Washed (2019)

A teenager is stuck in a time loop that is not quite the same each time. She must uncover the truth but her actions have consequences for herself and others.

セラピストをしているドクター、クレア・サマーズは、ある日飛行機事故で生存した５人を受け持つことになった。 グループカウンセリングの度に、窓の外にある人物の影が…そして、メンバーが一人ずつ消えていく…。 クレアは徐々に、航空会社が過失を組織ぐるみで隠すために、生存者を口封じのため狙っているものと疑い出し、解明のため奔走する。 その中、生存者の一人エリックは、唯一自宅での個人カウンセリングを希望。 事故のショックからか、躁状態とも言える彼の突拍子もない行動に、振り回されっぱなしのクレア。しかし、自分の心の痛みにそっと寄り添ってくれている彼に、戸惑いながらも次第に惹かれていく。 そして、最後に意外な真相が明かされることに…。

暴力沙汰を起こした後、ロッキーを見つけたロイは、彼女の目に何かを感じ、運命的な決断を迫られる。ロッキーは彼女を連れてガルベストンに逃げるが、これは賢明ではないし、避けられない行動でもある。

1964年、アイルランド、ダブリン。マグダレン修道院に、時を同じくして3人の少女が収容される。孤児バーナデットはその美しさで周囲の少年たちの目を惹きつけてしまうことが、マーガレットは従兄弟にレイプされたことが、そしてローズは未婚のまま赤ん坊を産んだことがそれぞれ“罪”とされたのだった。彼女たちは、修道院を管理する修道女たちに性悪女と決めつけられ、祈りと労働によって神に奉仕し“罪”を悔い改めるよう言われるのだった。しかしそこで彼女たちを待っていたのは、過酷な労働と自由の一切ない刑務所以上に非人間的な環境だった。

叔父からコイン・ランドリーの経営を任されたパキスタンの青年、オマール。経営がうまくいかず、幼なじみのジョニーの力を借りておしゃれに改装すると……。人種を超越した男同士の関係を描く。

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.

Tom Holmes is someone guided by honesty and moral rectitude, a heroic veteran of the World War I marked by the unbearable suffering caused by his battle wounds, a traumatized but courageous man who will experience, in the years to come, the pain of misfortune but also the happiness of success and hope and love for other human beings.

It's washing day for Abigail. With no one around she can finally get round to doing her dirty laundry. That is until she hears a whistle, and when you hear a whistle you better get out the basement...

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

Gracinda, a young laundry washer, lives with her godfather, "Uncle" Jacinto, and together they run a family business, doing the laundry for residents of Lisbon in their small village in the outskirts of that city (Canecas). Unfortunately, the business is not going very well, but that changes when Gracinda decides to go to the city to try to convince Chico, "Uncle" Jacinto's son, with whom she is in love, to return to the village and give new life to the business. The village is preparing for the annual festivities and a dispute erupts between "Uncle" Jacinto and his business rival , the widow Quiteria, when each of them invites different bands to play at the same time during the party and dances

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

Martje is the manager of a successful laundry service, but in her personal life she struggles with her self-image after the amputation of one of her breasts. After she is humiliated when Loe, one of her employees, is startled by the discovery of her prosthesis during foreplay, she imprisons him in the laundry plant. As Loe is slowly dying in imprisonment, Martje loses contact with reality and starts imagining having a family with him.

Women and infants do laundry in this promotional film for Sunlight soap.

Amanda Afflick is a lovesick laundress who daydreams about customer Horace Greensmith and cherishes the shirt he brought in for washing eight months and sixteen days ago. She tells her fellow workers that the garment belongs to her fiancé, a lord. Just wait, Amanda boasts, one day his lordship will return for his wash — and for her.

A truck driver and a gold-digger meet at a swank hotel and both think the other is wealthy. A drama of greed and society.

June has been living rough. Her truck has been doubling as her home for a little too long. Her hopes extinguished by the city of broken dreams. She lives to please no-one, outside of the oppressive male-gaze. She just wants to sweat a little bit.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.