Pactes de silenci (2018)

　「ブレイド２」「ヘルボーイ」のギレルモ・デル・トロ監督が「デビルズ・バックボーン」に続いて再びスペイン内戦を背景に描く哀切のダーク・ファンタジー。再婚した母に連れられ、山中でレジスタンス掃討の指揮をとる冷酷な義父のもとへとやって来た空想好きの少女は、やがて残酷な現実世界から逃避し森の中の不思議な迷宮へと迷い込んでいくが…。イマジネーションあふれるヴィジュアルと深いテーマ性が高く評価され、いわゆるジャンル映画でありながら数々の映画賞を席巻する活躍で大きな注目を集めた話題作。 　1944年のスペイン。内戦終結後もフランコ政権の圧政に反発する人々がゲリラ闘争を繰り広げる山間部。内戦で父を亡くした少女オフェリアは、臨月の母カルメンと共にこの山奥へとやって来る。この地でゲリラの鎮圧にあたるビダル将軍と母が再婚したのだった。冷酷で残忍な義父に恐怖と憎しみを募らせるオフェリア。その夜、彼女は昆虫の姿をした不思議な妖精に導かれ、謎めいた迷宮へと足を踏み入れる。そこでオフェリアを出迎えたパン＜牧神＞は、彼女が地底の魔法の国のプリンセスの生まれ変わりで、満月の夜までに３つの試練を乗り越えれば、魔法の国に帰ることが出来ると告げる。オフェリアはその言葉を信じて、与えられた３つの試練に立ち向かう決意を固めるのだったが…。

　「ブレイド２」「ヘルボーイ」のギレルモ・デル・トロ監督が「デビルズ・バックボーン」に続いて再びスペイン内戦を背景に描く哀切のダーク・ファンタジー。再婚した母に連れられ、山中でレジスタンス掃討の指揮をとる冷酷な義父のもとへとやって来た空想好きの少女は、やがて残酷な現実世界から逃避し森の中の不思議な迷宮へと迷い込んでいくが…。イマジネーションあふれるヴィジュアルと深いテーマ性が高く評価され、いわゆるジャンル映画でありながら数々の映画賞を席巻する活躍で大きな注目を集めた話題作。 　1944年のスペイン。内戦終結後もフランコ政権の圧政に反発する人々がゲリラ闘争を繰り広げる山間部。内戦で父を亡くした少女オフェリアは、臨月の母カルメンと共にこの山奥へとやって来る。この地でゲリラの鎮圧にあたるビダル将軍と母が再婚したのだった。冷酷で残忍な義父に恐怖と憎しみを募らせるオフェリア。その夜、彼女は昆虫の姿をした不思議な妖精に導かれ、謎めいた迷宮へと足を踏み入れる。そこでオフェリアを出迎えたパン＜牧神＞は、彼女が地底の魔法の国のプリンセスの生まれ変わりで、満月の夜までに３つの試練を乗り越えれば、魔法の国に帰ることが出来ると告げる。オフェリアはその言葉を信じて、与えられた３つの試練に立ち向かう決意を固めるのだったが…。

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

The story of the tortuous struggle against the silence of the victims of the dictatorship imposed by General Franco after the victory of the rebel side in the Spanish Civil War (1936-1975). In a democratic country, but still ideologically divided, the survivors seek justice as they organize the so-called “Argentinian lawsuit” and denounce the legally sanctioned pact of oblivion that intends to hide the crimes they were subjects of.

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

David Carr is a British Communist who is unemployed. In 1936, when the Spanish Civil War begins, he decides to fight for the Republican side, a coalition of liberals, communists and anarchists, so he joins the POUM militia and witnesses firsthand the betrayal of the Spanish revolution by Stalin's followers and Moscow's orders.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.

Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrade to prevent him from going to Madrid where he could be arrested.

Morir en Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this document.

Morir en Madrid brings together several papers on the Spanish Civil War and integrates capturing different points of view, intended to represent the continuity of the suffering of the Spanish during the Franco regime. The death of Federico Garcia Lorca, Guernica, the defense of Madrid, the International Brigades, are some of the items comprised in this document.

Cubelles, Tarragona, Spain, Christmas 1985. Five friends make an unexpected discovery in the forest: a woman disguised as Santa Claus trapped in a deep hole dug in the middle of nowhere.

Cubelles, Tarragona, Spain, Christmas 1985. Five friends make an unexpected discovery in the forest: a woman disguised as Santa Claus trapped in a deep hole dug in the middle of nowhere.

Somewhere in the spanish country, in the 60s. Paco and his wife Régula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master "needs" their work. When Regula's brother is fired from where he has worked for 61 years, he settles down at their little place... An attack against the archaism of the spanish country of the 60s.

Somewhere in the spanish country, in the 60s. Paco and his wife Régula are very poor. They work as tenant farmers for a very wealthy landowner. They have 3 children. One is backward. The others can not got to school because the master "needs" their work. When Regula's brother is fired from where he has worked for 61 years, he settles down at their little place... An attack against the archaism of the spanish country of the 60s.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.

France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)

France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)