Have Fun in Pyongyang (2019)
ジャンル : ドキュメンタリー
上映時間 : 1時間 13分
演出 : Pierre-Olivier François
シノプシス
Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.
トーク番組の司会者デイブとアーロンは、朝鮮労働党第一書記・金正恩へのインタビューを許されたことから、中央情報局(CIA)に雇われて彼の暗殺を試みる。二人は金の怒りを買い、金は怒りに任せ、大陸間弾道ミサイルの発射を命じる。だが命令が発せられる前にデイブは戦車でヘリコプターを撃墜して金を殺害し、ミサイル発射を食い止める。二人は北朝鮮軍に偽装した米海軍特殊部隊に救出され、デイブは自分の経験を本に著す。そして北朝鮮はスークの助勢を受けて民主主義国家になる。
1992年、北朝鮮の核兵器開発を巡って緊張状態が高まる朝鮮半島。韓国軍の情報部隊の将校パク・ソギョンは、国家安全企画部のチェ・ハクソン室長から、コードネーム「黒金星ブラック・ヴィーナス」という工作員として北朝鮮に潜入する命令を受ける。北朝鮮の核開発の実態を探るため、事業家に扮したパクは3年にわたって慎重な工作活動を試みる。パクは北朝鮮の対外交渉を担うリ・ミョンウン所長から信頼を得ることに成功し、北朝鮮の最高国家権力であるキム・ジョンイルに会う機会を得るまでに至る。しかし、1997年の韓国の大統領選挙に際する南北の裏取引によって、パクは自らの工作活動が無になることを知り、葛藤する。<実話を元に、北朝鮮の核開発をめぐり緊迫する1990年代の朝鮮半島を舞台に北への潜入を命じられた韓国のスパイの命を懸けた工作活動を描き、韓国で数々の映画賞を受賞したサスペンスドラマ。>
2017年2月、マレーシアのクアラルンプール国際空港で一人の男が突然倒れた。神経猛毒剤VXを顔に塗られて殺された男は、北朝鮮・朝鮮 労働党委員長、金正恩の実兄・金正男。そして殺したのはベトナム人とインドネシア人の二人の若い普通の女性だった。暗殺の様子は空港の監視カメラにす べて納められ、そのいたずらのような“ドッキリ”映像は世界を駆け巡ることとなる――。なぜ彼女たちは北朝鮮の重要人物を暗殺したのか?そもそも彼女た ちはプロの殺し屋なのか?どのように暗殺者に仕立てあげられていったのか?分かってきたのは、貧しい二人がそれぞれの人生を夢見、そこに付け込んでSNSを通して巧妙に罠をしかけてきた北朝鮮の工作員たちの姿だった。巨大な国を相手に彼女たちの無罪を信じ、証拠を積み上げていく弁護団の渾身の調 査はやがてある真実に行きつく...。
In 1951 ceasefire is declared, but two remaining armies fought their final battle on the front line Towards the end of the Korean War, a South Korean battalion is fiercely battling over a hill on the front line border against the North in order to capture a strategic point that would determine the new border between two nations. The ownership of this small patch of land would swap multiple times each day. Kang is dispatched to the front line in order to investigate the tacit case that’s been happening there.
It’s October 10 2020 and Kim Jong-un presents the largest mobile rocket on Earth. Jippe Liefbroer, Interaction Design student, sees the rocket and thinks: it can be bigger. For his graduation project he built 'Kimmi's worst nightmare', a 31 meter long rocket. That is 1 meter longer than Kim Jung-un's.
North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.
This story unfolds 8 years after 'Battle of Hwangsanbeol', which destroyed Baekjae, when Silla-Tang Dynasty union attacks Goguryeo.
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in Day of the Shining Star (Kim Jong-il's birthday) celebration. While North Korean government wanted a propaganda film, the director kept on filming between the scripted scenes. The ritualized explosions of color and joy contrast sharply with pale everyday reality, which is not particularly terrible, but rather quite surreal.
Sung-geun is an untalented actor who makes a living playing minor roles. He happens to land on the role as Kim Il-sung, the former leader of North Korea, for the rehearsal of the South-North Korea Summit. Sung-geun becomes passionately immersed in his role, motivated by his son who looks up to him. However, the summit is not realized, and Sung-geun ends up lost in the delusion that he really is Kim Il-sung.
Dennis Rodman is on a mission. After forging an unlikely friendship with North Korean leader Kim Jong-un, he wants to improve relations between North Korea and the US by staging a historic basketball game between the two countries. But the North Korean team isn't the only opposition he'll face... Condemned by the NBA and The Whitehouse, and hounded every step of the way by the press, can Dennis keep it together and make the game happen? Or will it go up in a mushroom cloud of smoke? For the first time, discover the true story of what happened when Dennis Rodman took a team of former-NBA players to North Korea and staged the most controversial game of basketball the world has never seen.
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il. Her ex-husband, film director Shin Sang-ok, undertakes her search, but soon after he is kidnapped as well. In 1983, after living through years of tribulations, Kim Jong-il puts them in charge of the North Korean film industry in the hope of gaining international recognition.
Shin Dong-Huyk was born on November 19, 1983 as a political prisoner in a North Korean re-education camp. He was a child of two prisoners who had been married by order of the wardens. He spent his entire childhood and youth in Camp 14, in fact a death camp. He was forced to labor since he was six years old and suffered from hunger, beatings and torture, always at the mercy of the wardens. He knew nothing about the world outside the barbed-wire fences. At the age of 23, with the help of an older prisoner, he managed to escape. For months he traveled through North Korea and China and finally to South Korea, where he encountered a world completely strange to him.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
On the morning of her first day at a new school, a girl practices different ways to greet her teacher in order to make a good impression. A bundle of nerves, she heads off to school, and, contrary to her expectations, is met with indifference by the teacher.
Bob Woodruff’s daring 880-mile journey along the China-North Korea border examines the delicate relationship between the two countries and the United States.
Ryun-hee Kim, a North Korean housewife, was forced to come to South Korea and became its citizen against her will. As her seven years of struggle to go back to her family in North Korea continues, the political absurdity hinders her journey back to her loved ones. The life of her family in the North goes on in emptiness, and she fears that she might become someone, like a shadow, who exists only in the fading memory of her family.
Is it possible to have fun in Pyongyang? Can one be joyful in the Democratic People’s Republic of Korea? If so, who can? Everyone? Doing what? Why does Kim Jong-un bet on amusement parks, skis trails, and tourism? This film allows to go beyond mass parades and recurring missile crisis, to meet the people of North Korean “Hermit Kingdom”. The authors have been there dozen times, like amateur anthropologists, filming during eight years parties and harvests, factories and singing contests, Pyongyang and the countryside – and interviewing North Korean people.
From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.