Washed (2019)

O espírito de Lisa está preso a uma casa onde ela e sua família morreram. Quando Olívia se muda para a propriedade, o fantasma de Lisa decide assombrá-la para impedir que o passado se repita.

Uma terapeuta tem a missão de prestar assistência psicológica aos sobreviventes de um acidente de avião e acaba se envolvendo romanticamente com Eric, o paciente mais calado do grupo. Os sobreviventes começam a desaparecer misteriosamente e ela acredita que Eric sabe o motivo.

Após escapar de uma armação feita pelo seu antigo chefe, um assassino moribundo resgata uma jovem prostituta e foge com ela para Galveston, onde planeja sua vingança. Os dois precisam encontrar suas forças enquanto são perseguidos por pessoas perigosas e pela sombra de seus passados.

Na Irlanda, jovens mulheres eram aprisionadas nos asilos de Madalena para trabalhar nas lavandarias com o objetivo de pagar seus pecados. Neste cenário, e com a liberação das mulheres se estendendo pelo mundo, quatro dessas vítimas são levadas pela Igreja Católica.

A Pakistani Briton renovates a rundown laundrette with his male lover while dealing with drama within his family, the local Pakistani community, and a persistent mob of skinheads.

Clássico musical ambientado no coração do Pacífico Sul e com pano de fundo na Segunda Guerra Mundial. É a história de amor de uma jovem e ingênua enfermeira da Marinha (Mitzi Gaynor) e de um não tão jovem fazendeiro francês (Rossano Brazzi), que se conhecem em uma ilha ocupada pelos norte-americanos. Um jovem soldado (John Kerr) e uma bela garota nativa (France Nuyen) também se apaixonam. Ray Walston, no papel de um marinheiro que vive aprontando tramóias, e Juanita Hall, como a rainha nativa do mercado negro, completam o elenco. A trilha sonora inclui pérolas da dupla Rodgers e Hammerstein como "Some Enchanted Evening", "Bali Ha'i", "There is Nothin' Like a Dame" e "Younger Than Springtime".

Tom Holmes is someone guided by honesty and moral rectitude, a heroic veteran of the World War I marked by the unbearable suffering caused by his battle wounds, a traumatized but courageous man who will experience, in the years to come, the pain of misfortune but also the happiness of success and hope and love for other human beings.

It's washing day for Abigail. With no one around she can finally get round to doing her dirty laundry. That is until she hears a whistle, and when you hear a whistle you better get out the basement...

Eve (Gabriela Cartol) é uma jovem mãe solteira que trabalha longas horas como camareira em um hotel de luxo na Cidade do México. Sonhando com uma vida melhor, ela se inscreve no programa de educação para adultos do hotel. Porém, ela logo percebe que nem sempre quem faz o trabalho pesado é recompensado.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

A vida, o quotidiano, os costumes pitorescos, as zangas, as rivalidades e as paixões da pequena comunidade saloia da periferia de Lisboa, que se encarregava da lavagem da roupa no rio.

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

Martje is the manager of a successful laundry service, but in her personal life she struggles with her self-image after the amputation of one of her breasts. After she is humiliated when Loe, one of her employees, is startled by the discovery of her prosthesis during foreplay, she imprisons him in the laundry plant. As Loe is slowly dying in imprisonment, Martje loses contact with reality and starts imagining having a family with him.

Women and infants do laundry in this promotional film for Sunlight soap.

Amanda Afflick is a lovesick laundress who daydreams about customer Horace Greensmith and cherishes the shirt he brought in for washing eight months and sixteen days ago. She tells her fellow workers that the garment belongs to her fiancé, a lord. Just wait, Amanda boasts, one day his lordship will return for his wash — and for her.

A truck driver and a gold-digger meet at a swank hotel and both think the other is wealthy. A drama of greed and society.

June has been living rough. Her truck has been doubling as her home for a little too long. Her hopes extinguished by the city of broken dreams. She lives to please no-one, outside of the oppressive male-gaze. She just wants to sweat a little bit.

The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.