side of the square.

Hearse bearing the remains of President McKinley on the way to the church, Canton, Ohio. Special Guard of honor.

Panoramic view of the McKinley homestead, Canton, O., on the morning of the funeral, showing large crowds passing the house, which was under military guard.

"Taken from moving cable car leaving Brooklyn train yard, crossing entire span and arriving at New York terminus in City Hall station."

Men on field. Boxing. Both wear numbers on back. Large round-hose swings. Several men apparently refereeing. One with striped pants. Possible at west point. Mountain visible in background of large field.

The Dirdy Birdy Redux is a story about a dysfunctional relationship between a cat and a bird.

This short film was packaged on video with Hartley's featurette "Surviving Desire." It affectionately examines the lives of a group of "young, middle-class, white, college-educated, unskilled, broke, drunk" Brookylnites who would love to make something of their lives -- assuming they can pay the rent first.

The story of the meeting and falling in love of a man and a woman. The story is told by showing the characters from below the knees only. A man in smart shoes prepares to go out. His maid gives him his coat, he dusts off his shoes and leaves. As he leaves the building an elegant woman drops her purse. He returns it to her and follows her home.

3주간의 인터넷 채팅으로 만난 32세 사진작가 제프콜버(패트릭윌슨)와 14세의 헤일리(엘렌페이지)는 나이트호크라는 가게에서 만나기로 약속을 잡는다. 매력적인 제프에게 빠진 헤일리의 부탁으로 제프는 자신의 집에 헤일리를 데려간다. 하지만, 헤일리의 사진을 찍던 제프는 그녀가 수면제를 탄 술을 먹고 쓰러지게 되고, 제프가 눈을 떴을때 상황은 역전되고 의자에 묶여있는 자신을 발견하게된다. 제프를 아동성범죄자로 몰아가는 헤일리는 그의 집을 수색해 증거를 찾아내기 시작한다. 그리고 발견된 한장의 사진 헤일리는 더이상 이같은 피해자를 만들수 없다며 제프에게 벌을내린다.

As the paramedics pry her hand apart from her dead lover's grip a woman's life flashes before her eyes. Racing to the hospital the stunning skies and rooftops of Montreal from the back of the ambulance are inter-cut with the most exquisitely cinematic memories.

Three stories set in Belgrade by night: A loving couple who alarms public uproar for kissing in the street, a lonely boxing handler whose help isn't really appreciated, and two young people who never manage to get to know each other due to dress code issues.

The Other Final is a 2003 documentary film, directed by Johan Kramer, about a football match between Bhutan and Montserrat, the then-lowest ranked teams in the FIFA World Rankings.

시골의 작은 교회에서 봉사활동을 해야 하는 중년의 신나치주의자 아담은 예배당 신부인 이반을 만난다. 거칠고, 적대감에 가득 차 있으며, 회개의 가능성이라고는 조금도 찾아볼 수 없는 아담에게, 이반은 하나의 분명한 목표를 설정하라고 북돋워준다. 아담이 애플파이를 구워보겠다고 말하자, 이반은 교회의 사과나무에 관한 과제를 부여한다.

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their attention on hands. Using film extracts, Farocki explores this visual language, its symbolism, Freudian slips, automatisms and its music. Often, hands betray an emotion which the face tries to dissimulate. They can also function as a conduit (exchanging money) or witness to a form of competence (work).