Black Anal Beauties (2011)

19世紀半ば、売りに出されることになった奴隷の女性が、家族に二度と会えなくなると思い、脱走を決意。奴隷制が廃止されたペンシルバニア州を目指すが……。シンシア・エリヴォ主演で実話を映画化した感動作。

1961年バージニア州。頭脳明晰なアフリカ系女性キャサリンはNASAで働くことになるが、NASAでも有色人種に対する差別は全体的に広く残り、労働環境は厳しいものだった。やがてキャサリンは、NASAでは白人を含むすべての女性が差別されていることに気付き始める。そして1961年5月、ケネディ大統領はアメリカ人宇宙飛行士の月面着陸を実現することを表明し、キャサリンたちに活躍する機会が与えられていく。

BELLE is inspired by the true story of Dido Elizabeth Belle, the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield and his wife, Belle's lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar's son bent on change who, with her help, shapes Lord Mansfield's role as Lord Chief Justice to end slavery in England

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

パワフルな歌声、ダイナミックなアクション。聴衆を惹きつけてやまない人間的な深い魅力を武器に、ロック界の女王として君臨してきたティナ・ターナー。彼女の半生を、自伝をもとに描いた感動作。

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

David is transported to the cut-throat world of fashion. Olivia, an up-and-coming fashion designer who gets the opportunity of a lifetime to work for icon Salma Barrie. But things go out of control when Olivia must step up to save the company and fight against a former co-worker who has started a competing company.

In the Lifetime® movie, THE FANTASIA BARRINO STORY: LIFE IS NOT A FAIRYTALE, a single teenage mother overcomes all odds - sexual abuse, poverty and illiteracy - by relying on her spectacular singing voice. She ultimately gains national prominence as the winner of a hit talent show. Fantasia Barrino plays herself in this modern true Cinderella story. Also starring Loretta Devine, Kadeem Hardison and Viola Davis.

A racist skinhead falls in love with a black woman.

The Legend, on Nina’s life and music, was made in France by Frank Lords and it is told in large part by Nina Simone herself. It is an honest portrayal based on her autobiography “I Put A Spell On You,” that shows Nina at her mightiest and at her most vulnerable.

Prime example of the very silly humor / sexploitation genre coming out of Italy in the 70's. A black women (Carla Brait) begins work as a maid in an apartment complex filled with wacky characters. All the men are over-the-top horndog caricatures who beat each other senseless, chase around loose women and get slack-jawed when they see so much as a bared thigh from the "Black Maid". Silly slapstick humor from the building's doorman, a topless catfight, some role-playing , interracial sex, the amazing Femi Benussi .

Described by Dee Rees as a "black lesbian horror film set in the mountains."

In 1968, Shirley Chisholm becomes the first black woman elected to Congress. In 1972, she becomes the first black woman to run for president. Shunned by the political establishment, she's supported by a motley crew of blacks, feminists, and young voters. Their campaign-trail adventures are frenzied, fierce and fundamentally right on!

BLACK BALLERINA tells the story of several black women from different generations who fell in love with ballet. Six decades ago, while pursuing their dreams, Joan Myers Brown, Delores Browne and Raven Wilkinson confronted racism, exclusion and unequal opportunity. Today, young dancers of color continue to face formidable challenges breaking into the overwhelmingly white world of ballet. Moving back and forth in time, this lyrical, character driven film shows how far we still have to go and stimulates a fresh discussion about race, inclusion and opportunity across all sectors of American society.

How Winnie Mandela went from innocent country girl to a fighter against apartheid.

“I don’t want to feel like it’s only me. I know it’s not only me, because there are others out there…” ‘I Don’t Protest, I Just Dance In My Shadow’ is a short visual essay film by artist animator, Jessica Ashman, about navigating the visual art and animation world as a black face in a white space. Using animation and recorded interviews of eight other women of colour artists, ‘I Don’t Protest, I Just Dance In My Shadow’ is an abstract confessional from the director herself: a visualisation of the joy, frustration, wishes and dreams of what it feels like to be a black women and a woman of colour artist, creating and existing.

Explores the impact American slavery had on how Black women view themselves and their sexuality.

From a celebrated hoops prodigy to a self-reliant professional basketball star, from Baylor to the WNBA and overseas, Brittney Griner had a wild ride last year. Her trip ended in China, where she drew oohs and aahs from fascinated crowds ... and learned a little something about herself along the way.

"Tears of Joy" is a short film depicting one girl's battle with bullying. It was created to create awareness about an issue to which many of our children fall victim.