No Go (2019)

IMFのエージェント“イーサン・ハント”と彼のチームは、盗まれた３つのプルトニウムの回収を目前にしていた。だが、突如現れた何者かの策略で仲間の命が危険にさらされ、その最中にプルトニウムを奪われてしまう。イーサンとIMFチームは、プルトニウムを再び奪い返し、複数の都市の“同時核爆発を未然に防ぐ新たなミッション”を受ける。この事件の裏側には、シンジケートの生き残り勢力が結成したアポストル（神の使徒）が関連しており、手がかりは“ジョン・ラーク”という正体不明の男の名前と彼が接触する“ホワイト・ウィドウ”と呼ばれる謎めいた女の存在のみだった。

ホテルの設備係のスキーターは、一週間ほど姉の子ども達を預かることに。彼は夜になると幼い兄妹を寝かしつけるため、自分を主人公にした思いつきの物語を語る。ところが、子ども達はスキーターの話を横取りして勝手に物語を奇想天外なものに変えてしまう。すると翌日、子ども達が昨晩語っていた「空からガムが降る」というありえないような出来事が現実に起こる。さらにその後も、子ども達が作った話だけが次々に起こる。

Charles Price may have grown up with his father in the family shoe business in Northampton, central England, but he never thought that he would take his father's place. Charles has a chance encounter with the flamboyant drag queen cabaret singer Lola and everything changes.

Without the security of the job he wants or the future he dreamed of, Paul Dynan plans the perfect crime to help his struggling family – abduct the socialite children of three wealthy men and collect a ransom of $3-million dollars. Over the course of one long night, Paul and his accomplices hold the rich kids hostage awaiting the ransom with little idea of the secrets that will surface between the fathers when they are forced to choose between their children and their money.

Kings should be treated courteously! At least, that's what famous music critic Georg thinks. But he finds himself counting pennies when his chief editor suddenly fires him from the Viennese newspaper for which he has been writing for decades. While keeping his dismissal a secret from his psychotherapist wife Johanna, whose mind is occupied solely by getting pregnant, Georg begins to plot his revenge.

Mathew is a graduate in software engineering, but is now jobless. He is waiting for his good time to get a good job. Mathew has borrowed some money as loan. Now he cannot give it back as he has no job. Mathew's childhood friend Jeena Johnykkutty is ready to help him as she could. She has a job. Her father Johnykkutty does not like Mathew and he always tries to trouble Mathew whenever he gets a chance. At this time Mathew's good time arrives; but along with it many problems too. The gripping events that follow plot the rest of 'Neram'.

The life of a father and son and their life experience when son tries to breakup with his lover.

Stathis loves bikes, Rena wants to dance all the time and Aleksis goes crazy for rock music. They are three crazy siblings. One of them, Stathis, doesn't seem capable to keep a job and when he loses his girlfriend, his mother decides to give him what he loves the most, a motorcycle!

After losing their jobs, Dasan and Vijayan have no hope of finding work in Kerala. They plan to escape to Dubai, but end up in Chennai. Can they find luck there?

Arun Khanna is a spy for the Indian government whose aid is enlisted to stop ISI Chief Ishak Khan. Khan is trying to build a nuclear bomb with which he can liberate Kashmir from the Indians. A battle of wits ensues. When Khan detonates a bomb at Khanna's engagement party to a fellow spy, Khanna's resolve is only strengthened. Now not only does he have to fight Khan, but he also has to track down his missing fiancee.

Siby is unmindful of his duties towards his family, but is in the pursuit of making some easy money via various fraudulent means. To escape one of the troubles he courted, he goes on an assignment to an old palace in a forest-ridden Cheenkannippara, which has a never-before effect on him.

"Hi, I am Tony" is a psycho thriller based on happenings in a day in Bangalore.Sameer (Asif Ali)and Tina (Mia) elopes to Bangalore after their days of love.They live in a flat owned by Achayan (Biju Menon). Tony (Lal)comes to their flat after he had an encounter with them.

50-year-old Jim (Gerald Chew, "Apprentice", Cannes Film Festival 2016 Un Certain Regard) loses his high-flying job in status-conscious Singapore, but his ego and pride compel him to hide this from his wife (Amy J Cheng, "Crazy Rich Asians") and daughter. His only confidante is his best friend (Sivakumar Palakrishnan, "A Yellow Bird", Cannes Film Festival 2016 Critics' Week). Desperately clinging onto the material symbols of his past success, he unlocks a hibernating malevolent force, with sinister roots in long-buried secrets. As his dream life crumbles around him, worlds collide, the lines between then and now become increasingly blurred, and Jim descends into a waking nightmare. REPOSSESSION is a bold, genre-bending film, with an ever-evolving, haunting soundscape from Golden Horse Award-winning composer Teo Wei Yong ("A Land Imagined").

Charlie (Nedumudi) and Gopu (Ratheesh) are small time con artists who get by life doing petty thefts. They meet Unni (Mohanlal), another jobless young man. Reluctantly Unni joins the other two and try to rob from a car owned by Guruji (Madhu). They get caught but Guruji takes them to his plantation and gifts them 10,000 rupees each under the condition that they need to meet him a year later at the same place and tell him what they did with the money.

'Kaafiron Ki Namaaz' is about a recently court martialed army officer, a writer and a musician who confess their most personal secrets to each other on a rainy Christmas Eve somewhere in Srinagar, Kashmir. What begins as a dramatic discussion between the army officer and the writer in an old, abandoned hotel soon turns into a chilling meeting raising some pertinent issues. Meanwhile, the writer's camera assistant stands as a mute spectator and records everything on his camera.

A weary dance-hall girl in a Panama saloon is given the choice of jail or going with a rough-and-tumble oil driller's jungle oil-field in order to pay him back for being slipped a mickey and robbed.

Three brothers, who are jobless, lead a carefree life and make money by cheating people. Their lives take a turn when they learn that one of them is the son of a rich man.

After years spent living off the modest wealth of his in-laws, a man hatches a desperate plan that draws his respectable middle-class family into a vortex of crime.

The film takes us into the life of a nine- year old girl, who takes respite in drawing despite the fact that to fulfil her little aspirations like going to school, she has to navigate difficult geographical terrains and occasionally a curfew or a crossfire. By zooming into the microcosm of the girl's life, this short film endeavors to portray the larger story of Kashmir and the negotiations the people in any contested territory have to make in order to deal with the fissures in their geographical and personal identities. As a conscious act of resistance against the infidelity of language, there are no dialogues in the film.

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.